Gary Lilburn, Conor MacNeill, Ingrid Craigie and Sarah Greene - Opening night curtain call for The Cripple of Inishmaan at the Cort Theatre. - New York, New York, United States - Sunday 20th April 2014
Pat Shortt, Gary Lilburn, Gillian Hanna, June Watson, Daniel Radcliffe, Sarah Greene, Padraic Delaney, Ingrid Craigie and Conor MacNeill - Opening night after party for The Cripple of Inishmaan at the Edison Ballroom - Arrivals - New York, New York, United States - Sunday 20th April 2014
Gary Lilburn, Conor MacNeil, Ingrid Craigie, Sarah Greene and Daniel Radcliffe - First Preview of Broadway's The Cripple of Inishmaan at the Cort Theatre - Curtain Call. - New York, New York, United States - Saturday 12th April 2014
Gillian Hanna, Ingrid Craigie, Conor MacNeill, Padraic Delaney, Michael Grandage, Daniel Radcliffe, Pat Shortt, Sarah Greene and Gary Lilburn - Photo call for the Broadway play 'The Cripple of Inishmaan", held at the Signature Center. - New York, New York, United States - Wednesday 2nd April 2014
Tommy is a new father suffering from severe agoraphobia after his wife Joanne was beaten to death by a savage gang of hooded youths. The children are crazed and blind, feeding on fear that which Tommy provides an all-you-can-eat buffet. Marie is a nurse who helps Tommy overcome his trauma, though is sceptical about the madness of the situation even when Tommy's apartment gets raided again by the same gang. But a tough-taking priest forces him to face his fear as he enlists him to help him destroy the apartment complex with the help of a young boy called Danny who, like the assailants, is blind and able to sense fear though uses it to help Tommy stay alive. Things get complicated when Tommy's baby daughter Elsa is targeted however, and he begins to worry whether he has any hope rebuilding the future that is gradually being snatched from him.
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He'll also be on board as a producer for the book to screen adaptation.
Gendry has been living under Cersei Lannister's nose for quite some time now.
The director would love to take the films in a different direction.