Imelda Staunton - The EE British Academy Film Awards (BAFTA) 2015 Official After Party held at the Grosvenor House hotel - Arrivals at Grosvenor House - London, United Kingdom - Sunday 8th February 2015
Sally Hawkins and Imelda Staunton - Various stars of film and television were photographed after the EE British Academy of Film and Television Awards which were held at the Royal Opera House in London, United Kingdom - Sunday 8th February 2015
Imelda Staunton and Jim Carter - Various stars of film and television were photographed on the red carpet as they arrived for the the EE British Academy of Film and Television Awards which were held at The Opera House in London, United Kingdom - Sunday 8th February 2015
Jim Clark and Imelda Staunton - Various stars of film and television were photographed on the red carpet as they arrived for the the EE British Academy of Film and Television Awards which were held at The Opera House in London, United Kingdom - Sunday 8th February 2015
Jim Carter and Imelda Staunton - Various stars of film and television were photographed on the red carpet as they arrived for the the EE British Academy of Film and Television Awards which were held at The Opera House in London, United Kingdom - Sunday 8th February 2015
'Pride' won Best Film, while Brendan Gleeson beat Benedict Cumberbatch to best actor at the British Independent Film Awards.
The miners' strike drama Pride has won Best Film at the British Independent Film Awards. The film collected three awards in total, with Andrew Scott and Imelda Staunton winning best supporting actor and actress, respectively.
Pride won best film at the British Independent Film Awards
The movie told the true story of a group of gay activists who work to help miners during their lengthy strike of the National Union of Mineworkers in the summer of 1984.
Continue reading: Miners Movie 'Pride' Wins Best Film at British Independent Film Awards
It's difficult not to go into a movie like this with a sense of dread, as the beloved children's book becomes a live-action movie with a digitally animated, eerily realistic-looking bear. Thankfully, the task of filmmaking was given to the inventive Paul King (of Mighty Boosh fame), who made the charmingly surreal 2009 comedy Bunny and the Bull and brings a refreshingly unexpected comical sensibility to liven up this film's family-friendly formula.
It starts in darkest Peru, where a young bear (voiced by Ben Whishaw) has been raised by his aunt and uncle (Imelda Staunton and Michael Gambon), who learned about London from a British explorer. Now in need of a new home, the youngster heads across the sea and takes the name of Paddington Station when he meets the Brown family: over-cautious dad (Hugh Bonneville), over-curious mum (Sally Hawkins), sulking teen Judy (Madeleine Harris), inventive pre-teen Jonathan (Samuel Joslin) and feisty relative Mrs Bird (Julie Walters). As they help him find the explorer, he has a series of adventures, unaware that the taxidermist Millicent (Nicole Kidman) is on his trail, determined to add him to the species on exhibition at the Natural History Museum.
This Cruella De Vil-style subplot would be seriously annoying if King ever let it take over the movie, but it always remains secondary to Paddington's mayhem-causing behaviour and his bonding with the Browns. It also provides some genuine tension in a climactic action sequence in the museum. But most of the film is dedicated to Paddington's comically ridiculous antics, and Whishaw voices him with just the right mixture of curiosity and hapless mischief to make him irresistible.
Continue reading: Paddington Review
'Pride' has 100% on Rotten Tomatoes and is set for further accolades.
After taking Cannes by storm and picking up a few awards in the process, the true comedy-drama Pride has already joined the ranks of beloved British crowd-pleasers, even though it's only opening in UK cinemas this weekend. In addition to the accolades it has already won, the film has a rare 100 percent positive rating from Rotten Tomatoes critics.
Pride joins a long history of British feel-good hits like Billy Elliot, The Full Monty, Brassed Off, Calendar Girls, Bend it Like Beckham and Kinky Boots. Plus of course the rousing movies that stormed the Oscars and walked off with Best Picture in the process: Chariots of Fire, Shakespeare in Love, Slumdog Millionaire and The King's Speech.
More: read our full review of 'Pride'
Continue reading: pride reviews
Based on a true story, this crowd-pleasing comedy-drama is such a joy to watch that it wears our faces out with all the smiling, laughing, crying and cheering. Skilfully written and directed, and sharply well played by an ace cast, this is a story that can't help but get under the skin. Its twists and turns are genuinely jaw-dropping, and the character interaction sparks with all kinds of issues that feel hugely resonant, even though the events depicted took place 30 years ago. In other words, this is a strong candidate for film of the year.
It's set in 1984 London, where 20-year-old Joe (George MacKay) sneaks out of his parents' home to attend the gay pride festivities. When he meets a group of lesbian and gay activists (including Ben Schnetzer, Andrew Scott and Dominic West), he feels like he has found his own place in the world. Their cause is to aid striking miners, because they understand how it feels to be abused by the police and oppressed by their own government. But of course Lesbians & Gays Support the Miners finds it difficult to get a group to accept their assistance. Eventually, they discover a group of strike supporters in the small Welsh village of Dulais who are willing to partner with them, so they travel to Wales to meet them (including Imelda Staunton, Bill Nighy, Paddy Considine and Jessica Gunning), sparking a major culture clash.
Cleverly, the script allows each character in the story to take his or her own personal journey, and the variety of plot-threads weave together beautifully to be powerfully involving. This also allows the filmmakers to explore a wide range of issues in both communities. The gays are facing family rejection, public harassment and the dawn of the Aids epidemic, while the miners are grappling with deep-seated prejudices while watching their lives eviscerated by Thatcher's systematic plan to crush the unions. All of this gives the cast a lot of meat to chew on, and yet the film's brightly anarchic pacing and energetic period touches keep it from ever feeling preachy.
Continue reading: Pride Review
'Pride' could be BAFTA's - and perhaps Oscars bound - after critics lauded it ahead of release this weekend.
Pride is almost certainly the movie that you have to see at the cinema this weekend. The comedy-drama has everything to match some of the great British movies of recent years - The King's Speech, Tyrannosaur, In Bruges, etc. It has a strong narrative, a hugely talented cast and, now, excellent reviews.
Set in the summer of 1984, with Margaret Thatcher in power and the National Union of Mineworkers on strike, Pride tells the story of a London-based group of gay and lesbian activists who raise money to support the strikers' family. Initially rejected by the Union, the group set off to a tiny mining village in Wales to make their donation in person. In probably the most British line in a movie synopsis, ever, "As the strike drags on, the two groups discover that standing together makes for the strongest union of all."
Continue reading: With 100%, 'Pride' Is Probably The Best British Movie of the Year
During the UK miners strike between 1984 and 1985, working families are in desperate need of support. They're feeling victimised and abandoned by society as threats over their livelihood remain imminent. But they're not the only ones feeling ostracised in their own country and that's how the Lesbians and Gays Support the Miners campaign was born. Homophobia is rife in the UK, with the National Union of Mineworkers even refusing help from the LGSM campaigners for fear of how people may see them. Instead, they take their support to a small town in Wales where the majority of workers there are miners. In an extraordinary show of acceptance in an unlikely era, the town allows their new supporters to raise funds for their village. The townspeople may be humorously ignorant about life as a homosexual, but they're judging no longer.
Continue: Pride Trailer
Disney rewrites its own history again with this revisionist version of its 1959 classic Sleeping Beauty. As she did with Alice in Wonderland, screenwriter Linda Woolverton uses simplistic plotting and clumsy dialogue to turn a children's story into an eerily dark Lord of the Rings-style effects extravaganza. Fortunately, it's held together by an imperious performance from Angelina Jolie.
She plays the story's wicked witch as a misunderstood hero, a happy fairy who grew up in a magical realm next to a kingdom of humans who were constantly afraid of what they didn't understand. And things take a grim turn when her childhood friend Stefan (Sharlto Copley) brutally violates her in order to become the human's king. Now the two lands are at war with each other, and in a fit of rage Maleficent curses Stefan's firstborn Aurora (Dakota Fanning) to fall into a deep sleep before she turns 16. So Stefan hides her in a country house cared for by three bumbling pixies (Imelda Staunton, Lesley Manville and Juno Temple). But it's actually Maleficent who watches over Aurora, and as they bond Maleficent begins to wish she could undo that pesky curse.
Yes, this is not remotely the familiar 17th century Sleeping Beauty fairytale: it's a completely different plot that reduces the "sleeping" bit from 100 years to little more than a power nap. It also re-casts Maleficent as a woman who had one brief moment of nastiness, while the increasingly paranoid and cruel Stefan is the real villain of the piece. The problem is that this shift leaves all of the characters feeling shallow and uninteresting. Aside from Jolie's fabulously prowling horned fairy, no one on-screen really registers at all. The terrific trio of pixies are sidelined in silly slapstick, while the Handsome Prince (Brendon Thwaites) is utterly hapless and Maleficent's crow-like sidekick (Sam Riley) is the victim of an over-zealous make-up designer.
Continue reading: Maleficent Review
Disney's dark new fairytale will surprise those who think they know the story...
Ready to check out the brand new behind-the-scenes featurette for Disney's new live action fairytale, Maleficent? Stars Angelina Jolie and Elle Fanning talk about their thrilling new movie in this access-all-areas look at the making of the film, which exclusive scenes that haven't yet been featured in trailers.
'Maleficent' Takes Us Deep Into The Past Of Maleficent To A Time Of War.
The movie revisits the tale of Sleeping Beauty, the somnolent princess who was memorably immortalised by Disney in the hit 1959 musical fantasy animation. Maleficent focusses on the titular dark fairy who's played by Jolie and whose vengeful curse brings about the princess' death-like sleep. However, instead of painting Jolie's character as an out-and-out villainess, Maleficent looks at the character's turbulent past.
Maleficent is a cruel sorceress who will stop at nothing to destroy those who have stolen her wings and ruined her world. As a child, she lived happily in the forest kingdom with a powerful force inside her that she was mostly unaware of. However, it wasn't long before it spun out of control at the arrival of the human kingdom's brutal army, who were intent on taking over. She fought bravely as the guardian of her land, but her valour soon turned to viciousness when she is callously deceived. A new person now filled with a dark desire for vengeance, she takes it upon herself to curse the daughter of her betrayer's successor, forcing her to die when she reaches her sixteenth birthday. Can Princess Aurora persuade Maleficent to turn her curse around, or is the wicked fairy truly a lost cause?
Adapted from the 1959 animated Disney movie 'Sleeping Beauty', 'Maleficent' is the untold story of the film's embittered villain. It marks the directorial debut of double Oscar winning visual effects designer Robert Stromberg with a screenplay by Linda Woolverton ('Beauty and the Beast', 'The Lion King'), Paul Dini ('Superman' animated TV series) and John Lee Hancock ('The Blind Side', 'Snow White and the Huntsman'). It is due to hit the UK on May 30th 2014.
Date of birth
9th January, 1956