Illeana Douglas

Illeana Douglas

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Illeana Douglas - 2016 Film Independent Spirit Awards held at Santa Monica Beach - Arrivals at Independent Spirit Awards - Los Angeles, California, United States - Saturday 27th February 2016

Illeana Douglas
Illeana Douglas

Illeana Douglas - 2016 Film Independent Spirit Awards held at Santa Monica Beach - Arrivals at anta Monica Beach, Independent Spirit Awards - Los Angeles, California, United States - Saturday 27th February 2016

Illeana Douglas
Illeana Douglas
Illeana Douglas
Illeana Douglas
Illeana Douglas

Illeana Douglas - Premiere of 'Bullets Over Broadway The Musical' held at Pantages Theatre Hollywood - Arrivals - Los Angeles, California, United States - Tuesday 5th January 2016

Illeana Douglas
Illeana Douglas
Illeana Douglas

Illeana Douglas - Los Angeles premiere 'She's Funny That Way' at Harmony Gold - Arrivals at Harmony Gold - Los Angeles, California, United States - Wednesday 19th August 2015

Illeana Douglas
Illeana Douglas

Illeana Douglas - Los Angeles Premiere of 'She's Funny That Way' at Harmony Gold - Red Carpet Arrivals - Los Angeles, California, United States - Wednesday 19th August 2015

Illeana Douglas

She's Funny That Way Review

Good

Wacky enough to make us smile but never laugh out loud, this screwball comedy harks back to those nutty 1970s farces Woody Allen used to make about a group of neurotic urbanites. Actually, filmmaker Peter Bogdanovich used to make those kinds of movies too (1972's What's Up Doc is a classic). But he gives this film an oddly muted tone and uneven cast, which leaves it enjoyably silly even though it's never very funny.

It's set in a version of Manhattan where everyone sees the same shrink, eats in the same restaurant and stays at the same hotel, conveniently. Isabella (Imogen Poots) is working as a hooker, and her next john is Arnold (Owen Wilson), who offers her $30,000 if she gives up being a call girl after tonight and pursues her dream of becoming an actress. Then when she goes for her first Broadway audition, she's shocked to discover that Arnold is the director, and her costars would be his wife Delta (Kathryn Hahn) and leery actor Seth (Rhys Ifans), who knows what she used to do for a living. Another ex-client (Austin Pendleton) is obsessing because Isabella has vanished, so he visits the tetchy therapist Jane (Jennifer Aniston), who not only happens to also be counselling Isabella but is dating the playwright Joshua (Will Forte) who fell for Isabella at her audition.

The entanglement between these seven characters is recounted in flashback as Isabella is interviewed by a jaded Hollywood reporter (Illeana Douglas), so the film has a rather episodic structure as it traces each slapstick encounter between these people. With the plot so ludicrously convoluted, it's up to the actors keep us entertained, and they're a mixed bag. Aniston is surprisingly funny as the short-tempered psychologist who really should be in therapy herself, and Hahn gets the balance just right between the manic emotion and the darker comedy. Ifans has his moments as well, creeping around the corners of most scenes. But Poots never quite convinces in the focal role, while Wilson merely recycles his usual hapless routine and Forte gets lost in the shuffle as the token nice guy.

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Return To Sender Review


OK

This intriguing drama takes on some darkly resonant themes with such an oddly bright and cheerful tone that it forces the audience to pay attention. As it continues, the terrific Rosamund Pike uses conflicting emotions to explore the aftermath of a horrific assault. But while there's growing suspense in the plot, the bigger tension comes from the viewers themselves as they wonder whether it's going to unravel into melodramatic rubbish.

Pike plays Miranda, a cleanliness-obsessed nurse with ambition to get a better job and move to a bigger house, partly to stop her single dad (Nick Nolte) from worrying about her. Then a nurse colleague (Rumer Willis) sets her up on a blind date. William (Shiloh Fernandez) is flirty and sexy, but after he brutally attacks her he goes to prison, leaving Miranda to put her life back together. Surprisingly, she takes a proactive approach that includes contacting William and trying to achieve some sort of reconciliation. Miranda's father is horrified by this, especially when William is released on parole and turns up to help her fix up her house.

This insinuating set-up keeps the audience guessing whether this is a complex look at how people wrestle with the fall-out from a violent rape, or perhaps either Miranda or William are up to something more nefarious. So whether it's sparking hope or dread, it's relatively gripping. And Pike is superb as a quirky woman who continually faces her fears. This includes both connecting with William and trying to befriend her dad's scary dog Benny. "Hating him only hurts me," she says pointedly. Nolte is reliably solid as her wheezy, concerned dad. And Fernandez is utterly magnetic as the mercurial William. All of the characters are defined by rather simplistic filmmaking shorthand, but the actors give them plenty of weight.

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Return To Sender Trailer


A young nurse training to work in surgery is encouraged to go on a blind date with her friend's single male friend Kevin. However, he doesn't seem at all how he was described when he shows up on her doorstep. Locking the door of her house once inside, he savagely assaults her before fleeing. It's only later, when a kind-faced man with a bunch of flowers arrives (the real Kevin), that she realises she had let a dangerous stranger into her home named William Finn. While being questioned by police, the nurse recalls seeing her attacker once before and he is soon rounded up and thrown behind bars. The attack has left her shellshocked, struggling to concentrate on her job and occasionally giving in to frenzy. She decides to start writing to William, but every letter is returned without being read. He eventually agrees to her visiting, and appears to show remorse just as the nurse appears to show forgiveness. She hasn't told anyone of her intentions, and her father is left terrified as she continues to speak to the brute as a free man.

Continue: Return To Sender Trailer

Pittsburgh Review


Excellent
Singularly unique, Pittsburgh is one of the more enjoyable motion pictures I've come across in recent months. Apparently dumped to DVD (with a preview on Starz Cinema) without a theatrical run, the film is part documentary, part mockumentary, part improv comedy. The film has no screenwriting credit, but it does tell a story of sorts, involving Jeff Goldblum (as himself, as is everyone here) returning to his hometown of Pittsburgh for a two-week run of The Music Man, in which he will play the lead. This amuses, excites, and perplexes various people in his life.

Goldblum did indeed star in The Music Man in Pittsburgh, and he did go on late night TV with Conan and Kilborn to promote it. I presume he really is friends with Illieana Douglas and Ed Begley Jr., but I'm less clear if he's really wooing a girl in need of a green card and whether Moby's obsessed with amateur porn. Pittsburgh lives in a relatively thick line between reality and fantasy, but it never ceases to be funny.

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Fired! Review


OK
My wife put it pretty aptly when we were watching Fired!: Annabelle Gurwitch must think getting fired is a whole lot more interesting than it really is.

Fired! sounds like a decent enough idea: After being fired from a Woody Allen play (poor baby!), Gurwitch found herself despairing to the point where she had to write a book about it. I guess if Woody Allen said my acting was on par with being "retarded," I'd be bummed too.

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Flypaper Review


Bad
Would that I could tell you, gentle reader, what this movie is actually about. A meaningless hodgepodge of stories about snakes, bondage, kidnapping, and God knows what else. It's too bad, because there are actually some decent actors here. Lord knows why they took the parts. A pathetic excuse for a film, redeemed only in a miniscule way by Jeffrey Jones' cameo at the very end of the picture.

Dummy Review


Excellent
Just before Adrien Brody delivered his Oscar-winning performance as an isolated and frightened Holocaust survivor in The Pianist, he played a whole different kind of isolated and frightened. As Steven, a lonely underachiever in Greg Pritikin's fantastic indie comedy Dummy, Brody finds solace not in piano music, but in the twisted art of ventriloquism.

It's an offbeat concept that might fit in a chop-'em-up horror movie or a sad, pathetic character study -- yet writer/director Pritikin finds his own niche with the idea, producing a creatively eclectic tale. Dummy is full of exciting surprising laughs, true heart, and enough dysfunctional characters to fill a Wes Anderson film.

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Alive Review


Excellent
Ah, the splendid sight of a good movie after a string of bad ones. Understand me, I have seen about five bad movies in a row, and, when I watched Alive, I broke my streak. Perhaps then it is fitting that I should write my review of Alive last (the last of a marathon writing stretch of seven reviews), that is should be my final respite after such a long series of typing.

Alive is the true story of a plane crash that occurred in 1972 in the Andes. Come on, you know what I'm talking about, the one where the survivors had to resort to cannibalism? Yeah, I saw that episode of Seinfeld too. The movie has been parodied way too much for something of its caliber.

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Message In A Bottle Review


OK

About 75 percent of "Message In a Bottle" is waiting for theother shoe to drop.

Robin Wright Penn plays a Chicago Tribune researcher whobecomes fixated on finding the author of a grief-filled love letter setadrift at sea. By the time she meets him, the letter has done a numberon her heart and she falls in love quickly with the achingly widowed, middle-agedsalt, played by a Kevin Costner, and spends most of the movie trying tofind the right moment to say "Hey, I read that letter to your deadwife that no one was ever supposed to see."

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The Next Best Thing Review


Weak

Homogenized, sterilized and clearly revised by test-audience scoring, "The Next Best Thing" is a disingenuous, emotionally deficient comedy-drama about an earthy yoga teacher who has a baby with a gay friend after a night of booze-fueled accidental amour.

Starring mismatched Madonna and Rupert Everett as the atypical parents who decide to live as a family and raise their son together, there is a core of sincerity in the script that is lead to slaughter by the studio's desire to pat itself on the back for being edgy without losing ticket sales to the lowest common denominator crowd.

The story starts well enough, with our unusual couple commiserating over failed relationships by getting hammered on margaritas one evening, then waking up the next day in a compromising position. Next thing they know, Abbie (Madonna) is knocked up, Robert (Everett) embraces the responsible daddy role, and they move in together -- much to the amazement of friends and family.

Continue reading: The Next Best Thing Review

Illeana Douglas

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Illeana Douglas Movies

She's Funny That Way Movie Review

She's Funny That Way Movie Review

Wacky enough to make us smile but never laugh out loud, this screwball comedy harks...

Return to Sender Movie Review

Return to Sender Movie Review

This intriguing drama takes on some darkly resonant themes with such an oddly bright and...

Return To Sender Trailer

Return To Sender Trailer

A young nurse training to work in surgery is encouraged to go on a blind...

Ghost World Movie Review

Ghost World Movie Review

It's been seven years since director Terry Zwigoff impressed moviegoers with his documentary Crumb, an...

Dummy Movie Review

Dummy Movie Review

Just before Adrien Brody delivered his Oscar-winning performance as an isolated and frightened Holocaust survivor...

Stir Of Echoes Movie Review

Stir Of Echoes Movie Review

It seems this is the summer for deeply chilling psychological horror movies, and "Stir of...

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