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The 17th Annual Del Close Improv Comedy Marathon Press Conference

Matt Walsh, Amy Poehler, Matt Besser and Ian Roberts - The 17th Annual Del Close Improv Comedy Marathon Press Conference at the Upright Citizens Brigade (UCB) Theatre - New York City, New York, United States - Saturday 27th June 2015

Matt Walsh
Matt Walsh

Get Hard Review


OK

Audiences may be divided over whether this comedy crosses the line as it looks for laughs in racism and homophobia, but the cast and crew just manage to keep the movie's heart in the right place. At its core, this is another enjoyable bromance that uses cheap gags to keep the audience chuckling awkwardly. And even if the one joke requires a certain level of gay fear, the film has enough spark and personality to poke fun at what is clearly depicted as narrow-minded paranoia.

It opens in a ludicrously expansive Bel Air mansion, where naive investor James (Will Ferrell) lives with his shark-like fiancee Alissa (Alison Brie), daughter of his boss Martin (Craig T. Nelson). Then as he's performing a duet with John Mayer at his engagement party, the feds swoop in and arrest James for embezzlement. But his innocent plea is ignored, and the judge throws the book at him, sentencing him to 10 years at the notorious San Quentin Penitentiary. With 30 days before he has to report to jail, James hires his car valet Darnell (Kevin Hart) to toughen him up for life behind bars, assuming that because he's black Darnell must surely know something about prison life. Darnell needs the cash, so he plays along, turning to his gang-member cousin Russell (Tip "T.I." Harris) for some street cred.

The script adds some clever texture in Darnell's home life with his no-nonsense wife (Dickerson), who is bemused by the fact that her nice-guy husband is pretending to be a seasoned criminal. Like her, the audience is waiting for the sham to collapse hilariously around him, but the screenplay veers off in some unexpected directions that both increase the tension and push the humour closer to the edge. Even so, the movie's core issue is the gaping divide between obscene Westside wealth and the relative economic struggle in South Central. Although director Etan Cohen never takes any of this too seriously, milking every situation for maximum absurdity.

Continue reading: Get Hard Review

The 16th Annual Del Close Improv Comedy Marathon - Press Conference

Matt Besser and Ian Roberts - The 16th Annual Del Close Improv Comedy Marathon Press Conference, presented by The Upright Citizens Brigade Theatre - New York, New York, United States - Friday 27th June 2014

Matt Besser and Ian Roberts
Matt Besser and Ian Roberts
Ian Roberts
Ian Roberts
Ian Roberts

2014 Formula 1 Malaysian Grand Prix

Dr. Ian Roberts - 2014 Formula 1 Malaysian Grand Prix - Sepang International Circuit - Qualifying - Sepang, Malaysia - Saturday 29th March 2014

Ian Roberts
Ian Roberts
Ian Roberts

2014 Writers Guild Awards LA ceremony - Press Room

Charlie Sanders, Ian Roberts, Jay Martel and Alex Rubens - WGA winners pose at 2014 Writers Guild Awards Press room at JW Marriott Los Angeles L.A. LIVE. - Los Angeles, California, United States - Saturday 1st February 2014

Charlie Sanders, Ian Roberts, Jay Martel and Alex Rubens
Charlie Sanders, Ian Roberts, Jay Martel and Alex Rubens
Charlie Sanders, Ian Roberts, Jay Martel and Alex Rubens

Gigantic Review


Excellent
This gentle romance is so wilfully quirky that it will drive some audiences a bit crazy. But if you can connect to the film's warmth and the humanity of its characters, it really gets under the skin.

Brian (Dano) is a 28-year-old who sells upscale mattresses and dreams of adopting a Chinese baby. His latest customer is the eccentric, large Al Lolly (Goodman), whose daughter Happy (Deschanel) strikes up a friendship that quickly turns into a sort of romance. But she's a bit skittish about the adoption thing, not to mention meeting his parents (Asner and Alexander) and much-older brothers (Roberts and Stanton). Meanwhile, a homeless man (Galifianakis) seems to be trying to kill him.

Continue reading: Gigantic Review

Gigantic Review


Weak
If you're going to make a film about two people falling in love, having two likable lead actors is an excellent place to start. For director Matt Aselton's first-time effort, Paul Dano and Zooey Deschanel fit the bill just fine. Alas, Gigantic isn't on par with their on-screen charms, letting down them -- and us.

There's certainly enough promise on hand -- quirky characters, quiet pacing, quick and unforced wit -- but it appears Aselton would rather go for disaffected style than narrative substance. And that unfortunately cheats some fine performances and, at its core, some wonderful larger ideas.

Continue reading: Gigantic Review

Picture - Ian Roberts, Leven Rambin, Paul... New York City, USA, Thursday 2nd April 2009

Ian Roberts and Leven Rambin - Ian Roberts, Leven Rambin, Paul Dano, Frank Harts and Matt Aselton New York City, USA - Premiere of 'Gigantic' during the 14th annual Gen Art Film Festival presented by Acura at the Visual Arts Theater Thursday 2nd April 2009

3 Needles Review


Good
It's exceedingly strange that 3 Needles, a lavish and dramatic film shot on three continents and starring a huge cast of A-listers has garnered almost no attention since it was first shown in 2005 and later had short releases in major cities in conjunction with World AIDS Day in 2006. Lucy Liu fans, why haven't you spoken up?

A collection of three short films connected only by their central theme that a lack of AIDS awareness around the world can lead to nothing but the most abject kinds of tragedy. Writer/director Thom Fitzgerald sets his short stories in China, Montreal, and South Africa, each outlining its own depressing reality.

Continue reading: 3 Needles Review

I Dreamed Of Africa Review


Terrible

Almost entirely scenery and labored melodrama, "I Dreamed of Africa" is a terribly earnest effort at making a weepy women's Event Picture from the memoirs of a American socialite roughing it on a ranch in Kenya.

Kim Basinger, in her first screen effort since winning the Oscar for "L.A. Confidential," take the lead as Kuki Gallmann, a real-life divorcee who moved to a derelict 100,000-acre ranch on the East African plains with her young son and her intrepid new husband in the early 1980s.

Tinged with tragedy and adventure, but very little depth, the film plays like entries being read at random from Gallmann's diary. It has a decade's worth of incidents it wants to touch on, but doesn't have a clue how to segue between them. The script has no organic flow whatsoever, racing roughshod over years at once (her son goes from 7 to 14 to 17 in two scenes) and leaving little time for character development.

Continue reading: I Dreamed Of Africa Review

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