Ian Mcneice

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Celebs signing autographs

Ian McNeice - Celebs have been charging up to £20 per autograph at Londons Comic Con - London, United Kingdom - Saturday 24th May 2014

Ian Mcneice

MCM Birmingham Memorabilia Comic Con

Ian McNeice - MCM Birmingham Memorabilia Comic Con at Birmingham NEC - Birmingham, United Kingdom - Saturday 16th March 2013

Ian McNeice

Nativity 2: Danger in the Manger! Review


Good

After 2009's inane comedy Nativity, no one was clamouring for a sequel, but at least this one tips the scales into sublime silliness. If you can suspend your disbelief, this might even be a guilty pleasure, complete with stars behaving stupidly, adorable children and a series of hilariously corny pastiche Christmas songs.

Things continue to be rather chaotic at St Bernadette's Primary School in Coventry, mainly because the headmistress (Ferris) is still employing her idiotic nephew Mr Poppy (Wootton) as a classroom assistant. He's just scared off another applicant for the teaching job when the tenacious Mr Peterson (Tennant) arrives with his pregnant wife (Page), determined to stick it out. Somehow Poppy convinces Peterson to take the kids on an illicit cross-country journey to a Song for Christmas competition in Wales, at which the kids will face competition from school rival Mr Shakespeare (Watkins) as well as Peterson's estranged twin brother Roderick (also Tennant), a snooty composer with a professional choir.

The plot is utterly preposterous, and as the wacky events progress, writer-director Isitt never even tries to ground the movie in realism. In fact, there's a point about halfway through where it becomes pure fantasy, so complaints about believability don't really apply. The only way to survive watching it is to sit back and enjoy the inane plot and goofy slapstick. And by doing so, we're surprised that the film is actually rather enjoyably ridiculous.

Continue reading: Nativity 2: Danger in the Manger! Review

Nativity 2: Danger In The Manger Trailer


Mr. Poppy, an immature classroom assistant at a St. Bernadette's Primary School, returns with ideas for a new Christmas performance with his class following the success of their Nativity play in 2009's 'Nativity!' He wishes to organise the pupils for the National 'Song for Christmas' Competition where the prize is a massive o10,000. However, being only an assistant, he cannot enter the class until their new teacher arrives. Donald Peterson is that teacher; a restless and stressed out man who struggles to deal with the pregnancy of his wife, the pressure on him to become like his talented composer twin brother and, of course, the unruly Class 7. Mr. Poppy wastes no time in getting Donald to agree to get the competition performance underway but the new teacher soon finds himself out of his depth and struggling to control the behaviour of his teaching assistant who insists on using a real baby and a donkey in the show. However, when Donald discovers that his perfect, daddy's boy brother is also competing alongside the upperclass choir of St Cuthbert's College, he finds himself determined to put on a world-class performance.

'Nativity 2: Danger in the Manger' is the most perfect sequel to its 2009 predecessor. It sees the return of Debbie Isitt as writer and director and most of your favourite characters and is set to be released well in time for the festive season on November 23rd 2012. 

Director: Debbie Isitt

Continue: Nativity 2: Danger In The Manger Trailer

Nativity 2 World Premiere held at the Empire, Leicester Square - Arrivals.

Ian McNeice Tuesday 13th November 2012 Nativity 2 World Premiere held at the Empire, Leicester Square - Arrivals.

Ian McNeice
Ian McNeice
Ian McNeice

Ace Ventura: When Nature Calls Review


Terrible
Even worse than the original. And no eye candy to make things go more smoothly.

Frank Herbert's Dune (2000) Review


Unbearable
It seems that David Lynch's adaptation of Frank Herbert's epic science fiction novel Dune (1984) wasn't enough to convince people that this classic works far better on the page. At least that box office fiasco packs in some interesting Lynchian perversions. Besides, how can you go wrong with a cast that includes Patrick Stewart, Max von Sydow, and Alicia Witt as a bald, pint-sized, knife-wielding child? Let me tell you something, buddy -- you can't top that! Maybe it ain't Herbert's vision of Dune, but it's fun at parties.

So someone in the Sci-Fi Channel marketing department thought that they'd be able to create the definitive version of the novel, making much ballyhoo over it in the press. "This is the way Frank Herbert intended it!" Yes, yes, I'm sure he was precisely thinking of static, made-for-television sets lifted from Star Trek: The Next Generation, bathed in nauseating greens, oranges, and fire engine reds.

Continue reading: Frank Herbert's Dune (2000) Review

White Noise Review


Unbearable
White Noise is predicated on an intriguing process called Electronic Voice Phenomenon (EVP) where the dead contact the living through televisions, telephones, and radios. Some may think it's ridiculous, but EVP has long been a fascination for ghost researchers. It's also been the basis for some of the creepiest and most disturbing horror movies ever made, like The Ring and Poltergeist. But with White Noise, we receive mixed signals and a new broadcast that becomes a boring waiting game for the thrills to begin.

Michael Keaton is Jonathan Rivers, a successful architect and loving husband to his pregnant novelist wife Anna (Chandra West) and father to his son Mike (Nicholas Elia), from a previous marriage. After Anna's sudden disappearance and subsequent death, a man named Raymond Price (Ian McNeice) contacts Jonathan claiming he's been receiving messages from Anna on the other side. Desperate to be connected once again with his wife, Jonathan begins a dangerous obsession with EVP.

Continue reading: White Noise Review

Ace Ventura: When Nature Calls Review


Terrible
Even worse than the original. And no eye candy to make things go more smoothly.

Conspiracy Review


OK
Reallllllly weird retelling of an infamous meeting in Nazi Germany wherein Hitler's highest-ups figured out the minutiae of how to dispose with the Jews of Europe. From segregation to sterilization to, ultimately, Auschwitz, the commanders of the Third Reich dispassionately weigh the pros and cons of a Jewish labor force and the "disposal problem." Freaky but not altogether enlightening, as little of the insight given in Conspiracy comes as much of a surprise.

From Hell Review


Weak

A vivid yet distinctly fictitious recreation of the crime-plagued gutters of 19th Century London, the Jack the Ripper thriller "From Hell" is quite a homage to the dense graphic novel from which it was spawned.

It's nothing if not atmospheric, what with its opulently dingy, blood-red set dressings, its pinched-cheek and cheap-corset prostitutes, and its opium- and absinthe-addicted hero -- an unorthodox Scotland Yard Inspector named Abberline (Johnny Depp in lambchop sideburns) who discovers dangerous secrets in the Ripper's ritualized killings.

The film's talented directors -- brothers Allen and Albert Hughes ("Menace II Society," "Dead Presidents"), definitively demonstrating there's more to them than ghetto fare -- blend quite a transporting concoction with their viscous visuals, menacing moodiness, puzzling plot and heady performances.

Continue reading: From Hell Review

White Noise Review


Grim

"White Noise" is yet another horror film that takes a potentially interesting idea and crams it into an old, formula structure with absolutely nothing in the way of surprise, fright or entertainment.

Michael Keaton stars as Jonathan Rivers, a successful architect who loses his second wife, the gorgeous and successful author Anna Rivers (Chandra West, "The Salton Sea"), to a terrible accident.

Months later, a mysterious man (Ian McNeice) approaches John, claiming to be an expert in EVP (Electronic Voice Phenomenon), telling him that he has been receiving signals from Anna, via television and radio static. John becomes obsessed with listening to the static, searching for messages form Anna. But soon he finds himself in the middle of an entirely new mystery.

Continue reading: White Noise Review

Around The World In 80 Days Review


Weak

Jules Verne might have a hard time recognizing his source material in the Jackie Chan action-comedy adaptation of "Around the World in 80 Days," but for non-purists, it's easy to forgive the many liberties taken in this funny, fleet-footed summer-matinee romp.

Although the ostensible main character is still screwball Victorian inventor Phileas Fogg (lanky Steve Coogan) -- who wagers against the stuffed shirts of the English scientific establishment that he can circumnavigate the globe in the titular time period -- this version of the story more literally revolves around Passepartout (Chan), Fogg's valet who has his own reasons for traipsing across continents.

Passepartout has stolen a jade Buddha from a Bank of London vault in order to return it to its rightful place: his native village in China. Fogg is his ticket to safe passage -- or so he thinks.

Continue reading: Around The World In 80 Days Review

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