The end of GCSE exams is approaching and, while many students around the country will be preparing for a messy weekend in Magaluf, it's a guarantee that none of their antics will match those of Mr. Wickers and his troublemaking class. He's always been a terrible teacher, but for Alfie Wickers, a true adventure is needed to seal his unbreakable bond with his tearaway pupils - and so it's off to Cornwall they go, to the chagrin of the kids' worried mothers. It might seem like an innocent school trip, but they're forced to prepare themselves for some unexpected incidents involving seriously menacing farmer locals, as well as Alfie's ruthless old school chums. It gets even worse when the group go missing, and wind up wanted by police and all over the news. But it still could go down as the best school trip ever.
Continue: The Bad Education Movie Trailer
Season Five of 'Game of Thrones' has wrapped up, but with such a good series overall, we had to take a look at our favourite moments from the season.
With the stunning and shocking season finale for 'Game Of Thrones' Season Five having taking audiences by storm, it's time to take a look back over the season and discuss what we thought were the best moments from one of the best rated seasons of one most critically acclaimed shows of all time. While there were plenty of twists and turns this season (in addition to boat rides), these are our top five:
Kit Harington's Jon Snow seems to have bitten the dust
Cersei's Arrest: Lena Headey has put in a great performance from the start, making the incestuous, alcoholic and power-hungry Cersei Lannister both a compelling and hated character since the show's first episode. That said, seeing her chickens coming home to roost when Jonathan Pryce's High Sparrow took the power she had given him, and threw her in prison for her various crimes.
Continue reading: The Top Five Moments From 'Game Of Thrones' Season Five [Spoilers]
Adam Fielding - Guests attend opening of the Nickelodeon Store, No.1 Leicester Square, London at Leicester Square - London, United Kingdom - Friday 29th May 2015
Iain Glen and Charlotte Emmerson - Shots of a host of stars as they took to the red carpet for the 60th London Evening Standard Theatre Awards 2014 which were held at the London Palladium in London, United Kingdom - Sunday 30th November 2014
New writer-director Wadlow (Never Back Down) makes one severe misstep with this sequel to Matthew Vaughn's snappy 2010 Kick-Ass: he loses the irony. Now everything is played for goofy laughs and indulgent grisliness. There's no longer any subtext, nothing original in the structure or premise and a clear fear of being politically incorrect. Even so, it's an entertaining romp with a steady stream of funny gags.
After the craziness of the first film, Dave (Taylor-Johnson) has hung up his Kick-Ass costume and is trying to be a regular teen at school, but he's jealous of Mindy (Moretz) secretly carrying on her training as Hit Girl. So he asks her to team up and teach him some new tricks. But when her guardian (Chestnut) finds out, she promises to give up the violence and go back to school. Now Dave has to find a new partner, so he joins a lively team of underground heroes led by the gung-ho Captain Stars and Stripes (Carrey). But Dave's old nemesis Chris (Mintz-Plasse) still wants to avenge his father's death, so he abandons his dodgy heroic alter-ego Red Mist and instead becomes a supervillain called The Mother F**ker, with his own butler-assistant (Leguizamo) and a crew of minions.
Wadlow briskly leaps from one action set-piece to the next, and each scene has a witty sense of humour about it, even if the extreme violence is played for rather glamorised fun rather than the shock-value of the first film. Through everything, the dialog is packed with amusing lines that keep us laughing. And Mindy's parallel plot has its moments as well, throwing her in with the school's mean girls, who clearly don't know who they're messing with. Moretz plays Mindy so well that she makes everyone else feel scruffy and simplistic by comparison. Carrey's muscled meathead is a startlingly against-type role that strangely refuses to go anywhere. But Glen is rivetingly sharp in one key scene.
Continue reading: Kick-Ass 2 Review
Russell Mulcahy, the newest director in the fold, knows from exhaustible cult franchises, having made the original Highlander. Mulcahy is probably the best director to ever attempt a Resident Evil movie, and he gives the film a more polished look than its predecessors. Mulcahy isn't exactly an original stylist, but the action is coherent and sometimes even striking: the film opens with an eerie, near-wordless sequence capped by an image that can only be described as a pile of Milla Jovoviches. Luckily, continuity is maintained by original Evil filmmaker Paul W.S. Anderson, screenwriter here and provider of much exposition and laughable dialogue to match its predecessors.
Continue reading: Resident Evil: Extinction Review
This time out, its two women (the beautiful Rachel Weisz (The Mummy series) and the less beautiful Susan Lynch) get caught up in a murder when one of their boyfriends gets abusive and takes a lead pipe to the skull at the hands of the other girl. Soon enough, a ransom plan is hatched (despite the fact that the guy is dead), the cops catch on and demand a cut, the body count starts to rise, and the whole affair proves that these girls make poor criminals indeed.
Continue reading: Beautiful Creatures Review
Like a long road trip to nowhere, Spanish director Jaume Balagueró's Darkness is miserable, frustrating, and hard on the buttocks. Though the film's run time is a mere 102 minutes, the psychological impact of wasting precious money and energy staring at the screen and waiting for something -- anything -- to happen could take years off your life.
Continue reading: Darkness Review
Even the teen hormones that live in all us guys are squashed by this one. Jolie, trying to play our heroine Lady Lara Croft as sexy and supercool, just looks mildly amused by the goings-on. I half expected her to check her watch while on camera, searching for lunch or a better project. [Never underestimate crafty film editing. -Ed.]
Continue reading: Lara Croft: Tomb Raider Review
While leaving town to get away from her abusive boyfriend, Dorothy (Susan Lynch) comes upon a scene that's all-too-familiar to her: another young woman getting smacked around in the middle of the street.
High on courage and indignation -- at least for the moment -- Dorothy picks up a pipe and bashes the guy's head in, saving platinum blonde trophy squeeze Petula (Rachel Wiesz). But now these newly-bonded sisters have a dead body on their hands.
Such is the set-up for "Beautiful Creatures," an energetic and sometimes clever, dark comedy crime thriller from Scotland that's full of sharp ideas but undermined by blunt-headed characters and logistical loopholes.
Continue reading: Beautiful Creatures Review
About 50 minutes into "Tomb Raider" the plot abruptly ends -- there's literally no reason for the movie to continue -- but not a single character notices.
Video game vixen Lara Croft -- that curvaceous, gun-slinging archeologist honey perfectly embodied here by Angelina Jolie -- is trying to recover two halves of an ancient artifact that can control time itself. She's has to find them before a secret clan of gristly bad guys does, because if the whole thing falls into the wrong hands it could be used for evil, blah, blah, blah.
Around this 50-minute mark Lara gets her hands on one half of the artifact, but for all her supposed smarts, she's too thick to figure out that all she has to do is destroy that one half to render the artifact powerless and save the world.
Continue reading: Tomb Raider Review