From there, Crimson Gold tracks back in time showing Hussein's life beforehand, and the steps that led up to this moment of violence. Iranian filmmaker Jafar Panahi (working from a script by his mentor, Abbas Kiarostami) sets up a ticking time-bomb premise, then shows a series of everyday events charged with social unrest. Hussein is shown as a harmless looking pizza deliveryman, a fat man on a motorcycle whose shell-shocked acquiescence blends into the paranoid working class neighborhoods of Tehran (routinely patrolled by corrupt cops) and the wealthy uptown penthouses he delivers to.
Continue reading: Crimson Gold Review
Take a look back at October's inaugural event.
The film is expected to continue without Mendes' involvement.