Wim Wender's film opens with Travis wandering in a Texas desert. Lost for four years, Travis' brother, Walt, travels to Texas to claim him and takes him back to Los Angeles where Walt lives with his wife and Travis' son. Given Travis' absence, his son has all but forgotten about him -- causing Travis to clean up his act and get his life back in order. Given that Travis doesn't say a word for the first 20 minutes of the film, it's a little bizarre when the film focuses solely on him in the second and third acts -- turning a blind eye to Walt and his wife, who have been moving the story along for the first half.
Continue reading: Paris, Texas Review
This cryptic little indie starts out with the story of a Frenchman (Olivier Martinez) in Mexico, fascinated with bullfighting, indeed. When his cute little girlfriend unleashes a bull on him for some unknown reason, she ends up getting gored. That's bad enough, but her dad turns out to be a major crime boss, and he proceeds to go on a rampage against our poor Frenchman.
Continue reading: Bullfighter Review
Ford attributes his career success to films that pass 'from generation to generation'.
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