Hugh Marlowe

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The Day The Earth Stood Still (1951) Review


Very Good
A true 1950s drive-in classic (along with War of the Worlds and Forbidden Planet), The Day the Earth Stood Still anticipated the earnest, melodramatic artiness and social commentary of sci-fi TV series such as The Outer Limits and The Twilight Zone. From the opening sequence, in which a flying saucer lands in front of the Washington Monument and a giant robot comes out, you will not be disappointed. The robot looks like a tall guy wrapped in packing tape and the flying saucer looks so fake you will look for Ed Wood's name in the credits. From then on, suspension of disbelief is a non-issue.

As guns and tanks surround the saucer, an alien humanoid named Klaatu (Michael Rennie) comes out and announces that he comes in peace. Klaatu is taken by the U.S. government and demands to "deliver a message to all nations." The U.S. reluctantly agrees to set a meeting but the Russians refuse to come to the table. Impatiently, Klaatu escapes and boards with a divorcee (Patricia Neal), befriending her well-scrubbed American boy (Billy Gray), who shows him around Washington. Meanwhile, he tries to contact eminent scientists to persuade them to meet and hear his message.

Continue reading: The Day The Earth Stood Still (1951) Review

Night And The City Review


Essential
"The night is tonight. The city is London," says the narrator, and you couldn't really ask for a better beginning. Like many a film noir, Night and the City opens on, yes, nighttime in the big city, and a man is being chased by dangerous persons unknown. There are sharp suits and swindlers, crooks and corruption, indeed, but this is far from your standard issue noir, with little in the way of a hero and far too much of a sense of a humor - all of which is just part of what makes this film as engrossing as it is.

The man being chased is Harry Fabian (Richard Widmark), a scam artist who hides out in the apartment of his girlfriend, Mary Bristol (a radiant Gene Tierney), either hoping to wait out the guy waiting for him downstairs or get Mary to pay him off. It takes a little while for the film to really settle into the scheme of Harry's that takes everything to its tragic denouement, but that's no problem, as Harry's night-to-night is entertainment enough. Semi-employed as a tout for the Soho club that Mary dances at, Harry spends nights luring tourists and other suckers into the club, and when not doing that, scours the city's underworld plotting the one killer idea to put him on easy street.

Continue reading: Night And The City Review

The Day The Earth Stood Still Review


Very Good
A true 1950s drive-in classic (along with War of the Worlds and Forbidden Planet), The Day the Earth Stood Still anticipated the earnest, melodramatic artiness and social commentary of sci-fi TV series such as The Outer Limits and The Twilight Zone. From the opening sequence, in which a flying saucer lands in front of the Washington Monument and a giant robot comes out, you will not be disappointed. The robot looks like a tall guy wrapped in packing tape and the flying saucer looks so fake you will look for Ed Wood's name in the credits. From then on, suspension of disbelief is a non-issue.

As guns and tanks surround the saucer, an alien humanoid named Klaatu (Michael Rennie) comes out and announces that he comes in peace. Klaatu is taken by the U.S. government and demands to "deliver a message to all nations." The U.S. reluctantly agrees to set a meeting but the Russians refuse to come to the table. Impatiently, Klaatu escapes and boards with a divorcee (Patricia Neal), befriending her well-scrubbed American boy (Billy Gray), who shows him around Washington. Meanwhile, he tries to contact eminent scientists to persuade them to meet and hear his message.

Continue reading: The Day The Earth Stood Still Review

Monkey Business Review


Very Good
Mr. Oxley's been complaining about her "punctuation," so she makes sure she's at her desk by nine. That's about the sum of Marilyn Monroe's contribution to Monkey Business, a screwball comedy (made about 10 years after the real end of the screwball era) featuring a kooky scientist, his patient wife, a brazen and dippy secretary, and of course a chimpanzee who's really calling the shots.

The plot involves the hunt for a youth formula by Barnaby Fulton (Cary Grant), which he thinks he has discovered when a self-administered sample drives him to do such crazy things as buy a new car and crash it into a chain link fence with his boss's secretary (Monroe) riding shotgun. The only problem is that the sample hasn't done anything; it's the water, spiked by the chimp when no one was looking.

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All About Eve Review


Essential
I'd like to tell you that I checked this film out because it was nominated for the most Academy Awards in history (14 in 1950). I'd like to tell you that I checked out this film because it won Best Picture. I'd like to tell you that I checked out this film because I liked All About my Mother, which gets both namesake and partial plot structure from this film. But that's not why I checked out the film. I checked out the film because I am attempting to build an archive... starting with the letter "A." All About Eve was the first "A" film that the library had, and I figured it couldn't hurt.

I was pleasantly surprised.

Continue reading: All About Eve Review

Twelve O'Clock High Review


Excellent
Gregory Peck is searing in this WWII drama, shot shortly after the end of the war. Peck's General Savage whips a broke-down division into shape, but his story takes too long to get going and retreads itself once too often, to be honest. Still, some stellar performances make this a minor war classic.
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