Horatio Sanz and Chad Kruger - The 17th Annual Del Close Improv Comedy Marathon Press Conference at the Upright Citizens Brigade (UCB) Theatre - New York City, New York, United States - Saturday 27th June 2015
Jimmy Fallon, The Roots, Rob Riggle, Horatio Sanz and Steve Higgins - A-list celebrities including "Mirrors" hit-maker Justin Timberlake, Canadian popstar Justin Bieber, TV show host Oprah Winfrey, host of American idol Ryan Seacrest, Aussie rapper Iggy Azalea, English fashion model Cara Delevingne and many more have all taken part in the ALS ice bucket challenge, designed to raise money and awareness for the neurodegenerative illness ALS also known as MND - Tuesday 19th August 2014
Completed in 2005, Lucky legendarily shuffled around Warner Bros.' release schedule (bad sign) before the studio dropped it on the summer's first massive weekend (good sign) where it could compete with Sam Raimi's Spider-Man 3 for an audience (suicidal sign). Watching it, you easily forget the picture's age and subsequent shelf life until Drew Barrymore's character -- an aw shucks rube from Northern California trying to make it as a lounge singer in Las Vegas -- tosses off a Dr. Laura Schlesinger reference. Hanson even opens with Bruce Springsteen's "Lucky Town," an old-school track off The Boss' similarly titled album that brought me back a few years, but which actually fits the story well.
Continue reading: Lucky You Review
Tomcats wins, hands-down, the lowest common denominator award so far this year. It's a trashy, sexist, crude comedy revolving around the values of commitment, honesty, and screwing your friends over for half a million dollars. In the process, it throws us numerous sex partners, Bill Maher playing a thug named Carlos, true love, and an escaping testicle.
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With Rebound, the newest sports and children comedy, audiences have every right to be upset. The recipe not only hasn't been changed, it's been left in the oven far too long. Esteemed and volatile college basketball coach Roy McCormack (Martin Lawrence) is thrown out of the league after an incident involving his renowned temper, a basketball, and a dead bird. Looking for a way to look good while the offers roll in, Roy coaches the basketball team at his old junior high school.
Continue reading: Rebound Review
The plot is a shameless rip off of Some Like It Hot, modified for the Britney generation. Desperate for some female loving, two single guys (Cuba Gooding Jr. and Horatio Sanz) decide to go on a singles cruise. However, thanks to a malicious travel agent (Will Ferrell, smartly appearing unbilled) the two dolts unwillingly wind up on a gay cruise.
Continue reading: Boat Trip Review
A boring, all-you-can-regurgitate buffet of buddy-movie/cop-movie banality, "The Man" would collapse under the weight of its own generic stupidity if it weren't for the screen presence of Samuel L. Jackson and Eugene Levy.
Continuity-blind director Lee Mayfield ("Blue Streak") asks very little of these two entertaining actors -- just that Jackson rehash his hotheaded, wise-cracking tough-guy persona for the umpteenth time and Levy do the same with his familiar babbling, middle-aged suburban dork character. But such familiarity is the only comfort in a flick so feeble it actually depends on its plot holes to advance the story.
Levy is a dental equipment salesman who inadvertently stumbles into a one-man illegal-arms sting being run by Jackson, a leather-clad, corn-row cool, loose-cannon federal agent forced to prove his innocence after his crooked partner is killed. Shopworn odd-couple antics and idiot-reliant misunderstandings ensue, along with lots of routine bad-cop behavior from Jackson. While loquacious Levy frets and stammers, Jackson beats up informants, threatens witnesses, borrows $500,000 from an evidence locker (what could possibly go wrong?), and endangers civilians -- all of which is played for laughs without any hint of success.
Continue reading: The Man Review
A fundamentally unappealing jerk whose redemption comeswith an even shorter and less convincing story arc, coach Roy McCormickignores the kids one day -- pouting about his downfall on the sidelinesas they lose a game 84-0 -- then the next he's become a life-affirmingaltruist full of feel-good advice and game-winning strategy, just becausethe script says so.
Even more problematic is that while "Rebound"is aimed at children, the one-trait tweenagers he's teaching to play thegame are barely characters at all, save Tara Correa ("Judging Amy")as a stout, scowling girl bully McCormick recruits to intimidate otherteams. "You got five fouls," he advises her with a wiseacre wink."Don't be afraid to use 'em."
Somehow this sloppy, mechanical movie (even the minimalgame scenes lack vibrancy) manages to dig up some energy and spirit inthe last act, which keeps it from collapsing under the weight of its ownineptitude. Kids may like it, not knowing enough to recognize its failureto relate to them, and accompanying parents won't want to claw their eyesout.
Continue reading: Rebound Review
Until the blooper reel that runs with the closing credits, there's scarcely a sign of wit or talent in the entirety of "Tomcats," another in what seems to be a never-ending sewer-spawn tidal wave of excessively tasteless comedies green-lighted on the coattails of "There's Something About Mary" and "American Pie."
In this one, a group of commitment-phobic buddies invest a pool of bet money that will go to the last bachelor standing. Before the first reel is over, writer-director Gregory Poirier (he wrote the campus killer thriller "Gossip") has made the movie's first big mistake and proven his laziness by skipping over the matrimonial surrender of all but two of the guys.
The plot concerns Michael (Jerry O'Connell) trying to marry off Kyle (Jake Busey) so he can collect the pot to pay off $51,000 he owes to a Vegas casino run by leg-breaking mobsters.
Continue reading: Tomcats Review
Driven entirely by tedious clichés, vulgar stereotypes, tawdry and low-brow raunch-as-comedy gags, and the degrading, almost minstrel-show antics of a mugging, rubber-faced Cuba Gooding Jr., "Boat Trip" is a gay-themed movie aimed squarely and exclusively at stupid straight people.
The contrived mix-up plot finds Gooding and John Belushi-wannabe Horatio Sanz ("Saturday Night Live") trapped onboard a cruise ship full of gay men for a weeklong voyage, and writer-director Mort Nathan (who scripted the Farrelly Brothers' "Kingpin") finds endless excuses for them to act cartoonishly homosexual in order to score with the few women on board.
Gooding has fallen for the ship's dance instructor (Roselyn Sanchez) -- a steamy Latina who walks around in see-through linen tops and three pounds of eye shadow while professing "I don't care about makeup, I don't care about what I'm wearing." Meanwhile fat, ugly, loutish Sanz has the hots for a brain-dead bimbo (Playboy Playmate Victoria Silvstedt) from the "Swedish suntanning team" who was rescued from a shipwreck along with a dozen other swimsuit models. Inexplicably, she has the hots for him too -- not because there's anything attractive about him whatsoever, but because the director is transparently more interested in any excuse for bug-eyed boob shots than he is in anything remotely resembling story or humor.
Continue reading: Boat Trip Review
For its first 20 minutes or so, the big-geek-on-campus comedy "The New Guy" gets by on a semi-fresh twist of tiresome teen clique themes and a well-cast lead. DJ Qualls -- the 98-lb. walking weakling punchline from 2000's "Road Trip" -- plays a bottom-of-the-food-chain bully magnet who changes high schools and reinvents himself as a wiry, uber-cool bad ass.
But as soon as the kid gets comfortable with his new studly status (insert stock scenes of trampy cheerleaders here) and we've seen Qualls' entire comical cool-jerk repertoire, the movie plum runs out of ideas and putters along on fumes until the closing credits.
Lazy and simplistic, when "The New Guy" isn't beating long-dead genre horses (Qualls feels guilty, for about two minutes, about dissing his "real" friends for the in crowd), it's a blender-edited mish-mosh of abridged plot points. Our hero apparently teaches everyone in his new school to get along, but we don't see how he does it. Before long campus hotties are hanging off the arms of dorks, overweight guys and other former outcasts. No explanation there either. Qualls' dad (Lyle Lovett) and former school counselor (Illeana Douglas) think his new style and attitude are signs of a drug problem, but that story angle is abandoned after about 30 seconds.
Continue reading: The New Guy Review
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Driven entirely by tedious clichés, vulgar stereotypes, tawdry and low-brow raunch-as-comedy gags, and the degrading,...