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The Theory of Flight Review


OK
As unlikely as comedy gets, The Theory of Flight is a perverse buddy comedy between Branagh's manic-depressive artist-cum-amateur plane builder and Carter's motor neuron disease-affected (and dying) quadriplegic. When Branagh is assigned to care for her as a public service sentence for one of his hijinks, the two form an unlikely bond -- involving Carter's desire to lose her virginity before she dies. Strange, unique, and funny in a Lynchian way.

Dreaming Of Joseph Lees Review


Terrible
So why is Samantha Morton (Sweet and Lowdown) Dreaming of Joseph Lees? Well, because this movie probably put her to sleep, for starters. While Fox's promotional material touts Lees as "sensual," "feverish," and "macabre," the reality is the movie is "boring," "sedate," and "limp." In 1950s England, Morton's Eva finds herself lusting after childhood buddy Lees (Rupert Graves), the devilishly handsome geologist (woo hoo!) with tales of adventure. Too bad she's also got farmer Harry (Lee Ross) trying to win her affections by getting pummeled in the boxing ring. And he's her cousin (okay, that's macabre). How the movie ends is neither surprising nor particularly interesting... nor is how it gets to that point. Fans of overwrought period pieces will likely be taken by the moody wandering of this picture. Saner viewers will not be.

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Possession Review


OK

Interweaving two hindrance-hurdling love stories that share a literary connection but take place more than a century apart, director Neil LaBute has taken another large and confident step into an unexpected genre with gratifying results.

"Possession," which is lovingly but sometimes loosely adapted from A.S. Byatt's novel of the same name, follows the germinating romance between two relationship-reluctant academics as they in turn follow a trail of evidence revealing a passionate secret affair between two Victorian poets.

A wild departure from LaBute's previous films -- the caustic, even cruel social satires "In the Company of Men" and "Your Friends and Neighbors," and the upbeat black comedy "Nurse Betty" -- this effort has the melodic trappings of a Merchant-Ivory romance. But it's also a perceptive musing on what has and hasn't changed between the two time periods in the emotional, practical and sometimes prohibitive logistics of love.

Continue reading: Possession Review

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