Anything goes in Asian horror, using basic plot scenarios to tap into feverish nightmare set pieces. Possessed by a bizarre supernatural force, the residents of a small seaside village become obsessive over spiral shapes and snail shells. A schoolgirl weaves her hair into a Medusa pattern, other children start taking on the characteristics of amphibian creatures, and there are a series of cult-induced suicides. Amidst this slow building carnage are a young couple (Eriko Hatsune and Fhi Fan) who consider eloping, but their Scooby Doo curiosity gets the best of them and they attempt to solve the mystery. All the makings of a first rate creepshow are there (consider John Carpenter's terrific In the Mouth of Madness as the American version), but Higuchinsky hasn't seen enough surrealist-nightmare Dario Argento movies and it quickly devolves into the attention-grabbing camera tricks that similarly undermined Michel Gondry's Human Nature. Unable to sustain mood, they go for high concept designs that might work in a three-minute video but grow quickly tiresome in a full-length feature.
Continue reading: Uzumaki Review
Hustled out the same year as the wildly successful Ringu, Rasen was only the first attempt at a follow-up sequel. It picks up where the original left off, focusing on the investigation into the bizarre deaths we thought we had figured out in the original. Surprise: There's no ghost or spirit, really. It's all a virus that makes you see terrible things before you die. (Never mind that you can avoid getting whacked if you show a videotape to someone else.)
Continue reading: Rasen Review
Who inspired Yes We Mystic?
A rising country star opens up about the UK scene.
From the salt mining town of Winsford in Cheshire, The Luka State came to play in the underground confines of The Forum Basement.
She unveils her first solo album in the form of the Judy soundtrack.
From Duran Duran to Weezer, it's an iconic day for music.
This folksy soloist is definitely one to watch.