In Angel Face, Robert Mitchum, the poster boy of film noir, signs off on the genre with his last great portrait of doom. As Jessup, Mitchum is a hunk of a man and knows it but his laconic self-assurance belies that fact that all the women he meets in Angel Face, both good and safe (Mary) and evil and possessed (Jean Simmons' Diane, a cute and an attractive but not-so-innocent package of venality and psychosis), overpower him, and the evil one wins out.
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Based on a stage play by W. Somerset Maugham, The Letter opens with a bang, actually six bangs, as Malaya rubber plantation mistress Leslie Crosbie (Davis) pumps six slugs into her neighbor, Geoffrey Hammond (David Newell). The murder throws the plantation into an upheaval, and when Leslie's husband Robert (Herbert Marshall) arrives and learns what has happened, Leslie's explanation is simple: Hammond was drunk, he was possessed with lust, and he tried to "make love" to her. Robert gets his lawyer, Howard Joyce (Robert Stephenson), involved right away, and the visiting police are terribly kind to Leslie, telling her she performed magnificently. Nevertheless, they'll have to arrest her for murder and take her to Singapore for what should be a quick and easy trial.
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Correspondent has intrigue, adventure, charisma, and romance, but it sadly never makes it to classic status. The story is globetrotting tale of an American reporter (Joel McCrea) who heads to London to expose a spy ring. En route he falls in love and is drawn into a major drama with international ramifications.
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