Herbert Lom, star of the Pink Panther has died aged 95. If you're of a certain generation you'll be sure to remember the star, who played Inspector Clouseau's boss Charles Dreyfus in the Pink Panther movies. The veteran actor passed away peacefully in his sleep on Thursday (September 27th), according to his family. It was a life well-lived for Lom, who managed to rack up more than 100 movie credits in a career that spanned six decades, including starring roles in classics such as El Cid, The Ladykillers and Spartacus among others.
Continue reading: 'Pink Panther' Actor Herbert Lom Passes Away Aged 95
Herbert Lom, the actor best known for playing Charles Dreyfus in the Pink Panther movies, has died aged 95. He may have starred alongside Hollywood greats Kirk Douglas, Charlton Heston and Alec Guinness, he may have portrayed historical figures such as Napoleon Bonaparte, but it will be his performance alongside the hapless Inspector Clouseau (played by Peter Sellers) for which he will be most fondly remembered.
The family of the Czech-born star confirmed that he died peacefully in his sleep, Sky News report today (September 27, 2012) and his son Alec Lom has spoken of his long and varied career. “Like many actors, he never wanted to be pigeon-holed in a particular role,” his son revealed. “After having played the role of East European gangster in many films, it was a delight to him later in his career to be cast by Pink Panther producer and director Blake Edwards in a comedy role opposite Peter Sellers, and he hugely enjoyed that move.”
Alec also spoke fondly of his father’s working relationship with Sellers, saying “he had many funny stories about the antics that he and Peter Sellers got up to on the set. It was a nightmare working with Peter because he was a terrible giggler and, between my father and Peter's laughter, they ruined dozens and dozens of takes.”
Walken stars as high school teacher Johnny Smith, who wrecks his Beetle and spends five years in a coma, only to discover he now has the gift of second sight. Predicting local tragedies is one thing, but eventually he becomes entangled in a political race (with Martin Sheen running for President), and Johnny foresees that if he wins, disaster will ensue (you know, the nuclear kind).
Continue reading: The Dead Zone Review
You can guess from the title what's up here: Clouseau is long gone, and Maria Gambrelli (from A Shot in the Dark) has moved on with her life. Add in a kidnapped princess and police commissioner Dreyfus (Herbert Lom, impossibly still alive) who stumble into Maria's world. Then throw in Clouseau's long-lost son, the idiotic Jacques Cambrelli, who is, yes, Maria's offspring.
Continue reading: Son Of The Pink Panther Review
That's a tricky place to start, and it doesn't go entirely well. Finally acknowledging the death of Peter Sellers three years earlier, Curse posits that Clouseau is still missing and that, well, somebody ought to find him. Enter what the studio obvious hoped would be a replacement for Sellers, Ted Wass, playing "the world's second best detective," Sergeant Clifton Sleigh. (Of course, Wass didn't really take, the movie flopped, and that was that. Wass is now a television director, but he's best known for his work playing the dad on TV's Blossom.)
Continue reading: Curse Of The Pink Panther Review
Trail certainly isn't historically unique in its use of archival footage to create a role for a passed-on movie star, but it's inarguably one of the ballsiest attempts at it. Sellers isn't some bit player (like Lawrence Olivier in Sky Captain and the World of Tomorrow), he's the star. He's Inspector freakin' Clouseau, and he's in more than half of the running time of the film.
Continue reading: Trail Of The Pink Panther Review
Continue reading: The Phantom Of The Opera (1962) Review
The man being chased is Harry Fabian (Richard Widmark), a scam artist who hides out in the apartment of his girlfriend, Mary Bristol (a radiant Gene Tierney), either hoping to wait out the guy waiting for him downstairs or get Mary to pay him off. It takes a little while for the film to really settle into the scheme of Harry's that takes everything to its tragic denouement, but that's no problem, as Harry's night-to-night is entertainment enough. Semi-employed as a tout for the Soho club that Mary dances at, Harry spends nights luring tourists and other suckers into the club, and when not doing that, scours the city's underworld plotting the one killer idea to put him on easy street.
Continue reading: Night And The City Review