Henry Strozier

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Thirteen Days Review


Excellent
I don't often override the writers at filmcritic.com, free speech and individual preference being what they are, but every now and then I disagree with a critic so much, I am called to make a response. (And since we published this review in January 2001, the reader mail has let me know just what they thought of this bit of criticism....)

Thirteen Days is the film in question -- and unlike staff writer James Brundage I felt the film was a truly powerful one, an eye-opening dissection of the Cuban Missile Crisis, a sobering study of how close we came to annihialation during the Cold War, and a peek behind the scenes of detente. An excellent companion to another (even better) Kevin Costner vehicle, Oliver Stone's JFK, Thirteen Days is not an actor's showcase like JFK is, but rather lets its story do the telling, taking us behind the scenes as decisions with cascading consequences are made. To be sure, Roger Donaldson was likely a poor choice as director -- his arbitrary use of black and white vs. color, his heavy-handedness in glorifying Kennedy at every turn, and his preachy doomsaying all wear a bit thin. But even he can't ruin the film completely.

Continue reading: Thirteen Days Review

Thirteen Days Review


OK

I don't know about you, but whenever I hear Kevin Costner is coming out with another two-hour-plus epic drama, I have a Pavlovian reaction of raging skepticism. After all, this man was the driving force behind "Waterworld" and "The Postman," not to mention the lengthy, maudlin romances "For the Love of the Game" and "Message In a Bottle."

So I admit I went in to "Thirteen Days" -- not only another Costner epic but another Costner revisionist history epic centering around John F. Kennedy -- expecting to cringe my way through it and subconsciously (?) looking for gaffes.

At first there were signs the film might live down to my expectations, like the title sequence's generically ominous stock footage of mushroom clouds and Costner's awk-cent, which begins as more Elmer Fudd than Kennedy compound before he eases into a smooth vocal rhythm. But within 10 minutes I was completely wrapped up in this fly-on-the-wall, pressure-cooker dramatization of what went down at the White House during the Cuban Missile Crisis.

Continue reading: Thirteen Days Review

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