Henry Fonda

Henry Fonda

Henry Fonda Quick Links

News Pictures Film Quotes RSS

Jane Fonda Is “Film Royalty” With AFI Lifetime Achievement Award

Jane Fonda Henry Fonda

Oscar-winning Hollywood actress Jane Fonda will be honoured with the American Film Institute's Lifetime Achievement Award, recognising her contribution to film in a career that has spanned six decades. The 75 year-old actress will presented with her award at a gala ceremony in Los Angeles next year, reports BBC News.

Jane Fonda
Jane Fonda Honoured For Her Long & Illustrious Career.

Her latest award will see the actress and fitness guru follow in the footsteps of her late father, Henry Fonda, who was presented with the same AFI highest honour in 1978. The pair will be the first father and daughter to enjoy the unique accolade.

Continue reading: Jane Fonda Is “Film Royalty” With AFI Lifetime Achievement Award

Aimee Garcia, Henry Fonda and The Music Sunday 26th September 2010 The 2010

Aimee Garcia, Henry Fonda and The Music
Aimee Garcia, Henry Fonda and The Music
Aimee Garcia, Henry Fonda and The Music
Aimee Garcia, Henry Fonda and The Music
Aimee Garcia, Henry Fonda and The Music
Aimee Garcia, Henry Fonda and The Music

12 Angry Men Review

Who would have thought that a movie which almost entirely takes place in one room, consists of 12 men who do nothing but talk -- and who don't even have names -- would be such a searing experience? 12 Angry Men is a classic, and an undisputed one at that, a film that is as inspiring as it is well-crafted behind the scenes.

The story is a simple one: 12 jurors are asked to decide the fate of a young man who is accused of killing his father. If guilty, he will be sentenced to the electric chair. Otherwise he goes free. The evidence is overwhelmingly against him: Two eyewitnesses, a murder weapon known to be bought by the killer, and an alibi that he couldn't remember during questioning. Open and shut, but one juror stands alone against the other 11, who'd like to get home in time for dinner. And with that single "not guilty" vote, Henry Fonda's Juror #8 sets off the titular anger.

Continue reading: 12 Angry Men Review

Drums Along The Mohawk Review

For a beaten-down film critic as myself, the best thing about attending The New York Film Festival is not to get a jump on feature film releases that will quickly show up in local theaters a few days after their festival premieres, but to savor those obscure, febrile marvels of classic cinema that for whatever reasons (neglect, deterioration, ignorance) have been shuttled aside or locked away in film vaults to make way for the latest De Palma monstrosity, a fawning Las Vegas comic tribute documentary, or the most recent Sylvia Miles comeback film.

The New York Film Festival offered a double bill of savory morsels in this succulent vein, presided over master chef Martin Scorsese and his restoration outfit, The Film Foundation. On the bill-of-fare at The New York Film Festival were two 20th Century Fox three-strip Technicolor sweetmeats -- John Ford's Drums Along the Mohawk and John Stahl's Leave Her To Heaven.

Continue reading: Drums Along The Mohawk Review

The Lady Eve Review

It's just not even a fair fight, and fortunately writer/director Preston Sturges knows that. Barbara Stanwyck could have poor little Henry Fonda for breakfast, and in Sturges' blithely astringent comedy The Lady Eve, she does just that. Fonda, as hapless rich kid Charles Pike, puts up some resistance to Stanwyck, international card sharp and grifter extraordinaire Jean Harrington, but it's really no contest -- he knows he's doomed to be won over by her charms, as the audience is, and ultimately everyone is the happier for it.

Sturges wrote for women like few other screenwriters ever have, even in our supposedly more advanced times. His heroines have a welcome tendency towards toughness, clarity of mind, sharpened tongues, devastating wit, and the ability to wear smashing evening wear without looking the least bit fragile. The remarkable Stanwyck is a fantastic creation as Harrington, able to think (and speak) circles around everybody in any given room, but still retaining the heart to fall madly for nebbishy Pike.

Continue reading: The Lady Eve Review

Yours, Mine And Ours (1968) Review

He's got 10 kids, she's got 8. Of course, the family of 20 is going to get together and out-Brady that bunch. Yes, there will be hijinks, but this is 1968, so the worst will involve a lost slip and a boy that's a little pushy with the big sister. No, no jock strap in the spaghetti humor. Lucille Ball and Henry Fonda make for an awkward pair (she's a kind of dippy nurse, he's in the navy), but their tales -- based on a true coupling -- are a pleasant enough diversion, despite having aged badly. (Not to mention the fact that Fonda re-recorded all his lines and the sound editing makes them so loud they at first seem to be voice-over.)

The Longest Day Review

D-Day wasn't just fought at Omaha Beach, though Hollywood may have thought so before The Longest Day. D-Day involved a cast of thousands, and it took producer Darryl Zanuck, five screenwriters, four directors, and three hours just to bring it to the big screen. In fact, Spielberg cribbed large chunks of this film verbatim for Saving Private Ryan. Ultimately, Ryan is the better picture, but The Longest Day shows you more of the story (and it's closer to reality), from the paratrooper force sent in as a diversion, to a half-dozen beach battles, to the French Resistance and how they helped. Aside from a great war tale, Day also marks what must be the only film where you can see John Wayne, Henry Fonda, Fabián, Sal Mineo, Eddie Albert, Red Buttons, Peter Lawford, and Sean Connery all fighting the same war. And on the same side, no less.

The Wrong Man Review

Hitchcock famously hated the police -- thanks to an experience as a youth in which his father had him locked up at the local jail -- and more than any other film The Wrong Man exudes that sentiment.

Based on the 1953 case of Christopher Emmanuel Balestrero, The Wrong Man is a true story (the only one in Hitch's body of work) of justice gone terribly wrong. Balestrero (Henry Fonda, sheepish as ever) is abruptly arrested for a series of holdups he didn't commit, yet witness after witness, circumstance, and even handwriting samples point to him as the culprit. Eventually the true criminal comes to light, but not before Balestrero's wife (Vera Miles) has gone insane due to the trauma.

Continue reading: The Wrong Man Review

Battle Of The Bulge Review

This is the kind of a film around which rumors of a 212-minute print swirl, on the net, in chat rooms, and message boards. Only films that have garnered either cult or classic appeal can claim "hype" like that. No one talks about footage missing from the domestic release cut of Battlefield Earth, no one gripes about a supposed 245-minute version of The Cat in the Hat. But a quick Internet search will reveal endless web pages devoted to the missing scenes in Blade Runner, the 5-hour print of Apocalypse Now, and apparently the 212-minute cut of Battle of the Bulge. That tells you something. This 1965 war "classic" is a war film buff's The Third Man, Casablanca, or Some Like It Hot. It might not be the best WWII epic ever made (that honor, according to the same fans, is allotted to either The Longest Day, Patton, or Cross of Iron) but it is one of the most popular. Well, now we have a 170-minute cut of the film, and it's been heralded with a gorgeous DVD transfer. And you've got to wonder why.

Sure, there's a star-studded cast. Let's see, we've got: Henry Fonda, Robert Shaw, Dana Andrews, Robert Ryan, Telly Savalas, and Charles Bronson. And it is an epic. We're talking a cast of thousands with battle scene recreations that make modern warfare flicks pale in comparison. But when all the dust settles, Battle of the Bulge is a really long, really talky movie. And that's fine for history buffs, WWII film fans, and their ilk, but for the casual Friday night viewer it's a cure for insomnia.

Continue reading: Battle Of The Bulge Review

Advise And Consent Review

Everybody loves Henry Fonda -- but what if he was a freakin' commie!?

Otto Preminger turned his eyes from the legal system (Anatomy of a Murder) to American politics in the underseen and tragically underappreciated Advise and Consent.

Continue reading: Advise And Consent Review

Once Upon A Time In The West Review

Very Good
Long on looks and short on sense, Sergio Leone's celebrated spaghetti western Once Upon a Time in the West is a remarkable achievement of cinematography but comes across today as a more muddled story than ever.

Conceived and roughed together by Italian directors Dario Argento, Bernardo Bertolucci, and Leone, the guts of West are some of the least likely of his films. The story concerns a woman (Claudia Cardinale, who spends the entire movie clenching her teeth) whose husband and family are murdered, leaving her with a valuable plot of land. This land has the eye of one Frank (Henry Fonda in his biggest villain role ever), and he's determined to be rid of the woman in order to get it. A half-Mexican named Cheyenne (Jason Robards) ends up accused of the murders, and a nameless bounty hunter (sound familiar?) who's known due to his harmonica playing by the name Harmonica (Charles Bronson) inserts himself into the mix. The film culminates with Harmonica turning in Cheyenne for the reward money, then using that money to outbid Frank at the public auction of the land... and then of course there's a showdown to be had.

Continue reading: Once Upon A Time In The West Review

Henry Fonda

Henry Fonda Quick Links

News Pictures Film Quotes RSS



Henry Fonda Movies

On Golden Pond Movie Review

On Golden Pond Movie Review

The early 1980s were the best of times and the worst of times for movies....

                musicians & bands in the news
                  actors & filmmakers in the news
                    celebrities in the news

                      Go Back in Time using our News archive to see what happened on a particular day in the past.