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Jane Fonda Is “Film Royalty” With AFI Lifetime Achievement Award


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Oscar-winning Hollywood actress Jane Fonda will be honoured with the American Film Institute's Lifetime Achievement Award, recognising her contribution to film in a career that has spanned six decades. The 75 year-old actress will presented with her award at a gala ceremony in Los Angeles next year, reports BBC News.

Jane Fonda
Jane Fonda Honoured For Her Long & Illustrious Career.

Her latest award will see the actress and fitness guru follow in the footsteps of her late father, Henry Fonda, who was presented with the same AFI highest honour in 1978. The pair will be the first father and daughter to enjoy the unique accolade.

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Aimee Garcia, Henry Fonda and The Music Sunday 26th September 2010 The 2010

Aimee Garcia, Henry Fonda and The Music
Aimee Garcia, Henry Fonda and The Music
Aimee Garcia, Henry Fonda and The Music
Aimee Garcia, Henry Fonda and The Music
Aimee Garcia, Henry Fonda and The Music
Aimee Garcia, Henry Fonda and The Music

12 Angry Men Review


Essential
Who would have thought that a movie which almost entirely takes place in one room, consists of 12 men who do nothing but talk -- and who don't even have names -- would be such a searing experience? 12 Angry Men is a classic, and an undisputed one at that, a film that is as inspiring as it is well-crafted behind the scenes.

The story is a simple one: 12 jurors are asked to decide the fate of a young man who is accused of killing his father. If guilty, he will be sentenced to the electric chair. Otherwise he goes free. The evidence is overwhelmingly against him: Two eyewitnesses, a murder weapon known to be bought by the killer, and an alibi that he couldn't remember during questioning. Open and shut, but one juror stands alone against the other 11, who'd like to get home in time for dinner. And with that single "not guilty" vote, Henry Fonda's Juror #8 sets off the titular anger.

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Drums Along The Mohawk Review


Excellent
For a beaten-down film critic as myself, the best thing about attending The New York Film Festival is not to get a jump on feature film releases that will quickly show up in local theaters a few days after their festival premieres, but to savor those obscure, febrile marvels of classic cinema that for whatever reasons (neglect, deterioration, ignorance) have been shuttled aside or locked away in film vaults to make way for the latest De Palma monstrosity, a fawning Las Vegas comic tribute documentary, or the most recent Sylvia Miles comeback film.

The New York Film Festival offered a double bill of savory morsels in this succulent vein, presided over master chef Martin Scorsese and his restoration outfit, The Film Foundation. On the bill-of-fare at The New York Film Festival were two 20th Century Fox three-strip Technicolor sweetmeats -- John Ford's Drums Along the Mohawk and John Stahl's Leave Her To Heaven.

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The Lady Eve Review


Excellent
It's just not even a fair fight, and fortunately writer/director Preston Sturges knows that. Barbara Stanwyck could have poor little Henry Fonda for breakfast, and in Sturges' blithely astringent comedy The Lady Eve, she does just that. Fonda, as hapless rich kid Charles Pike, puts up some resistance to Stanwyck, international card sharp and grifter extraordinaire Jean Harrington, but it's really no contest -- he knows he's doomed to be won over by her charms, as the audience is, and ultimately everyone is the happier for it.

Sturges wrote for women like few other screenwriters ever have, even in our supposedly more advanced times. His heroines have a welcome tendency towards toughness, clarity of mind, sharpened tongues, devastating wit, and the ability to wear smashing evening wear without looking the least bit fragile. The remarkable Stanwyck is a fantastic creation as Harrington, able to think (and speak) circles around everybody in any given room, but still retaining the heart to fall madly for nebbishy Pike.

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Fort Apache Review


Extraordinary
Fort Apache is a John Wayne vehicle often mentioned on the short list of best westerns (The Ox-Bow Incident, Shane, The Wild Bunch, The Man Who Shot Liberty Valance, and High Noon lead the posse). Typical of John Ford westerns, but more adventurous than most of them, Fort Apache offers Ford's trademark mix of solid entertainment, soap, occasional shoot-'em-ups, and reverie.

In this one, the Duke is a cavalry officer stationed in Apache territory who is sympathetic to the Indians' plight. He is forced to choose between challenging the Apaches and disobeying his commanding officer, a hapless Northeasterner (Henry Fonda). The straight-arrow role arguably fits Wayne better than the conflicted heroes and bad guys he played in The Searchers, Red River, and other films.

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Jezebel Review


Good
Jezebel's southern Civil War-era setting and its brazen female lead make it seem a lot like Gone With the Wind, but this Bette Davis Best Actress-winner can't hold a candle to the successor which would arrive the following year. Davis is the draw here, playing a bachelorette who no one seems to be able to control -- and she of course is keen to keep it that way. The histrionics come across as quaint today, and even Davis's performance can't hold the film up all by its lonesome.

The Ox-Bow Incident Review


Extraordinary
Clocking in at just 75 minutes long, The Ox-Bow Incident is one of the shortest "classics" ever.

The story is simple and devastatingly tragic: In an old west town, word spreads that a well-liked rancher has been murdered and his cattle stolen. Before you know it, a lynch mob is formed and the cowboys head into the night to find the killers.

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Battle Of The Bulge Review


Good
This is the kind of a film around which rumors of a 212-minute print swirl, on the net, in chat rooms, and message boards. Only films that have garnered either cult or classic appeal can claim "hype" like that. No one talks about footage missing from the domestic release cut of Battlefield Earth, no one gripes about a supposed 245-minute version of The Cat in the Hat. But a quick Internet search will reveal endless web pages devoted to the missing scenes in Blade Runner, the 5-hour print of Apocalypse Now, and apparently the 212-minute cut of Battle of the Bulge. That tells you something. This 1965 war "classic" is a war film buff's The Third Man, Casablanca, or Some Like It Hot. It might not be the best WWII epic ever made (that honor, according to the same fans, is allotted to either The Longest Day, Patton, or Cross of Iron) but it is one of the most popular. Well, now we have a 170-minute cut of the film, and it's been heralded with a gorgeous DVD transfer. And you've got to wonder why.

Sure, there's a star-studded cast. Let's see, we've got: Henry Fonda, Robert Shaw, Dana Andrews, Robert Ryan, Telly Savalas, and Charles Bronson. And it is an epic. We're talking a cast of thousands with battle scene recreations that make modern warfare flicks pale in comparison. But when all the dust settles, Battle of the Bulge is a really long, really talky movie. And that's fine for history buffs, WWII film fans, and their ilk, but for the casual Friday night viewer it's a cure for insomnia.

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Advise And Consent Review


Extraordinary
Everybody loves Henry Fonda -- but what if he was a freakin' commie!?

Otto Preminger turned his eyes from the legal system (Anatomy of a Murder) to American politics in the underseen and tragically underappreciated Advise and Consent.

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Once Upon A Time In The West Review


Very Good
Long on looks and short on sense, Sergio Leone's celebrated spaghetti western Once Upon a Time in the West is a remarkable achievement of cinematography but comes across today as a more muddled story than ever.

Conceived and roughed together by Italian directors Dario Argento, Bernardo Bertolucci, and Leone, the guts of West are some of the least likely of his films. The story concerns a woman (Claudia Cardinale, who spends the entire movie clenching her teeth) whose husband and family are murdered, leaving her with a valuable plot of land. This land has the eye of one Frank (Henry Fonda in his biggest villain role ever), and he's determined to be rid of the woman in order to get it. A half-Mexican named Cheyenne (Jason Robards) ends up accused of the murders, and a nameless bounty hunter (sound familiar?) who's known due to his harmonica playing by the name Harmonica (Charles Bronson) inserts himself into the mix. The film culminates with Harmonica turning in Cheyenne for the reward money, then using that money to outbid Frank at the public auction of the land... and then of course there's a showdown to be had.

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