The veteran actress will be given the highest honour by the American Film Institute.
Oscar-winning Hollywood actress Jane Fonda will be honoured with the American Film Institute's Lifetime Achievement Award, recognising her contribution to film in a career that has spanned six decades. The 75 year-old actress will presented with her award at a gala ceremony in Los Angeles next year, reports BBC News.
Jane Fonda Honoured For Her Long & Illustrious Career.
Her latest award will see the actress and fitness guru follow in the footsteps of her late father, Henry Fonda, who was presented with the same AFI highest honour in 1978. The pair will be the first father and daughter to enjoy the unique accolade.
Continue reading: Jane Fonda Is “Film Royalty” With AFI Lifetime Achievement Award
The story is a simple one: 12 jurors are asked to decide the fate of a young man who is accused of killing his father. If guilty, he will be sentenced to the electric chair. Otherwise he goes free. The evidence is overwhelmingly against him: Two eyewitnesses, a murder weapon known to be bought by the killer, and an alibi that he couldn't remember during questioning. Open and shut, but one juror stands alone against the other 11, who'd like to get home in time for dinner. And with that single "not guilty" vote, Henry Fonda's Juror #8 sets off the titular anger.
Continue reading: 12 Angry Men Review
The New York Film Festival offered a double bill of savory morsels in this succulent vein, presided over master chef Martin Scorsese and his restoration outfit, The Film Foundation. On the bill-of-fare at The New York Film Festival were two 20th Century Fox three-strip Technicolor sweetmeats -- John Ford's Drums Along the Mohawk and John Stahl's Leave Her To Heaven.
Continue reading: Drums Along The Mohawk Review
Sturges wrote for women like few other screenwriters ever have, even in our supposedly more advanced times. His heroines have a welcome tendency towards toughness, clarity of mind, sharpened tongues, devastating wit, and the ability to wear smashing evening wear without looking the least bit fragile. The remarkable Stanwyck is a fantastic creation as Harrington, able to think (and speak) circles around everybody in any given room, but still retaining the heart to fall madly for nebbishy Pike.
Continue reading: The Lady Eve Review
Based on the 1953 case of Christopher Emmanuel Balestrero, The Wrong Man is a true story (the only one in Hitch's body of work) of justice gone terribly wrong. Balestrero (Henry Fonda, sheepish as ever) is abruptly arrested for a series of holdups he didn't commit, yet witness after witness, circumstance, and even handwriting samples point to him as the culprit. Eventually the true criminal comes to light, but not before Balestrero's wife (Vera Miles) has gone insane due to the trauma.
Continue reading: The Wrong Man Review
Sure, there's a star-studded cast. Let's see, we've got: Henry Fonda, Robert Shaw, Dana Andrews, Robert Ryan, Telly Savalas, and Charles Bronson. And it is an epic. We're talking a cast of thousands with battle scene recreations that make modern warfare flicks pale in comparison. But when all the dust settles, Battle of the Bulge is a really long, really talky movie. And that's fine for history buffs, WWII film fans, and their ilk, but for the casual Friday night viewer it's a cure for insomnia.
Continue reading: Battle Of The Bulge Review
Otto Preminger turned his eyes from the legal system (Anatomy of a Murder) to American politics in the underseen and tragically underappreciated Advise and Consent.
Continue reading: Advise And Consent Review
Conceived and roughed together by Italian directors Dario Argento, Bernardo Bertolucci, and Leone, the guts of West are some of the least likely of his films. The story concerns a woman (Claudia Cardinale, who spends the entire movie clenching her teeth) whose husband and family are murdered, leaving her with a valuable plot of land. This land has the eye of one Frank (Henry Fonda in his biggest villain role ever), and he's determined to be rid of the woman in order to get it. A half-Mexican named Cheyenne (Jason Robards) ends up accused of the murders, and a nameless bounty hunter (sound familiar?) who's known due to his harmonica playing by the name Harmonica (Charles Bronson) inserts himself into the mix. The film culminates with Harmonica turning in Cheyenne for the reward money, then using that money to outbid Frank at the public auction of the land... and then of course there's a showdown to be had.
Continue reading: Once Upon A Time In The West Review