Henry Dinhofer

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Music Of The Heart Review


Very Good
The creator of A Nightmare on Elm Street and Scream is toying with our conscience again, only this time his weaponry isn't Freddy's claws or a murderous prank caller. Director Wes Craven's latest endeavor, Music of the Heart, switches gears to more virtuous human emotions in order to tell us the story of one woman's triumph and the revival of a downtrodden urban community. Oddly enough, this film is just as powerful as any of Craven's horror films and can evoke strong emotion and sentiment, if you let it.

Music of the Heart begins like any of the other "triumphant teacher" dramas we've all seen. Stand and Deliver and Dangerous Minds both crossed my mind as I sat through the first hour of Roberta Guaspari's (Meryl Streep) struggle to teach a handful of young urban kids how to play the violin. This part of the story is hackneyed and clichéd, and you've seen it before--if not in a previous movie than in some boring after-school special. But where other "triumphant teacher" dramas fail because they concentrate too much on the saintliness of the teacher, this movie succeeds in its captivation of Roberta Guaspari's character flaws, and her struggle as a single mother attempting to raise her two children in East Harlem. When the film expands beyond the existence of just "Roberta the teacher" and into the rest of her life, the film becomes genuinely enjoyable.

Continue reading: Music Of The Heart Review

Music Of The Heart Review


Very Good
The creator of A Nightmare on Elm Street and Scream is toying with our conscience again, only this time his weaponry isn't Freddy's claws or a murderous prank caller. Director Wes Craven's latest endeavor, Music of the Heart, switches gears to more virtuous human emotions in order to tell us the story of one woman's triumph and the revival of a downtrodden urban community. Oddly enough, this film is just as powerful as any of Craven's horror films and can evoke strong emotion and sentiment, if you let it.

Music of the Heart begins like any of the other "triumphant teacher" dramas we've all seen. Stand and Deliver and Dangerous Minds both crossed my mind as I sat through the first hour of Roberta Guaspari's (Meryl Streep) struggle to teach a handful of young urban kids how to play the violin. This part of the story is hackneyed and clichéd, and you've seen it before--if not in a previous movie than in some boring after-school special. But where other "triumphant teacher" dramas fail because they concentrate too much on the saintliness of the teacher, this movie succeeds in its captivation of Roberta Guaspari's character flaws, and her struggle as a single mother attempting to raise her two children in East Harlem. When the film expands beyond the existence of just "Roberta the teacher" and into the rest of her life, the film becomes genuinely enjoyable.

Continue reading: Music Of The Heart Review

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