While out one evening with his doting girlfriend Simone (Maria Bonnevie), capricious photographer Alex (Nikolaj Lie Kaas) spies a striking young woman on a train platform and immediately ditches his companion to follow the unknown beauty. Tracking her to a bar and striking up a conversation, he learns that the woman's name is Aimee, and that she's in town for her husband August's (Krister Henriksson) book signing. After coyly discussing a mutual desire to escape their unfulfilling lives, the two head back to Aimee's hotel room for a night of intense lovemaking. Yet since Aimee, like Simone, is portrayed by actress Maria Bonnevie, it's apparent that not everything about this encounter is as it seems, a fact confirmed when, the next morning, Alex returns home to find that his apartment no longer exists and no one - not his landlady, his friend, his father, nor Simone - remembers him. Has Alex's newfound love for Simone (who now plans to leave her needy but emotionally withdrawn spouse) magically made the rest of his life's relationships void? Is Aimee a symbolic representation of the qualities Alex finds lacking in Simone? Is the entire film merely the distraught fictional storyline of the scorned August's book?
Continue reading: Reconstruction Review
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