The two we care about are Louise (Laura Linney) and F. Scott (Topher Grace), an admissions officer at Columbia University and a prospective student, respectively. Their relationship hangs on a fascinatingly awkward hook: F. Scott is the spitting image of Louise's long-ago first love (now deceased): in body, mind, soul, and some other ways that are even harder to fake, like handwriting. Louise, a lonely divorcee, latches onto F. Scott's eerie familiarity. F. Scott, as a young man, latches onto Louise's cautious older-woman hotness.
Continue reading: P.S. Review
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