Lee Chandler lives a life of self-imposed exile but that's not how he's always been. For many years prior, he lived in the small town of Manchester-By-The-Sea where the rest of his family and his fiancé all live. It's a picturesque fishing town and the pace of life is slower than any city could offer and the Chandler's all live good lives. Now, Lee lives in Boston and works as a janitor and his strict day to day routine has been brought about to limit the amount of people he see and has to deal with.
When Lee's brother, Joe, dies Lee is made the guardian of Patrick, Joe's teenage son. The news comes as a surprise to both men. Patrick is dealing with the loss of his family and now is forced to live with his uncle who's distanced himself from the family years prior.
Patrick doesn't understand his uncle's reluctance to relocate and move back to the small neighbourhood he used to call home. As hard choices are made and old acquaintances become part of the present day picture, Lee must not only do what is best for himself but also consider his nephew and the wishes of his brother.
Continue: Manchester By The Sea Trailer
When Ally Darling asks her boyfriend to accompany her to her sister's wedding, he refuses, saying it sounds too serious if her parents will be there. While with her friends on a night out, she discovers that if a woman has had over 20 partners, they're 96% more likely to stay single for the rest of their life.
Continue: What's Your Number Trailer
Despite the presence of indie darling Cillian Murphy and teen lust subject Lucy Liu in the leading roles, Detectives is pretty much dead from frame one. Even mega-fans of either of the headliners will have trouble muddling through it.
Continue reading: Watching The Detectives Review
As melodrama goes, Perception is filled to the absolute brim with it. What seems like it will start off as a lighthearted, quirky comedy soon becomes something entirely else. Piper Perabo stars as Jen (not "Jennifer"), who's just returned to New York after a failed stint at living in L.A. Here, we find her parents are in rapid mental decline. Her semi-girlfriend (Heather Burns) is clingy and, well, stupid. Her ex-boyfriend (Seth Meyers) keeps coming around. And then Jen, in one of the big "holy crap!" moments of cinema, gets run over by a truck.
Continue reading: Perception Review
Ed Burns, again taking mainstay as actor, director, and writer, plays Paulie, a Long Island worker who is preparing for a wedding and to become a father. His fiancée (Brittany Murphy) is wondering why he can't be nice to her anymore and he's wondering what he should expect from fatherhood and a wife. His best friend Des (a surprisingly strong Matthew Lillard) is a father of two and feels it's the only good thing he's done with his life. His brother Jimbo (Donal Logue) thinks he's making a huge mistake, and his cousin Mike (Jay Mohr, doing the lovable idiot routine) just wants to find a girl so he can be like the rest of the guys. Then there's their long lost buddy T.C. (John Leguizamo) who arrives under hushed circumstances, having not been back in Long Island for a considerable amount of time.
Continue reading: The Groomsmen Review
But Two Weeks Notice has appeal beyond being a Sandra Bullock vehicle or a standard romantic comedy. Although Bullock does have her routine primped and polished, Two Weeks Notice benefits from more: a snappy, likable script by writer/director Marc Lawrence (writer of Forces of Nature and Miss Congeniality) and a witty, near-flawless performance by Hugh Grant.
Continue reading: Two Weeks Notice Review
Five years ago, Miss Congeniality gift-wrapped a Christmas hit for Warner Bros. as it delivered Sandra Bullock a much-needed meaty role. The actress was suffering a string of mediocre underperformers at the time, from the melodramatic rehab stint 28 Days to the forgettable Forces of Nature.
It's not surprising to see Bullock revisit frumpy FBI field agent Gracie Hart, though it is surprising it took her this long. Hart remains the ideal fit for Bullock's blend of cover-girl beauty and tomboy charms. Like Hart, Bullock frequently puts up a tough veneer that hides a vulnerable core that's worth exploring.
Armed & Fabulous begins three weeks after Hart was named runner-up at the Miss United States pageant, an event she infiltrated to flush out a criminal mastermind. Her stint on the beauty contest's sta
But the problem is not the actress's performances. Sheadded bite and ironic melodiousness to last year's slapdash, self-destructing"TheStepford Wives," and she keeps the newself-aware, big-screen version of "Bewitched" afloat with herdelightful spark of perky naivete as a witch trying to live a mortal life.She has a deftly silly sense of comedic balance and timing.
The problem is, when she's just looking to have some funbetween dramatic roles, the girl can't pick a script.
Like "The Stepford Wives," this new comedy isa mess at the screenplay level. It changes mood, direction and (like "Wives")the rules of its own reality in every other scene. The plot is sloppy andstructurally unsound. Fictional characters from the original "Bewitched"come to life in single scenes for no explored reason ("The Daily Show's"Steve Carell is bloody awful as queeny Uncle Arthur) -- and this happenseven though the bulk of the meta-cinema plot takes place in real-worldHollywood. You see, Kidman plays an actual witch who becomes an actressand gets cast as TV sorceress Samantha Stevens in a network remake of thetitular 1960s sitcom.
Continue reading: Bewitched Review
Sandra Bullock isn't doing her underappreciated talentany favors by appearing in "Miss Congeniality 2: Armed & Fabulous,"a relentlessly dim-witted sequel to her 2000 hit about a tomboy FBI agentgoing undercover at a beauty pageant.
The first "MissCongeniality" was itself so hackneyed thatthe actress's Lucille-Ball-like gift for guffaws was just about its onlysaving grace, and the same fate befalls her here. Bullock's delivery ofa few choice one-liners is the sole source of laughs in this clunker, andit's amazing to see her pull them off when her character has, without explanation,turned into a vapid, shallow, egocentric Barbie doll nitwit after becomingan implausible spokesmodel for the FBI.
It seems after her exposure at the Miss United States beautypageant in the first picture, the bureau decided she could best serve hercountry by being tarted up literally in satin and bows, and paraded aroundon a waving-and-smiling publicity tour of talk shows and personal appearances.
Continue reading: Miss Congeniality 2: Armed & Fabulous Review
If the whole crew that made "Miss Congeniality" -- writer, director, stars, everybody -- were to get together for another movie, one with a less idiotic plot than a tomboy FBI agent going undercover at a beauty pageant, I'd be gung ho to see it.
The level of talent and the amount of good humor that goes to waste in this gimmicky, so-stupid-it-stops-being-funny star vehicle is phenomenal.
Sandra Bullock is said star, and her screwball (bordering on Lucille Ball) performance as a clodhopping, quarrelsome, graceless lout of a foible-prone FBI agent would be comic gold if the boat anchor of a story weren't dragging it down.
Continue reading: Miss Congeniality Review
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