Hayao Miyazaki's swan song is a more grown up, melodramatic affair
If ‘The Wind Rises’ is really to be Hayao Miyazaki’s last feature, then he certainly departs the medium at a good moment, receiveing critical acclaim for his historical drama, which also achivieved commercial success by being Japan’s highest grossing film of 2013.
Jiro dreams of taking to the sky
Admist the backdrop of 1927 Japan, ‘The Wind Rises’ follows Jiro, who wants to take to the sky in beautiful planes of his own design - inspired by the famous Italian aeronautical designer Caproni. For Jiro, aeroplanes aren’t intended for war or for profit, but to help realise the dreams of many; to soar above the clouds.
Continue reading: 'The Wind Rises' Stuns Critics as Hayao Miyazaki Leaves on a High
For what he has said will be his final film, animation maestro Hayao Miyazaki tackles a controversial biopic that could just as easily have been shot in live action. It's as if he's challenging filmmakers to use their imaginations and make the best movies they can make in whatever way they can. And the result is utterly magical, transcending the touchy subject matter to tell a story about the purity of creativity.
Based on the life of aviation engineer Jiro Horikoshi, this Oscar-nominated film opens in the 1920s when young Jiro (voiced by Joseph Gordon-Levitt in the English version) decides to study aeronautics because his poor eyesight won't let him become a pilot. So he dreams of designing the perfect plane, and his inventive approach catches the attention of Mitsubishi, which assigns him to a secret military project working with Japan's allies in Nazi Germany. Meanwhile, Jiro meets Nahoko (Emily Blunt) and they fall for each other as she struggles to recover from tuberculosis and he grapples with the moral issues of designing a beautiful plane that will be used to kill people in wartime.
Clearly this isn't the kind of animated movie Hollywood would ever produce: it's packed with complex characters who don't always do the right thing, and it takes a perspective that requires sympathy with someone who could be considered a historical villain. But Miyazaki tells the story exquisitely, animating the scenes with such inventiveness that it's impossible not to get lost in the breathtaking imagery. Scenes are also packed with lively side characters, including Jiro's bulldog-like boss (Martin Short), a more grounded colleague (John Krazinski) and a suspicious foreigner (Werner Herzog) who seems to be following Jiro.
Continue reading: The Wind Rises Review
Jiro Horikoshi is an aeronautical engineer whose childhood was filled with dreams about becoming a pilot. His poor vision meant that he would never realise his ambition, but he is encouraged to keep up his passion by Italian plane designer Caproni. Resolving to design aircrafts instead of fly them, Jiro studies the art at university, during which time he meets an attractive young woman named Naoko. Their relationship was born out of the dangerous circumstances of the Great Kanto Earthquake, throughout which they helped one another off a fast moving train. As their life together progresses, Naoko falls ill and Jiro struggles to bring in a regular income. He must succeed in the challenge of building the most exquisitely beautiful aeroplane in the world in order to get back on his feet, as his career could be the only thing he has left.
'The Wind Rises' is romantic, heart-wrenching animated adventure directed and written by the Oscar winning Hayao Miyazaki ('Spirited Away', 'Princess Mononoke', 'Howl's Moving Castle'). This Japanese drama, loosely based on Tatsuo Hori's 1936 short story 'The Wind Has Risen', features the voices of Joseph Gordon-Levitt, Emily Blunt and Stanley Tucci in the English version. It is due for release in the UK on May 9th 2014.
When Jiro Horikoshi was a young boy, all he ever dreamed about was flying planes - at least he did until one night he came across Italian plane designer Caproni in one of his dreams, who subsequently told him that his poor vision means he'll never be a pilot. Jiro instead resolves to take up aeronautical engineering and design aircrafts himself . While at university, he meets a young woman named Naoko who he helps off a train during the Great Kanto Earthquake and the pair become close. His life begins to spiral, however, with his work projects becoming few and far between and Naoko's health deteriorating. But will Jiro finally realise his dream and build an aircraft of pure beauty? Or will his dream come crashing to the ground?
Continue: The Wind Rises Trailer
The Studio Ghibli director and artist will enter into retirement after his latest animated adventure.
Hayao Miyazaki has officially confirmed that he will retire after the release of his upcoming swan song, The Wind Rises, after Studio Ghibli's president, Koju Hoshino, made the initial announcement at the Venice Film Festival on Sunday (1st September). Speaking at a screening of the movie, Hoshino said that Miyazaki would hold his own press conference to confirm the news because "He wants to say goodbye to all of you."
Watch The Trailer For The Wind Rises:
In a Tokyo press conference, broadcast live across the world, Mr, Miyazaki himself announced his retirement from filmmaking. He spoke of how films, such as his previous Ponyo, had begun to take increasingly longer to make "because of his age," reports Den of Geek. "[The next film] might take seven years, which means if I did another film, I'd be 80. I feel my days of feature films are done. If I say I want to [carry on], it would be like an old man saying something foolish," he added to the solemn room.
Hayao Miyazaki appears to be going out with a bang, but The Wind Rises is no Spirited Away.
Director Hayao Miyazaki is set to retire from making feature films after his latest project The Wind Rises which was released in Japan on July 20th 2013. The announcement was delivered by the President of Miyazaki’s production company (Studio Ghibli), Koju Hoshino, at a news conference at this year’s Venice Film Festival (2013).
Watch The Wind Rises trailer:
The news of the academy award winning animator retiring leaves a huge and saddened gap in the animation community. Miyazaki started to establish himself in the animation world in the 1970s in anime for TV, according to the Los Angeles Times. Miyazaki eventually went on to make several feature films, winning an Oscar for his film Spirited Away in 2003 as well as the Golden Lion for Lifetime Achievement at the Venice Film Festival in 2005.
Hayao Miyazaki had not attended his international premiere for ‘The Wind Rises’ according to the BBC but how did his last ever film fare at the festival? Since the film’s premiere it has received mixed reviews.
Continue reading: Hayao Miyazaki Set To Retire From Film Making, Does He Leave On Top?
The Japanese animation extraordinaire has announced he will go into retirement after his latest film.
Hayao Miyazaki, anime director and animator, will soon retire from filmmaking it was announced at the premiere of his latest and last film, The Wind Rises, at the Venice Film Festival. Koju Hoshino, president of Miyazaki's production company, Studio Ghibli, made the announcement at the premiere of the studio's competition title and refused to answer any more questions about Mr. Miyazaki's retirement, according to Deadline.
Watch The Trailer For The Wind Rises:
The 72 year-old anime artist and director, famed for his works on films such as Princess Mononoke, Laputa: Castle In The Sky, and My Neighbour Totoro, won an Oscar for Best Animated Feature in 2001 for Spirited Away and was nominated for the same category in 2004 for Howl's Moving Castle.
Most agree that the final film from Japanese animation master Hayao Miyazaki - who announced his retirement following the release of his latest film, 'The Wind Rises,' at the Venice Film Festival - is one of his best
Hayao Miyazaki was not present during the screening of his new film, The Wind Rises, at the 70th Venice Film Festival this weekend, as he maintained his status as one of Japan's most famous recluses. He may not have been at Venice in person, but that hasn't stopped him from becoming the most talked about person at the festival following the airing of the latest Studio Ghibli animation, as it was announced that the animation great plans to retire.
The eleventh and final film from Miyazaki, 72, has been entered into the competition that honoured him with a Lifetime Achievement Award in 2005, and if the first round of reviews are anything to go by then he may not have won his last statuette from the Venice Film board. The partly fictionalised biopic of 'Zero' fighter designer Jiro Horikoshi, the film is a war protest set between 1918 and 1939 that is also based on Tatsuo Hori's 1938 part-romance novelette Kaze Tachinu (The Wind Has Risen).
Continue reading: Critics In Awe Of Hayao Miyazaki's Final Film; The Wind Rises
Japanese animator Hayao Miyazaki is retiring, it was announced at the Venice Film Festival on Sunday 1st September.
Hayao Miyazaki is retiring after five decades creating critically acclaimed animation films.
The announcement was made at the Venice Film festival by Studio Ghibli head, Koji Hoshino, who said "Miyazaki has decided that Kaze Tachinu (The Wind Rises) will be his last film, and he will now retire." Miyazaki also heads Studio Ghibli but was not present at the festival. Further details of Miyazaki's retirement will be announced at a briefing in Tokyo next week, Variety reports.
The 72-year-old is responsible for dozens of animated films including Spirited Away, Princess Mononoke and Nausicaa of the Valley of the Wind. His first involvement in an animated project began in 1963 and his career has spanned five decades. The Wind Rises, was written and directed by Miyazaki. The animation features the voices of such actors as Hideaki Anno (Evangelion), Mirai Shida (Reunion), Jun Kunimura (Kill Bill) and Hidetoshi Nishijima (Dolls).
Continue reading: Animator Hayao Miyazaki Retiring After 'The Wind Rises'
The Japanese animation master, Hayao Miyazaki, has announced his retirement following the release of his latest film, 'The Wind Rises,' at the Venice Film Festival
Hayao Miyazaki will no longer be making awe-inspiring films or challenging the conventions of standard animation, as it has been announced that the great animator is due to retire following the release of his latest film. The news was announced by Koji Hoshino, head of Studio Ghibli, following the airing of the new film; The Wind Rises, at the Venice Film Festival, with no other details coming with the announcement.
Miyazaki, 72, began his career in animation in the 1960's, going on to co-found the influential Studio Ghibli; the studio responsibly for some of the most acclaimed animated movies of the past few decades. The studio really began to achieve notoriety in the 1980's with the release of 1988's My Neighbour Totoro, achieving wide-spread recognition again in the 2000's with the release of the Oscar-winning Spirited Away and Howl's Moving Castle.
Continue reading: Hayao Miyazaki Announces Retirement For Unspecified Reasons
From the studio that brought us classics like Spirited Away and Howl's Moving Castle, this animated drama feels unusually low-key and realistic. But while the lack of fantastical elements leaves it somewhat dry, as if it should really be a live-action movie, the animation is still a lavishly detailed feast for the eyes.
It's set in 1963 Japan, where orphaned teen Umi (Bolger) lives with her grandmother (Hendricks) atop a hill overlooking a fishing village. She raises flags every morning as a signal her fisherman father, who died in the Korean War, then heads to school where the topic on everyone's lips is the impending demolition of the ramshackle clubhouse. As the nation prepares for the Tokyo 1964 Olympics, old buildings like this must go, but the students band together to protect it, and Umi teams up with student journalist Shun (Yelchin) to clean up the building and make a plea to the corporate boss (Bridges). Meanwhile, Shun is having a personal crisis: as he begins to fall for Umi, he starts to suspect that they have the same father.
The film never really weaves these two plot strands together, so as Umi and Shun try to save the clubhouse and work out their parentage, each storyline feels like a distraction from the other. But they both raise intriguing questions about the past, present and future in a nation still recovering from WWII. And the beautifully rendered backgrounds bring the period to life with artful detail. On the other hand, the characters are more basic anime shapes, inexpressive and a bit stiff, which makes it difficult to identify with them even when their stories turn extremely emotional.
Continue reading: From Up on Poppy Hill Review
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