Jake (Craig) wakes up in the desert with no memory of who he is or why he has a strange metal bracelet clamped onto his arm. He staggers into a dusty town, where the sheriff (Carradine) helps him until he clashes with local bully Percy (Dano), the son of power-mad landowner Dolarhyde (Ford), who has a history with Jake. But when strange airborne "demons" attack the town, Jake discovers that his bracelet is a weapon that can fight them. So Dolarhyde drafts him into a posse to hunt them down.
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A standard origin story, Iron Man stays faithful to its comic-book roots while making necessary upgrades that enhance the characters rich history. Favreau and his screenwriters follow shortcuts instituted by the superior Batman Begins and the inferior Spider-Man. The first half establishes our hero outside of his costume. The second half ramps up the action as it confronts a central villain and lays groundwork for potential sequels.
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Pearce plays Jimmy Starks, a walking grease bucket of a salesman who is waiting for his car to get fixed when we first meet him (as if the name left any room for ethical clarity). Jimmy is trying to sell everyone: He attempts to sell a jukebox to a bar owner (he already has one), tries to sell his intellectual cynicism to a fortune teller (J.K. Simmons, playing it surprisingly low key), and tries to sell his respect to his colleagues and coworkers (William Fichtner and Rick Gonzalez, respectively). When the fortune teller tells him that he will go tits-up when the first snow hits, Starks responds with impervious flaunting and jittery paranoia. Self-aware and gaunt with confusion and doubt, Starks begins to take action to ensure he won't die. Not an easy charge with a vexed ex-partner (Shea Whigham), sneering and prodding through late night phone calls.
Continue reading: First Snow Review
The Vault lets loose its first unreleased material.
Here's what he thinks about the veteran filmmaker.
Ocean's two albums, ‘Blonde’ and ‘Endless’, both missed the Grammy deadline.