Paul Dano stars alongside Sir Michael Caine and Harvey Keitel in 'Youth', released in the UK on January 29th.
Ahead of the release of the European Film Award-winning drama Youth, which teams up Michael Caine and Harvey Keitel, one of the movie’s supporting cast members, Paul Dano, has spoken about the experience of working with the British movie legend.
31 year old Dano, who was recently nominated for a Golden Globe for his portrayal of Beach Boys genius Brian Wilson in Love & Mercy earlier this year, spoke exclusively to us about what it was like to work with Caine.
“Michael is,” he said before pausing for thought, “you know, there’s just not a false note going on in his body or his voice or anything. He’s just so present, and simple.”
Continue reading: Paul Dano Enthuses About Working With Michael Caine In 'Youth'
Prepare to have your mind blown by the list of actors who might have taken the places of some of the 1994 movie's iconic performances.
Pulp Fiction has long since passed into the annals of movie history, confirming its director Quentin Tarantino as one of the modern greats of cinema and becoming arguably the biggest cult film of the 1990s. But, according to leaked documents, it could have looked very different indeed, as it turns out that many of its stars may not have been Tarantino’s first choices for their respective roles.
His wishlist – which has not yet been officially confirmed as genuine by Tarantino’s reps – was leaked via Reddit on Tuesday (September 15th) and makes for extremely interesting reading. Consisting of two sheets of hand-typed paper, the biggest revelation is that John Travolta, who received an Oscar nomination for his role as gangster Vincent Vega, was not Tarantino’s first choice. Rather, he originally wanted Michael Madsen – who of course did star in his first movie Reservoir Dogs just two years before – to play the part.
Quentin Tarantino's 'Pulp Fiction' might have looked very different, according to leaked documents
Mick and Fred have been friends lifelong friends, now both reaching their more senior years they find themselves wanting very different things in their immediate life. Fred's daughter Lena feels her dad is in need of a health check and some R&R so she books them into a luxury spa in the beautiful Swiss mountains.
Whilst Mick feels the pressure to finish his latest screenplay, Fred on the other hand, much to his daughters dismay, has no desire to return to his career scoring and conducting music. Whilst visiting the retreat, both men meet many interesting characters and find themselves in a retrospective mood only to be rejuvenated by the experience in more than one way.
The film score features contributions by many celebrated artists but perhaps the most poignant from Mark Kozelek AKA Sun Kil Moon, Kozelek also makes a cameo appearance in the film. Paloma Faith also has a song on the film and makes a cameo. Youth will open in US cinemas December 4, 2015
While preparing to film 'The Grand Budapest Hotel', director Wes Anderson and company scouted for locations, finding an abandoned shopping centre which they converted into the lobby of the hotel. The exterior of the hotel was primarily shot through the use of miniatures, as were certain action sequences from the film. The minute detail was continued into the creation of costumes for the extras, as each one was supposedly created to have their own entire backstory. Furthermore, the setting for 'The Grand Budapest Hotel' is the fictional Republic of Zubrowka. This, too, was created in detail, with various passports, newspapers and small businesses that were designed with a tremendous amount of detail.
Continue: The Grand Budapest Hotel - Featurettes
Amy Adams poses alongside her new friend Margaret Keane at the New York premiere of the latter's biopic 'Big Eyes', held at the Museum of Modern Art.
Nick Tortano has always felt under pressure to do well in his life, no matter what that takes. He's constantly been the subject of bitter disappointment from his Italian father, who deeply disapproved of the life of petty crime and dodgy dealings that Nick had entered into. Having become so used to his criminal ways, Nick knows no other way to live his life, but is still ultimately ambitious in his career of violence and covert money making. Thus, the next step for him led him to join the Boston mafia, and while he may have found true status, he soon finds out that there's a lot more to this criminal underworld than he initially realised, and when he falls in love with a young girl named Ali Matazano, he suddenly discovers for the first time that he finally has something to lose - and he's in more danger of that than he thought.
Continue: By The Gun Trailer
Fiercely original and wildly ambitious, this provocative drama is often thrilling simply because it's like nothing ever put on-screen. This means that it can be somewhat overwhelming at times, as the film cycles through its dense plot, which seems to meander and stumble here and there. From inventive filmmaker Ari Folman (who made the award-winning animated doc Waltz With Bashir), this is a challenging look at identity in an increasingly digital society.
The story begins in the present day, as actress Robin Wright (playing a variation on herself) is living out of the limelight with her two kids (Kodi Smit-McPhee and Sami Gayle). Then her agent Al (Harvey Keitel) brings her a very strange job offer: a film studio boss (Danny Huston) wants to buy Robin's image to digitise and use in movies, while the real Robin is free to live her life away from Hollywood. Since her son's medical condition needs her attention, she signs a 20-year contract and lets the studio create an avatar that will carry on her career. Two decades later, advances in technology have made this kind of virtual existence available to the general public, so as a pioneer Robin is invited to the Futurists Congress, which is held in an animated alternate reality.
Essentially the story is told in two halves. The first part of the film is a smart and funny razor-sharp satire of Hollywood image-making, as the studio wants the young Robin Wright of The Princess Bride and Forrest Gump rather than the older, more serious actress. And from her perspective, she still wants to control her image as much as possible ("no Nazi or sci-fi movies!"). Then events leap forward to the animated Congress, which is a deluge of colourful characters from vintage cartoons and videogames. In this realm, people can be whatever they want to be. But the truth is that they are living drugged-up Matrix-style lives in the real world while their avatars cavort as if in a dreamland.
Continue reading: The Congress Review
57 year-old Daniel Day-Lewis will be knighted by the Queen, here's why he's more than deserving of such an accolade.
Few actors impart an intensity and dedication to the process of characterization as relentlessly as Daniel Day-Lewis. The 57 year-old occupies a position in the acting world that accumulates esteem akin to the likes of legendary Hollywood ‘method’, a calibre of which includes the likes of Robert De Niro, Al Pacino and Harvey Kietel. These are the great actors who immerse themselves in roles to dizzying extents, adopting accents, traits and idiosyncrasies for the entirety of the shooting schedule, both in front of the camera, on set and even amongst friends and family.
Daniel Day-Lewis Has Won More Best Actor Oscars Than Any One Else
Continue reading: Why Daniel Day-Lewis Deserves His Knighthood
'The Princess Bride' actress Robin Wright plays a fictional idea of herself, as someone struggling to land acting roles despite her immense fame decades ago. In the movie, her son is suffering from increasing blindness for which she needs to raise many to help. Her agent has one last idea; seeing as she can no longer land movie roles, Miramount Studios want to scan her whole body, emotions, voice and personality to be used in digital imagery for future films so she no longer has to act. Desperate, she accepts the deal; allowing the studio to take ownership of her and accepting the money they pay her for it. Years later, however, she has become a major movie star once again and now Miramount want to showcase their new avatar programme at the Futurological Congress, whereby buyers can turn themselves into animated versions of anyone - and Miramount wants Robin to let people become her. As her life progresses, she starts to wonder just where the reality has gone in this virtual world.
This intriguing half-animated sci-fi drama explores themes of virtual reality and the limitlessness of human endeavour in the technological era. It has been directed and written by Ari Folman ('Waltz with Bashir', 'Made in Israel', 'Saint Clara') and is based on the novel 'The Futurological Congress' by Stanislaw Lem. 'The Congress' is due for UK release on August 15th 2014.
Wes Anderson's entertaining filmmaking style clicks beautifully into focus for this comical adventure. Films like The Darjeeling Limited and Moonrise Kingdom are packed with amazing detail and terrific characters, but this movie is on another level entirely: fast, smart and engaging, packed with both silly slapstick and intelligent gags. And the sprawling cast is simply wonderful.
It's a story within a story within a story, as an author (Wilkinson) narrates the tale of his 1968 conversation as a young writer (Law) with ageing hotelier Zero (Abraham), who in turn recounts his life as a lobby boy in 1932. Young Zero (Revolori) learned his craft alongside legendary concierge Gustave (Fiennes) at the Grand Budapest Hotel somewhere in Middle Europe, and stuck by Gustave's side when he became embroiled in an inheritance battle with a spoiled heir (Brody) and his evil henchman (Dafoe). As things get increasingly nasty, Zero and his baker girlfriend (Ronan) help Gustave fight for justice, and when that doesn't work he helps orchestrate an elaborate prison escape. Meanwhile, war breaks out twice across Europe.
The double flashback structure makes this a film about the power of storytelling itself, and even more potent is the reminder that we need to remember the old ways, especially as the world changes around us. This simple idea is woven so cleverly into the DNA of the script that it continually takes our breath away, conveying the true importance of history and nostalgia. At the centre, Fiennes gives his best-ever performance, showing a real gift for comedy (who knew?) as he makes the bristly Gustave deeply likeable. His camaraderie with newcomer Revolori is priceless, as are the cameos from an array of Anderson veterans including Murray, Wilson and the always astonishing Swinton.
Continue reading: The Grand Budapest Hotel Review
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Mick and Fred have been friends lifelong friends, now both reaching their more senior years...
While preparing to film 'The Grand Budapest Hotel', director Wes Anderson and company scouted for...
Fiercely original and wildly ambitious, this provocative drama is often thrilling simply because it's like...
'The Princess Bride' actress Robin Wright plays a fictional idea of herself, as someone struggling...
Wes Anderson's entertaining filmmaking style clicks beautifully into focus for this comical adventure. Films like...
The cast and crew of 'The Grand Budapest Hotel' discuss the story, the main characters'...
Gustave may be aloof and snobbish in many ways, but he's also extremely charming with...