Harris Yulin

Harris Yulin

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Harris Yulin - Opening night party for the play John at the Signature Theatre - Arrivals. at Signature Theatre, - New York City, New York, United States - Tuesday 11th August 2015

Harris Yulin
Harris Yulin

Harris Yulin - Disney On Ice presents 'Frozen' at The Barclay's Center in Brooklyn - Arrivals at Barclays Center, Disney - Brooklyn, New York, United States - Wednesday 12th November 2014

Harris Yulin
Harris Yulin

The Place Beyond The Pines Trailer


Luke Glanton is a stunt motorcyclist who currently works with a carnival where he performs numerous death defying feats for just a small pay cheque.  When the carnival reach Schenectady, New York, he becomes increasingly determined to find his long lost love Romina who he idiotically broke contact with for over a year. However, when he finds her, he discovers that she has only recently given birth to a baby boy who happens to be his son, though she was reluctant to contact him about it because of feeling abandoned by him. Realising he can't afford to provide for his new family, he gives up his carnival job and goes in search of other ways to make money. He winds up being persuaded to help out in an armed bank robbery to bring in the cash but is immediately hunted by the police for his involvement. This brings Avery Cross on to the scene; a serious cop with an immense respect for the law who also has a new child to think about as well as his constantly worrying wife. His pursuit to uphold the law leads to criminal discoveries about his police department that he'd rather not be a part of, but things take an even more shocking turn when the long forgotten past of both Luke and Avery are brought up once again.

Directed and co-written by Derek Cianfrance ('Brother Tied', 'Blue Valentine') with writing credits also from Ben Coccio ('The Beginner') and Darius Marder  in his screenwriting debut, the heart-wrenching and desperate story of 'The Place Beyond The Pine' is set for release on April 12th 2013.

Starring: Ryan Gosling, Bradley Cooper, Eva Mendes, Rose Byrne, Dane DeHaan, Ray Liotta, Ben Mendelsohn, Bruce Greenwood, Mahershalalhashbaz Ali, Harris Yulin, Robert Clohessy, Emory Cohen, Olga Merediz, Kevin Craig West & Gabe Fazio

Continue: The Place Beyond The Pines Trailer

Harris Yulin Monday 5th March 2012 Opening night after party for 'The Lady From Dubuque' at Signature Theatre Company’s Pershing Square Signature Center - Arrivals

Harris Yulin

Harris Yulin and Tom Hickey Tuesday 31st August 2010 Patt Short and Tom Hickey rehearse their roles as the boys Josey and Mick in the play 'Boss Grady's Boys' at the Gaiety Theatre Dublin, Ireland

Harris Yulin and Tom Hickey
Harris Yulin and Tom Hickey

Scarface Review


OK
To say that Al Pacino chews the scenery as Tony Montana, Cuban drug lord par excellence, doesn't really do justice to the performance. Pacino tears into his lines with a lust approaching frenzy, ripping through scenes with an animalistic fervor, creating a role that has already gone down in the books as one of the great, if not the greatest, portrayals of a gangster ever to hit the screen. It's also, watching some 20 years down the line, laughably campy in a manner that the rest of this bloated, self-important film doesn't seem to appreciate.

Pacino and producer Martin Bregman had a good idea in wanting to make an updated version of the original 1932 Scarface, which chronicled the rise and fall of a Prohibition-era Capone-like criminal overlord (screenwriter Ben Hecht was a Chicago journalist with a lot of intimate knowledge of Capone). Handing it over to director Brian De Palma (who had specialized mostly in psychosexual thrillers like Dressed to Kill and The Fury), and screenwriter Oliver Stone (whose credits included an Oscar for 1978's Midnight Express but also Conan the Barbarian), was a daring move. Stone did a lot of research for the screenplay, hanging out and doing coke with drug lords all over Latin America, and De Palma promised to bring a certain visual flair to the proceedings.

Continue reading: Scarface Review

Fur: An Imaginary Portrait Of Diane Arbus Review


OK
Diane Arbus made a name for herself by trying to make the normal look peculiar and vice versa. Many of her pictures detail "freaks" in very calm, classical poses and spaces. When Steven Shainberg got the notion to cook up a fictional story about how Arbus got her inspiration for her photographic portraits, this had to be on his mind. Somehow, this notion creates an inventive misfire.

Shainberg imagines Arbus, played by Nicole Kidman, as a faithful housewife, very self-conscious of her strange stares and off-putting manner. She's also a devoted assistant to Allan (a superb Ty Burr), her photographer husband who captures the poppy pastel colors of 1950s dresses and various appliances for catalogs. Her life gets a shock of electricity when she catches the eye of a strange neighbor named Lionel (Robert Downey Jr.). Lionel was featured in a freak show when he was younger as a dog boy, scientifically diagnosed as hypertrichosis. The relationship that builds between Arbus and her hairy friend accounts for her artistic awakening and liberation of feminine constraints.

Continue reading: Fur: An Imaginary Portrait Of Diane Arbus Review

The Emperor's Club Review


Excellent
There's an old cheap saying that goes "those who can, do; those who can't, teach". Professor William Hundert (Kevin Kline) would disagree. A true scholar of the Classics, this intellectual believes that there is no greater endeavor than the passing-on of knowledge, that molding a young man's life is a noble and important vocation. What Professor Hundert gets for his lofty ideals is a lesson in cynicism, and maybe humility, in this fine effort from director Michael Hoffman (A Midsummer Night's Dream), which features an exceptionally strong performance from Kline, an actor who consistently raises the level of nearly every film he's in.

It's the mid-1970s at a proper boys' prep school in DC, and Kline's Hundert encounters his first splash in the face with the cold water of life outside revered academia when he meets the father of a mischievous underachieving student. The stern dad, a brash U.S. senator, scolds Hundert: "You will not mold my son, I will mold my son". With a dose more sympathy for the kid, Hundert befriends him and watches him turn into a studying machine.

Continue reading: The Emperor's Club Review

Multiplicity Review


Good
I hate it when a film sounds like it's going to be great, has a hilarious teaser-trailer, stars some wonderful actors, features a small role played by the daughter of one of my film review subscribers, and ends up falling a bit flat on the screen.

Such is the case with Multiplicity, the new Harold Ramis-Michael Keaton comedy about a guy who clones himself in order to get a little free time.

Continue reading: Multiplicity Review

Clear And Present Danger Review


OK
Jack Ryan returns for a third outing in Clear and Present Danger, reuniting Harrison Ford's Ryan with director Phillip Noyce, who also directed Ford-as-Ryan in Patriot Games.

Too bad that with plenty of raw material (notably Willem Dafoe as an American mercenary working in Columbia), Danger comes up awfully short. For starters, what is our CIA hero doing poking around in the Colubian drug trade? Sure, he's rooting out a huge conspiracy that goes all the way up the U.S. political ranks, but must we be subjected to endless Latino stereotypes en route to that? Clancy is always at his best when he's dealing with terrorists or Russians. Here we have a plot (nearly 2 1/2 hours in length) that trots out the usual exploding drug factories and endless cartel assassinations. Ryan's escape from a troublesome mission is infamous for the bad guys' repeated inability to hit a near-motionless target.

Continue reading: Clear And Present Danger Review

American Outlaws Review


Bad
Not so long ago, men by the names of Peckinpah, Ford, Leone, and Eastwood made westerns. Real westerns. These were some of the best films of the twentieth century.

Those days are gone. Now we have crap like Wild Wild West to pass for the western. And that record is not improved with the unbearable tale of American Outlaws.

Continue reading: American Outlaws Review

Night Moves Review


Weak
Hey, I loved Chinatown too. A year after Roman Polanski made his masterpiece, Arthur Penn came along and shat out this dreck in a sad attempt to quickly knock off what made Chinatown great.

We pick up the story with Los Angeles detective Harry Moseby (Gene Hackman), a P.I. who's hired by a wealthy woman to track down her runaway daughter (Melanie Griffith in her first speaking part and already taking off her clothes), who's run off to the Florida Keys. Almost at random, a secondary plot develops, involving a murderous movie stunt coordinator. Meanwhile, Harry's wife is cheating on him, and Harry confronts the guy on at least two different occasions.

Continue reading: Night Moves Review

Scarface Review


OK
To say that Al Pacino chews the scenery as Tony Montana, Cuban drug lord par excellence, doesn't really do justice to the performance. Pacino tears into his lines with a lust approaching frenzy, ripping through scenes with an animalistic fervor, creating a role that has already gone down in the books as one of the great, if not the greatest, portrayals of a gangster ever to hit the screen. It's also, watching some 20 years down the line, laughably campy in a manner that the rest of this bloated, self-important film doesn't seem to appreciate.

Pacino and producer Martin Bregman had a good idea in wanting to make an updated version of the original 1932 Scarface, which chronicled the rise and fall of a Prohibition-era Capone-like criminal overlord (screenwriter Ben Hecht was a Chicago journalist with a lot of intimate knowledge of Capone). Handing it over to director Brian De Palma (who had specialized mostly in psychosexual thrillers like Dressed to Kill and The Fury), and screenwriter Oliver Stone (whose credits included an Oscar for 1978's Midnight Express but also Conan the Barbarian), was a daring move. Stone did a lot of research for the screenplay, hanging out and doing coke with drug lords all over Latin America, and De Palma promised to bring a certain visual flair to the proceedings.

Continue reading: Scarface Review

The Emperor's Club Review


Weak

A routine aerial shot swoops down over the grounds of an architecturally classic boarding school while a buoyant, sanguine score bleats with insistently lyrical French horns in the opening moments of "The Emperor's Club." And that's all most moviegoers will need to divine everything there is to know about the picture's musty, fond-memory-styled milieu of plucky, Puckish schoolboys and the dedicated, kindly educator who inspires them.

It's a movie that seems motivated more by a desire to match mortarboards with "Dead Poets Society" and "Good Will Hunting" than by its own story. It's a movie of highly telegraphed archetypes slogging their way through clichés (the off-limits girls' school is just across the lake) and only-in-the-movies moments, like the climactic scholarly trivia contest in which the three smartest boys in school don togas and answer questions on stage about the minutiae of Roman history.

These settings, these characters and this narrative arc -- about a contentious teacher-student relationship -- are so familiar that while the movie is not inept or boring, it never feels real enough to inspire much more than a shrug in response.

Continue reading: The Emperor's Club Review

Harris Yulin

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Harris Yulin Movies

The Place Beyond The Pines Trailer

The Place Beyond The Pines Trailer

Luke Glanton is a stunt motorcyclist who currently works with a carnival where he performs...

Scarface Movie Review

Scarface Movie Review

To say that Al Pacino chews the scenery as Tony Montana, Cuban drug lord par...

Fur: An Imaginary Portrait of Diane Arbus Movie Review

Fur: An Imaginary Portrait of Diane Arbus Movie Review

Diane Arbus made a name for herself by trying to make the normal look peculiar...

The Emperor's Club Movie Review

The Emperor's Club Movie Review

There's an old cheap saying that goes "those who can, do; those who can't, teach"....

Advertisement
American Outlaws Movie Review

American Outlaws Movie Review

Not so long ago, men by the names of Peckinpah, Ford, Leone, and Eastwood made...

Scarface Movie Review

Scarface Movie Review

To say that Al Pacino chews the scenery as Tony Montana, Cuban drug lord par...

The Hurricane Movie Review

The Hurricane Movie Review

It doesn't matter who else is nominated for 1999's Best Actor Oscar, the race will...

American Outlaws Movie Review

American Outlaws Movie Review

Fictionalizing and romanticizing the exploits of Old West outlaws has been a pastime of the...

The Emperor's Club Movie Review

The Emperor's Club Movie Review

A routine aerial shot swoops down over the grounds of an architecturally classic boarding school...

Training Day Movie Review

Training Day Movie Review

There is one reason and one reason only to see "Training Day" -- watching Denzel...

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