Harriet Parsons

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Clash By Night Review


Good
Cannery Row in Monterey. Christ, you can smell the fish through your TV.

The setting is always good for a noir, and throwing Barbara Stanwyck in as the lead doesn't hurt. Here Stanwyck plays a woman who didn't quite make it in the big city, so she's moved back home to figure out what to do next.

Continue reading: Clash By Night Review

I Remember Mama Review


Excellent
A sentimental but well-intentioned portrait of an immigrant family, I Remember Mama is an oddity for Hollywood -- very slow, almost entirely lacking in dramatic punch, but surprisingly realistic. Martha Hanson (Irene Dunne) is the center of a Norwegian-American family in early 20th century San Francisco. (The row houses are still standing, but no one who lives in them has to count pennies.) The story is narrated by a daughter (Barbara Bel Geddes) who worshipfully portrays her mother through her own somewhat selfish lens, but allows us to see her mother as she is: uneducated, strong, simple, forthright, and content. Like so many immigrants, Mama unsentimentally embraces her new country and raises her children as acculturated Americans, without changing herself.

The role was a stretch for Irene Dunne, usually a comedienne who teamed with Cary Grant, among others, in screwball comedies of the '30s and '40s (The Awful Truth, etc.). Unfortunately, the film signaled her retirement rather than a new beginning.

Continue reading: I Remember Mama Review

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