Before triangulating the discombobulating mystery that anchors Lost's first 24 episodes, it is necessary to acknowledge the brilliance of the program's premise. An aircraft traveling from Sydney to L.A. crashes, and part of the plane lands on an island somewhere in the South Pacific. Several survivors emerge from the wreckage to take pole positions as the show's cast, and slowly but surely, as some semblance of society is established, we get flashbacks into their previous mainland lives. This design leads to situations such as this: Jack (Matthew Fox) is falling for Kate (Evangeline Lilly). However, as dramatic irony would have it, the viewers know that Kate was actually a gun-wielding fugitive in her pre-island life. Watch out, Jack! This conceit of letting the audience in on the characters' secrets while they mingle obliviously with each other is Lost's greatest power. Nevertheless, creator J.J. Abrams was not content with just that.
Continue reading: Lost: Season One Review
On_Line isn't even really a movie in the traditional sense. It feels more like a Web site. The cinematic frame, if you can call it that, is filled up with "pop up windows" as characters talk with one another over webcam. It's a distracting back and forth electronic collage, as bright young slacker John (Josh Hamilton, The House of Yes), suicidal waif Moira (Isabel Gillies), foxy sex goddess Jordan (Vanessa Ferlito), gay best friend Al (John Fleck), and other techno-geek characters communicate over the desktop.
Continue reading: On_Line Review
I love movies. In particular, I hunger for films that invite me into a world beyond the limits of mundane, material, daily existence. While Woman on Top deserves some credit for its fresh, innocent effort to make this invitation, it is disappointingly infantile once we all get to the party.
Continue reading: Woman on Top Review
To understand why, let's just dive right in.
Continue reading: The Matrix Revolutions Review
What a surprise.
Continue reading: The Edge Review
Here's your review of "The Matrix Reloaded" in a nutshell: One incredibly cool, gravity-defying, CGI-aided, swirling-camera kung-fu melee; one jaw-dropping, 100-mph, against-traffic freeway chase; and way, way too much long-winded, expository, circular, self-important, pseudo-philosophical yappity-yappity-yap.
Writing-directing brothers Larry and Andy Wachowski saddle their cast with endless equivocal prattle while toiling to buttress the complex plot and metaphysical undertone of this picture's uber-stylish 1999 predecessor, which saw what we think is the real world exposed as an elaborate virtual reality prison for the minds of all humanity. Mankind's suspended bodies provide a power source for a race of machines, which a small band of escapees are hoping to destroy in the post-apocalyptic world outside the Matrix.
"We can never see past the choices we don't understand," sage but elusive cyber-prophet The Oracle (Gloria Foster) preaches cryptically to Neo (Keanu Reeves), the cyber-Messianic hero whose realization that physical laws don't apply in the Matrix led to the first film's groundbreaking wire-work martial arts fights and bullet-dodging slow-mo stunts.
Continue reading: The Matrix Reloaded Review
When a movie begins with a lot of narration, it's rarely a good sign. It almost invariably means the director's first cut of the picture was flaccid, and in order to shore it up, scenes from the beginning were diced into a montage to get the audience to the core of the story sooner.
"Woman on Top" begins with about 10 minutes of fairy-tale style narration, all about how a beautiful Brazilian girl named Isabella (talented Spanish enchantress Penelope Cruz) was cursed by the gods with extreme motion sickness, but blessed an ambrosial ability for the culinary arts.
The narrator goes on to explain how this girl grew up and met a sexy waiter (Murilo Benicio) whom she seduced with her cooking. They married and opened a restaurant together, where she quickly became frustrated because she did all the work and he got all the credit.
Continue reading: Woman On Top Review
The eye-popping, heart-stopping last hour and a half of "The Matrix Revolutions" more than makes up for everything plodding and ponderous that has taken place since the mind-blowing first hour of the 1999 original.
Astonishing in scale and momentous in scope, it encompasses a spectacular battle between the scrappy, out-numbered but heavily armed defenders of Zion (humanity's last refugee city hidden deep beneath the Earth's scorched surface) and a million-strong swarm of enemy sentinels (those frightening, giant squid-shaped robots) invading from the machine-ruled surface world.
But the monstrous melee may be for naught if uber-human messiah Neo (Keanu Reeves) cannot defeat the invincibly evil, incalculably self-replicating rogue computer program known as Agent Smith (Hugo Weaving) in a simultaneous, nuclear-strength airborne-kung-fu showdown inside what's left of the crumbling Matrix (that virtual world pulled over the eyes of the comatose majority of mankind kept in stasis by the machines who feed off our life-force).
Continue reading: The Matrix Revolutions Review
Writer-director Christopher McQuarrie brings a dark and gritty tone to this larger-than-life franchise.
Ed Helms has spoken about his initial reluctance to follow up the 80's cult classics.
Mike's current life revolves around his girlfriend, a healthy amount of weed and his job at the local cash & carry.
Michael Douglas' two movies this year couldn't be much more different.
O'Brien, Rocky Horror's creator, will be playing the narrator in a special West End run in September this year.
As soon a pop partnership Calvin Harris and Taylor Swift got together, we knew it...
Just a day after Zayn Malik said that he had left them to make “#realmusic”, One Direction...