In Straight, Farnsworth made his slow journey on a souped-up tractor along the highways and road stops of America aiming to visit an old buddy once more before he died. Not much of a motivational factor but it's the journey that counts. In Schmidt, Nicholson's travels consist of taking off in his trailer home for a visit with his daughter in another state on the occasion of her wedding.
Continue reading: Schultze Gets The Blues Review
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