After receiving the news that his son has tragically died from a heroine overdoes, citizen of the year and snow plow driver, Nils (Stellan Skarsgard) sets out to disprove the official report. He steadily uncovers evidence of a turf war between sinister crime boss "The Count" and his rivals from Serbia. It is a turf war which claimed the life of his son, and therefore becomes his problem. Armed with all the tricks of the snow plow trade and a sawn-off hunting rifle, Nils wages his own, bitter war on the criminal underworld, racking up an impressive body count through shear beginner's luck.
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Playwright August Strindberg built his career on families and relationships paralyzed by secrets, unable to express their longings until the hour is far too late. That's an accurate reflection of what Aberdeen strives for, focusing on the pairing of an alcoholic father, Tomas (Skarsgård) and his alienated, openly hostile yuppie daughter, Kaisa (Lena Headey, Gossip). They haven't spoken in years, and wouldn't even be making the long trip from Norway to Aberdeen, Scotland by automobile if it weren't for Kaisa's mother (Charlotte Rampling, Under the Sand) rotting away in a hospital bed from cancer.
Continue reading: Aberdeen Review