Fans of the 2007 Spartan war romp 300 probably won't care that this spin-off is even more chaotic and much murkier to look at. It still features armies of scantily clad muscle men grunting idiotic declamatory dialogue as they charge into cartoon-style battles against all odds. No, this isn't particularly subtle filmmaking: it's loud and brutal. And good for an unintentional laugh.
At the same time as Spartan King Leonidas (a briefly glimpsed Gerard Butler) is leading his 300 men to battle against Xerses (Santoro), Greek General Themistocles (Stapleton) approaches Leonidas' wife Gorgo (Headey) for help facing Xerses vengeful military commander Artemisia (Green) on another front at sea. Themistocles' main officers are Aesyklos (Matheson) and Scyllias (Mulvey), whose son Calisto (O'Connell) secretly joins the army as they set sail for an epic ship-based battle against Artemisia's fearsome forces. And there are two more watery conflicts to come, each more outrageous than the one before, as Artemisia taunts Themistocles seductively while dispensing fiery death and destruction at every turn.
The addition of two strong women adds a bit of interest here, but the focus is still on the bare-chested men, even if only three or for of them actually emerge into proper characters. Headey's chief contribution is a rambling voiceover narration explaining everything for us, while Green's wry smirk and momentous glower let her steal every scene. By contrast, the men seem rather feeble. Stapleton is manly and commanding, but not hugely charismatic. Rising-star O'Connell barely gets two decent scenes. Santoro is hilariously grouchy eye candy. And everyone else is clearly expendable.
Continue reading: 300: Rise Of An Empire Review
When Leonidas and his valiant army of 300 Spartans were wiped out by the vast forces led by Persian God King Xerxes, the rest of Greece now feel that their country has gained honour following their tragic loss. However, their battle is not over yet as Persia is rapidly sailing in for another invasion. Rival cities Sparta and Athens are forced to set aside their bitterness towards each other if they have any hope of victory - though with Xerxes on their tail with immortal power, their lives teeter on the edge. Nonetheless, the Greeks remained filled with a fierce determination following Leonidas' heroism and so Themistocles of Athens leads his naval fleet to war while Sparta's army prepares for another fight. How can they survive against a seemingly impervious God King and his female ally, the just as ruthless, sword-wielding Artemisia? Outnumbered and overpowered once again, there is still hope.
Continue: 300: Rise Of An Empire - Clips
Following Leonidas' honourable though inevitable death alongside his Spartan army of 300 at the hands of Persian God King Xerxes, the rest of Greece cannot help but feel a certain pride at the valiant effort. Now, with Persia quickly threatening invasion, rival cities Sparta and Athens must throw aside their differences and rally together to defeat their forces - but with an all-powerful king like Xerxes, their chances of survival look minimal. Nonetheless, filled with a newfound determination after Leonidas' heroic venture, Athens' naval fleet led by the admiral Themistocles set out to bring Persia down, as Sparta's army prepares another brave attack. They may be outnumbered yet again, but hope is the last thing Greece is going to give up.
Lena Headey discusses her role in '300: Rise of an Empire' and it seems there is a distinct female presence in the sequel to '300'.
300: Rise of an Empire promises to have a stronger female on-screen presence, which isn't exactly a difficult feat considering 300, released in 2007, was nothing but wash-board abs and a host of handsome men.
Lena Headey at Elle's Women in Hollywood event, held at the Four Seasons Hotel in L.A.
The sequel's list of equally butch men includes Jack O'Connell (Skins); Sullivan Stapleton (Gangster Squad); Hans Matheson (Sherlock Holmes) and Callan Mulvey (Zero Dark Thirty). David Wenham, Andrew Tiernan and Rodrigo Santora are reprising their roles from 300.
After a valiant but ultimately unsuccessful attack by Leonidas' army of 300 Spartan men on Persia's much larger army led by the 'God-King' Xerxes, the rest of the Greeks are at war with Persia determined to end their invasion and bring down their so-called God once and for all. Athens and their strong naval fleet, led by the admiral Themistocles, are forced to team up with Sparta, their civil rivals, and their formidable army though the Greeks are still ultimately outnumbered on a massive scale by Persia. However, with a determination instilled by a national pride in the sacrifice of Leonidas and his men, the Greeks enter in their new battle gladly and with a significantly reduced fear of their enemy.
'300: Rise Of An Empire' is the gritty, action-fuelled follow-up to 2007's '300' directed by Zack Snyder ('Dawn of the Dead', 'Watchmen', 'Man of Steel'). This sequel has been adapted from the graphic novel 'Xerxes' by Frank Miller and directed by Noam Murro ('Smart People'), though Snyder does make his return alongside Kurt Johnstad ('Act of Valor') on the screenwriting credits. With a multi-award winning epic to beat, 'Rise Of An Empire' looks to be a thrilling addition to this war saga and it is set to hit screens in the US on March 7th 2014.
Perseus (Worthington) is a demigod who has been raised by humans and now finds himself at the centre of a war between man and the gods Zeus (Neeson), Hades (Fiennes) and Poseidon (a blink-and-you'll-miss-him Danny Huston). Accompanied by a handful of plucky warriors from Argos (including Mikkelsen, Cunningham, Hoult and Matheson) and his spirit-guide Io (Arterton), he heads off to find the secret to defeat Hades' feared Kraken so he can save Princess Andromeda (Davalos).
Continue reading: Clash Of The Titans Review
Raucous, rough energy infuses this film from start to finish, carrying us along even when the slightly over-egged script starts to feel somewhat slender. And it's the terrific chemistry between Downey and Law that makes the film worth seeing.
In Victorian London, private investigator Sherlock Holmes (Downey) is about to lose his partner John Watson (Law), who's moving out to marry his fiancee (Reilly). But the case they've just finished, involving a series of secret-society murders carried out by Lord Blackwood (Strong), just won't end.
Now Holmes' ex Irene (McAdams) is on the scene as well, and things are getting increasingly freaky with more murders and a conspiracy that could lead to a takeover of the whole government. But Holmes' fierce powers of observation are on the case.
The producers blast new life into fusty cinematic stalwarts with their canny choice of director and stars. In many ways this feels more faithful to Arthur Conan Doyle's stories than the dry, cerebral films we're used to. Downey perfectly combines the character's edgy physicality, brainy powers of deduction and sardonic wit. And he and Law are like an hilarious bickering married couple that has lived together just a little too long.
No one else in the cast quite registers. McAdams and Reilly at least play strong-minded women, while Strong glowers satanically from the shadows and Marsan (as the chief inspector) tuts amusingly. The script is mostly smoke and mirrors, weaving in all manner of Holmes' lore, from the original story details to playful references to previous film incarnations (although Holmes never says "elementary", and he never wears a deerstalker).
And if the script isn't nearly as smart as it thinks it is, at least it contains a few nifty twists, including one of the more enjoyable resolutions in recent blockbuster memory. But what we're here for are the fireworks between Downey and Law, a couple of feisty-sexy women and Ritchie-isms like nasty slo-mo fight sequences, witty editing and suggestive lighting. He also offers plenty of refreshingly abrasive vigour to go with the cool effects and a zingy Hans Zimmer score. Bring on the next case.
Continue reading: Les Misérables Review
Corgan took to Instagram to confirm rumours of new Pumpkins material, saying the first songs could arrive as early as May.
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