From the outset, the movie bumbles into genre territory inhabited by superior specimens like John Dahl's Red Rock West, Sam Raimi's A Simple Plan, and the Coens' Fargo. Images of wintry fields and desolate small-town streets -- not to mention a moody minimalist score that feels directly indebted to Thomas Newman's music for American Beauty -- puts us in a mind for an existential fable, something those aforementioned movies delivered by way of complex characters nursing pent-up desires and grievances. Mindell and Murphy provide us with a potentially interesting collection of ne'er-do-wells, dreamers, and saps. But their material is too shallow to allow any of their creations to function as more than cogs in the story's clockwork plotting. And, for a movie that references setting in its very title (more for its cultural implications than for geographic accuracy), Milwaukee, Minnesota's sense of place feels as arbitrary as its characterizations, never venturing beyond the stale stereotypes of the provincial Midwest.
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The ignorant Carolyn (Christina Ricci) leads the perfect life of a college senior -- she's an officer in her sorority and dates Kent (Sam Ball), the tennis team stud. Everything is going well until it's decided that her sorority will mentor the handicapped adults of the Challenged Games (think Special Olympics). Carolyn is against the charity selection, but the sorority president (Marisa Coughlan) believes helping these special athletes train will give the sorority enough points to win Sorority of the Year.
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