Though Ingrid and Ingmar Bergman aren't related, their pairing on a movie set was a long-anticipated event -- each of their careers were marked by a certain Scandinavian iciness -- and it turned out to be a wholly successful one. Ingrid has a stubborn, indomitable attitude in the opening of the film that turns out to be only selfish shallowness - she resents being in the presence of Helena, and seems anxious to get away from Eva, who she always felt fell short of expectations. As each reveal the losses they've suffered and the slights they've felt, it slowly becomes clear that resentment has built up between them for years. But the brutality of Eva and Charlotte's final fight doesn't come from the noise they make - it's in the way their words cut. "You should be hidden away and kept from doing others harm," Eva tells her mother towards the end, and it seems to annihilate her.
Continue reading: Autumn Sonata Review
A decade after his last film as a director, Mel Gibson received a standing ovation and glowing reviews when his war drama Hacksaw Ridge premiered at...