Sam Gold is a good guy, he and his family live in a Jewish Orthodox community in Brooklyn and he's about to marry the woman his family have chosen for him whilst studying to become a Rabbi. His life path has already been set for him, but his neighbor Yosef senses Sam isn't totally happy with the direction his life is taking; he offers Sam a solution to his problems. Yosef introduces Sam to Jackie a man who needs certain 'medicine' transported from Europe to the US. Sam soon realizes that the medication he's transporting is actually Ecstasy pills, even though it's against his way of life, Sam accepts Jackie's offer.
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Oh yeah, and there's this movie she's in, an adaptation of the beloved 1973 novel How to Eat Fried Worms. I remember loving this book when I was a kid, but today I can't really remember the actual plot (except there was a lot of worm-eatin' in it). Maybe that's for the best. The word is that the film has taken some liberties with the book, but aside from modernizing the story, I couldn't really tell you what was different.
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Believe it or not, Disney's watery version of the classic play and true story is not as bad as you'd think. While Eisenberg grates, at least she doesn't get to speak. Alison Elliott, so memorable in films like The Wings of the Dove, plays the titular worker of miracles Annie Sullivan as angry and almost mean, but in the end she is called upon to carry the picture, and she mostly does. David Strathairn's turn as Captain Keller (also angry and mean) is forgettable, but it's the small performance by Lucas Black (All the Pretty Horses) as Helen's brother that is actually the best part of the movie.
Continue reading: The Miracle Worker (2000) Review
Bicentennial Man aims to turn that all around by making Williams something we can relate to once again. Ironically, that's not as a human: It's as a robot.
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Irony is the central force of Field's representative pageantry, and in the tradition of Drop Dead Gorgeous, it is no disappointment. But this is also a human story, about women in search of identity and belonging.
Continue reading: Beautiful Review
"Beautiful" is such a sappy, pandering, overly sincere, paint-by-numbers feel-good movie it's almost a surprise Robin Williams doesn't play its central character, an absurdly determined wannabe beauty queen.
OK, so Robin Williams is far too hairy to pass as a beauty contestant and he isn't even female. But that's never stopped him before.
Instead it's Minnie Driver who swallows her pride for the role of this repellantly shallow and insecure outcast from a broken white-trash home, who takes 15 years to learn a trite Sunday school lesson about how there are more important things in life than being pretty.
Continue reading: Beautiful Review
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"Beautiful" is such a sappy, pandering, overly sincere, paint-by-numbers feel-good movie it's almost a surprise...