Quite the best thing Verhoeven has going for him is his fantastic Dutch cast, headed up by Carice van Houten in a relentlessly fearless performance as the singer Rachel Stein, who is forced into one morally compromising position after another. The film starts in 1944, when Stein has been in hiding for years, but is sent on the run after an errant Allied bomb destroys her hideout. As a former singer, she's able to take on new personas with great ease, but there's always a tough brightness about her, the statuesque ease of someone who's accustomed to being stared at and fought over.
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It's cute and quaint, a Hannah and Her Sisters done up Euro-style, which invariably means these days that someone is gay. Sure enough, our gay fella is getting married, and his three sisters will stop at nothing to end the travesty because an inheritance is at stake. Regardless, it's not terribly clear why. The girls don't seem to be able to muster an emotion about anything else, but for some reason a dying hotel merits their attention. That they intervene by trying to tempt bro with another guy is what makes it movie-worthy, though wouldn't a nice note or lunch with the fiancee to try to get her to call it off have made more sense?
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Chris Pratt loved having Kurt Russell as his on-screen dad so much he asked him to take it on as a permanent role.