Self-indulgent to a fault and brusquely shoved together without much of a sense of rhythm, Broadway: The Golden Age is on the surface the five-year-long quest by filmmaker Rick McKay (Elaine Stritch at Liberty) to interview pretty much every Broadway luminary he could get his hands on, all for the purposes of limning the glory that was Broadway's "Golden Age." Now it's no surprise that you interview a bunch of aging actors/actresses who are in this particular demographic they're going to tell you that things today are rather awful, and in their day, were much, much better. What makes Broadway as engaging as it is would be the fact that McKay's interviewees are able to back up those claims with some rather illuminating anecdotes - and not just all of the "you could go to the automat and get a muffin and coffee for 15 cents" variety, though there's plenty of that as well.

Although McKay - whose irritating narration, the usual guff about moving to New York from Indiana and just how exciting it all was, brackets the film - never really posits what exactly he's on about with "The Golden Age," two things quickly become clear: The time period he and his subjects want to talk about is Broadway theater from the 1930s to the 1950s, and that period really would have been something to behold. The cavalcade of interviewees all point to not just the embarrassment of riches that were around then in terms of both the material (Lerner & Lowe and Rodgers & Hammerstein were like musical hit factories, not to mention the new dramatic work being produced by the likes of Tennessee Williams and Arthur Miller) and the talent, but another very simple factor: It was cheap. In a time of $480 The Producers tickets, it's partially nice but mostly infuriating to know that not so long ago it could cost less to go to a Broadway show than the movies.

Continue reading: Broadway: The Golden Age, By The Legends Who Were There Review