Gunnel Lindblom

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Winter Light Review


Excellent
Winter Light, the second film in Ingmar Bergman's early-1960s trilogy on the theme of faith in contemporary society, opens in a cold, stone church in a provincial town north of Stockholm. It's uninviting. A service is underway, and the pastor (played by Gunnar Björnstrand) is explaining the origin of the Holy Communion and Christ's betrayal after the Last Supper. The service is poorly attended, the congregation including only the pastor's mistress (Ingrid Thulin), an older woman and a child, and a young couple, he a fisherman (Max von Sydow), and she a housewife expecting their fourth child (Gunnel Lindblom). Everyone is bundled up against the cold, the organist is noisily checking his watch, and outside the windows snow falls ceaselessly.

Winter Light, like much of Bergman, is a slow ride, but it rewards your close attention. The action here has less to do with the plot than with the conflicts taking place within the hearts and souls of its protagonists. Björnstrand's pastor is one who is in crisis; he is battling to retain his faith, and to accommodate his mistress in his life. She has no belief in God; she nurtures on a more practical level (her job is as a school teacher), and the pastor is constantly rejecting her ministrations. The Swedish title of this film translates to The Communicants, meaning both those who take communion and those who communicate among themselves, and it's the tragedy of the film that none of them can.

Continue reading: Winter Light Review

Scenes From A Marriage Review


Essential
Ingmar Bergman's Scenes from a Marriage began as a six-part Swedish television program that aired throughout much of Scandinavia in 1973. The series was created at one of those times when Bergman was in something of a creative slump, but in a career of comebacks, Scenes from a Marriage constituted another. The series was such a hit, reports Bergman scholar Peter Cowie, that the one-hour episodes emptied the streets of cities such as Copenhagen during its weekly time slots. American distributors were soon clamoring for a theatrical version for release here, and Bergman responded in 1974 with a trimmed-down, 169-minute edit that went on to win the National Society of Film Critics Award for best picture of its year. In 1977, PBS aired the entire series unedited, and Scenes from a Marriage took its rightful place among Bergman's established masterpieces.

And then it kind of vanished. That's not to say that you couldn't, with some effort, get your hands on a copy of the American release. But Bergman's original vision - the five-hour Scenes - joined the company of fabled films, such as von Stroheim's Greed, that lived a high life in film criticism while going largely unseen by film enthusiasts. Criterion, with its new, three-disc DVD edition of the original TV series, plus the American theatrical version, restores a great film to the shelves.

Continue reading: Scenes From A Marriage Review

The Silence (1963) Review


Excellent
The Silence would be a fine title for pretty much any Ingmar Bergman movie, but this film truly does earn its moniker, with long stretches of film with no dialogue at all.

The Silence is spare, but not in the desolate wasteland sort of way of many Bergman films. In fact, the movie takes place in a city, mostly within a posh hotel. Two sisters get off a train when one of them, Ester (Ingrid Thulin) is too sick to go on. Her trollop sister Anna (Gunnel Lindblom) checks sis into a hotel, drops off her young son, and spends the hours cruising for men (which she finds). Eventually, Anna and the kid decide to continue on their journey, leaving Ester in the hotel, apparently to die alone.

Continue reading: The Silence (1963) Review

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