Winter Light, like much of Bergman, is a slow ride, but it rewards your close attention. The action here has less to do with the plot than with the conflicts taking place within the hearts and souls of its protagonists. Björnstrand's pastor is one who is in crisis; he is battling to retain his faith, and to accommodate his mistress in his life. She has no belief in God; she nurtures on a more practical level (her job is as a school teacher), and the pastor is constantly rejecting her ministrations. The Swedish title of this film translates to The Communicants, meaning both those who take communion and those who communicate among themselves, and it's the tragedy of the film that none of them can.
Continue reading: Winter Light Review
And then it kind of vanished. That's not to say that you couldn't, with some effort, get your hands on a copy of the American release. But Bergman's original vision - the five-hour Scenes - joined the company of fabled films, such as von Stroheim's Greed, that lived a high life in film criticism while going largely unseen by film enthusiasts. Criterion, with its new, three-disc DVD edition of the original TV series, plus the American theatrical version, restores a great film to the shelves.
Continue reading: Scenes From A Marriage Review
The Silence is spare, but not in the desolate wasteland sort of way of many Bergman films. In fact, the movie takes place in a city, mostly within a posh hotel. Two sisters get off a train when one of them, Ester (Ingrid Thulin) is too sick to go on. Her trollop sister Anna (Gunnel Lindblom) checks sis into a hotel, drops off her young son, and spends the hours cruising for men (which she finds). Eventually, Anna and the kid decide to continue on their journey, leaving Ester in the hotel, apparently to die alone.
Continue reading: The Silence (1963) Review
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