Guillermo Arriaga

Guillermo Arriaga

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Michael Kutza and Guillermo Arriaga - The 50th Chicago International Film Festival's 18th Annual Black Perspectives program at AMC River East Theater, Chicago International Film Festival - Chicago, Illinois, United States - Friday 10th October 2014

Michael Kutza and Guillermo Arriaga
Lucas Akoskin, Michael Kutza and Guillermo Arriaga
Lucas Akoskin and Guillermo Arriaga
Guillermo Arriaga
Guillermo Arriaga

Charlize Theron and Guillermo Arriaga - Charlize Theron and Guillermo Arriaga London, England - Q&A and screening of 'The Burning Plain' held at the Everyman Cinema in Hampstead - Arrivals Tuesday 3rd March 2009

Charlize Theron and Guillermo Arriaga
Charlize Theron and Guillermo Arriaga
Charlize Theron and Guillermo Arriaga
Charlize Theron
Charlize Theron
Charlize Theron

Charlize Theron and Guillermo Arriaga - Charlize Theron and Guillermo Arriaga Friday 29th August 2008 at Venice Film Festival Venice, Italy

Charlize Theron and Guillermo Arriaga
Jennifer Lawrence and Charlize Theron
Charlize Theron and Guillermo Arriaga
Jennifer Lawrence and Charlize Theron
Charlize Theron and Eugenia Arrriaga
Jennifer Lawrence and Charlize Theron

Babel Review


Weak
The Bible gives us the story of the tower of Babel, the magnificently tall structure whose height was deemed offensive and impertinent by God. To punish humanity for its architectural hubris, God then decided to drive a linguistic wedge between the nations of the world, who until then had spoken the same tongue. As fables go, this is a particularly effective one in that it both illustrates a moral -- don't think you're better than God or you shall be struck down with all speed -- and also provides a handy answer to those who wondered why there are so many different languages anyway.

In Babel, directed and co-written by Alejandro González Iñárritu (21 Grams, Amores Perros), a clutch of characters from a range of cultures and walks of life attempt to build a towering film of meaning from coincidence and portent; unfortunately, in the end it is the viewer who is punished for the filmmaker's hubris.

Continue reading: Babel Review

The Three Burials Of Melquiades Estrada Review


Extraordinary
Tommy Lee Jones made his big-screen acting debut in the 1970 classic Love Story, yet it took him over 20 years and impressive performances in movies like JFK and The Fugitive to become a household name. Acclaim for Jones as a director should come much faster, if his debut film, The Three Burials of Melquiades Estrada, is a sign of things to come. Burials is a complex and remarkably assured film, taking the audience on a literal and metaphoric journey through the sand-blasted wastelands of south Texas to a point of redemption and agony, of forgiveness and searing regret.

Written by Guillermo Arriaga (Amores Perros, 21 Grams), the story is broken into several parts, each introduced by a chapter heading, jumping forward and backward in time. The action begins with two hunters coming upon the disinterred body of an illegal Mexican immigrant, Melquiades Estrada, who has been shot to death and hastily buried in a makeshift grave, only to have a coyote dig him up. The redneck sheriff (Dwight Yoakam) doesn't care enough about a dead Mexican to investigate his death, even though Melquiades' friend and employer, Pete Perkins (Jones), gives him evidence implicating a border patrolman.

Continue reading: The Three Burials Of Melquiades Estrada Review

Babel Review


Weak
The Bible gives us the story of the tower of Babel, the magnificently tall structure whose height was deemed offensive and impertinent by God. To punish humanity for its architectural hubris, God then decided to drive a linguistic wedge between the nations of the world, who until then had spoken the same tongue. As fables go, this is a particularly effective one in that it both illustrates a moral - don't think you're better than God or you shall be struck down with all speed - and also provides a handy answer to those who wondered why there are so many different languages anyway.

In Babel, directed and co-written by Alejandro González Iñárritu (21 Grams, Amores Perros), a clutch of characters from a range of cultures and walks of life attempt to build a towering film of meaning from coincidence and portent; unfortunately, in the end it is the viewer who is punished for the filmmaker's hubris.

Continue reading: Babel Review

The Three Burials Of Melquiades Estrada Review


Extraordinary
Tommy Lee Jones made his big-screen acting debut in the 1970 classic Love Story, yet it took him over 20 years and impressive performances in movies like JFK and The Fugitive to become a household name. Acclaim for Jones as a director should come much faster, if his debut film, The Three Burials of Melquiades Estrada, is a sign of things to come. Burials is a complex and remarkably assured film, taking the audience on a literal and metaphoric journey through the sand-blasted wastelands of south Texas to a point of redemption and agony, of forgiveness and searing regret.

Written by Guillermo Arriaga (Amores Perros, 21 Grams), the story is broken into several parts, each introduced by a chapter heading, jumping forward and backward in time. The action begins with two hunters coming upon the disinterred body of an illegal Mexican immigrant, Melquiades Estrada, who has been shot to death and hastily buried in a makeshift grave, only to have a coyote dig him up. The redneck sheriff (Dwight Yoakam) doesn't care enough about a dead Mexican to investigate his death, even though Melquiades' friend and employer, Pete Perkins (Jones), gives him evidence implicating a border patrolman.

Continue reading: The Three Burials Of Melquiades Estrada Review

21 Grams Review


Extraordinary
Following the funeral of his son-in-law, a father empathizes with his daughter by relating how he moved past the death of his wife, her mother. He reassures her that in spite of the hard times ahead, "life goes on." She retorts, "That's a lie. Life doesn't go on."

Welcome to everyone's life. Death is a ubiquitous occurrence, dumped upon us daily by CNN and more occasionally - yet still inevitably - in our own intimate moments. But when death strikes our lives, it invariably shatters our psyches and changes us for the darker, no matter how we try to prepare to accept it.

Continue reading: 21 Grams Review

Amores Perros Review


Good
Painted in the colors of rust, Alejandro González Iñarritu's Amores Perros is a hard-edged epic of interconnected lives in the mean streets of Mexico City. This has become a popular trend in independent films such as Wonderland and The Five Senses, not to mention big-budget blockbusters like Traffic. By blending different scenarios, there's the hope of creating a mass collage. It's not as easy to pull off as you might think -- consider the rhythm of your standard daytime soap opera.

The concept of three juxtaposed narratives, at least in the "flavor of the month" sense, can be traced to Quentin Tarantino, as can the gunslinging desperados and pop music that have become the humdrum trademark of Pulp Fiction imitators. Iñarritu is content to simply rehash those familiar elements. Perhaps that's why so much of this Academy Award nominated foreign film comes off like a movie you've seen more than once, translated a Español.

Continue reading: Amores Perros Review

Guillermo Arriaga

Guillermo Arriaga Quick Links

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Guillermo Arriaga Movies

Babel Movie Review

Babel Movie Review

The Bible gives us the story of the tower of Babel, the magnificently tall structure...

Babel Movie Review

Babel Movie Review

The Bible gives us the story of the tower of Babel, the magnificently tall structure...

Advertisement
21 Grams Movie Review

21 Grams Movie Review

Following the funeral of his son-in-law, a father empathizes with his daughter by relating how...

Amores Perros Movie Review

Amores Perros Movie Review

Painted in the colors of rust, Alejandro González Iñarritu's Amores Perros is a hard-edged epic...

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