Guillaume Gallienne

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Yves Saint Laurent Review


OK

Like Coco Before Chanel, this French designer biopic is far too respectful of its subject to come to life properly as a movie. It's gorgeous to look at, and features striking performances and a strong central story. But filmmaker Jalil Lespert maintains a too-worthy tone that makes the storyline drag badly, even though there's a strikingly intriguing relationship at the centre.

The film picks up the story of Yves Saint Laurent (Pierre Niney) in the 1950s, when the 21-year-old hotshot is shaking up Paris as a designer for Christian Dior. When military service costs him his job and shakes his mental health, his lover Pierre Berge (Guillaume Gallienne) steps in and becomes his professional partner, helping him establish YSL as an iconic brand. Over the decades Yves reinvents fashion by combining classic looks with imaginative flourishes. As he falls into drugs and alcohol to cope with the overpowering expectations, it's Pierre who keeps him going and manages the company to global powerhouse status. Although outside liaisons put a strain on their personal relationship.

Lespert does a remarkable job at capturing Saint Laurent's visual aesthetic, filling the screen with bold colours, sleek lines and achingly beautiful clothes. The immaculately recreated catwalk shows are stunning, while the raucously staged parties are packed with actors playing iconic figures. But all of these people are little more than bursts of colour in an otherwise glum movie.

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Yves Saint Laurent - Teaser Trailer


Yves Saint Laurent is a 21-year-old aspiring fashion designer whose sketches have caught the eye of one of France's most revered fashion giants, Christian Dior. When Yves finds himself the successor of Dior's fashion house, he suddenly finds himself a major celebrity; a status which grows at the arrival of his first catwalk show. It's there he meets Pierre Bergé, with whom he falls in love and the pair quickly become business partners. However, life becomes more complicated when Yves finds himself fired, and his life spirals into a whirlwind of humiliation, media savagery, drugs and mental illness. Despite his problems, however, he still manages to impress the world with his first collection - a move which would change the world of haute couture forever.

'Yves Saint Laurent' is a biographical drama based on the colourful life of the world renowned designer of the same name. Based on the biography 'Letters to Yves' by Laurence Benaïm, the movie has been directed and co-written by Jalil Lespert ('Headwinds', '24 Bars') with previous screenplay collaborator Marie-Pierre Huster ('Amitiés sincères', 'Headwinds') and Jacques Fieschi ('Going Away', 'Nelly & Monsieur Arnaud'). 'Yves Saint Laurent' is set to be unveiled in the UK on March 21st 2014.

Yves Saint Laurent Movie Review - Click here to read.

64th Berlin International Film Festival (Berlinale)

Guillaume Gallienne (r) and Pierre Niney - 64th Berlin International Film Festival (Berlinale) - '71' photocall - Berlin, Germany - Friday 7th February 2014

Guillaume Gallienne
Guillaume Gallienne
Guillaume Gallienne

64th Berlin International Film Festival (Berlinale)

Guillaume Gallienne (r) and Pierre Niney - 64th Berlin International Film Festival (Berlinale) - 'Yves Saint Lauren (YSL)' photocall - Berlin, Germany - Friday 7th February 2014

Guillaume Gallienne
Guillaume Gallienne
Guillaume Gallienne

Picture - Actors Guillaume Gallienne , August... , Sunday 20th May 2012

Guillaume Gallienne, August Diehl, Pete Doherty and Cannes Film Festival - Actors Guillaume Gallienne , August Diehl, director Sylvie Verheyde and Pete Doherty Sunday 20th May 2012 'Confession of a Child of the Century' photocall during the 65th Annual Cannes Film Festival

The Tango Lesson Review


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Sally Potter (Orlando) wrote, directed, and starred (in almost every scene) in this film about how she decided to take a tango lesson, fell for the instructor, and the decided to make a movie about taking a tango lesson and falling for the instructor. Autobiographical to the point of boredom, self-referential to the point of the bizarre, and self-inflated to the point of bursting, I'll just say that you better like watching people dance the tango over and over and over again if you want to watch this film.
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