Gretchen Mcgowan

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The Limits Of Control Review


Excellent
While it's probably too meandering and vague for mainstream cinemagoers, this offbeat thriller is a terrific example of Jarmusch's subtly cheeky tone, plus gorgeous Christopher Doyle cinematography and a terrific cast.

A lone man (De Bankole) is on a mysterious mission, flying into Madrid then travelling to Seville and Alicante. Along the way, he has a series of clandestine meetings with a nervous violinist (Tosar), an enigmatic blonde (Swinton), a naked seductress (de la Huerta), a British guitarist (Hurt), an edgy Mexican (Garcia Bernal), a silent driver (Abbas) and an arrogant American (Murray). But he's all business, never distracted from his assignment and quietly hearing the philosophy that seems to swirl around his every move.

Continue reading: The Limits Of Control Review

The Limits Of Control Review


Excellent
It was about three years ago when, emerging from a press screening of Pedro Almodóvar's Volver, a good friend said to me, "You just can't argue with Almodóvar," referring to the idiosyncratic style that the great Spanish director has held steady for nearly three decades now. It didn't matter that Volver was, arguably, one of the director's more languid entries in terms of story, thematic content, and ambition. It simply mattered that it was undeniably Almodóvar.

The Limits of Control, the 11th feature by the New York-born auteur Jim Jarmusch, is another work that is inarguably stamped by its director's idiosyncrasies and, like Volver, there have been several critics who have questioned if its artistic success is not so much a result of it being a Jarmusch film rather than simply a good film. It emits a dark-shade cool, as befits any Jarmusch joint, and it features several of the director's usual performers, including the Ivorian-born actor Isaach De Bankolé in the lead.

Continue reading: The Limits Of Control Review

Love In The Time Of Money Review


Weak
Filmmaker's dilemma: You want to make a movie with a lot of sex scenes and no plot whatsoever, but you have to make something respectable. Hell, Robert Redford is an executive producer! He isn't going to tolerate any Cinemax soft-core porn.

Answer: String together a bunch of unrelated vignettes revolving around sex. Start with a hooker and her client, then send that client to work to have sex with someone there, then send that woman's husband to an art gallery to have sex with an artist, and send him on his way as well.

Continue reading: Love In The Time Of Money Review

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The Limits of Control Movie Review

The Limits of Control Movie Review

While it's probably too meandering and vague for mainstream cinemagoers, this offbeat thriller is a...

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