Even in 1992, this didn't pass for much of a premise, and the random road trip our heroes take doesn't pass for much of a plot either. They flirt, they fight, they philosophize endlessly in the way that ex-cons and mafiosos' daughters do. At least they do in the movies. Plot points are thrown at us with little care -- even less care than Madsen and Arquette seem to be taking with their acting lessons.
Continue reading: Trouble Bound Review
Winningly wry and roguish Owen Wilson seems very much at home in the cheeky, tropical-noir world of Elmore Leonard in "The Big Bounce," a watered-down adaptation that has enjoyable vim and vigor, even if it isn't quite a faithful adaptation of Leonard's wily style.
Wilson has a gift for taking what other actors might see as rapid-fire dialogue and slowing it down to a hang-loose pace, making it seem more naturally smirky, and thereby making it his own. So as a lackadaisical surfer/vagabond/con man whose philosophy toward a career in crime is that he'll "take money if it's lying around," he's an ideal anti-hero to shrug his way through this fun but forgettable flick about an undercooked caper of mob money and double-crosses.
Fired from a construction job on the North Shore of Oahu and freshly sprung from the hoosegow after landing a baseball bat upside the foreman's noggin, Jack Ryan (Wilson) is offered a job by the blithely amused local judge who heard his case (Morgan Freeman, harmonizing perfectly with Wilson's laid-back style) -- and who likes to ruffle the feathers of Ray Ritchie (Gary Sinise), the crooked real estate developer who was pressing charges.
Continue reading: The Big Bounce Review
Stealing Sheep's eleven track album is a shimmering piece of bright and bold pop that translates a day-glo and glitter imagination into a sparkling...
Make sure you're tooled up properly for your next festival weekend.
In one of the tiniest theatres, on one of the smallest stages, and playing to a diminutive audience, the petite Amy Odell played a tremendous gig...
Live Through This was released on this day (April 12) in 1994.
Who are bassist Kyle Bann's biggest influences?