Peter Quill runs into some trouble when he discovers an unusual looking orb that happens to be hunted by the merciless admiral Ronan and his army of miscreants. He is an Earthling; an unusual race within his neighbourhood in which he grew up after being removed for his home planet as a child. Naming himself the Star-Lord, he likes to think he's one heck of a superhero - but he's about to meet his match (or should we say 'matches'?). After being arrested by Ronan's people, he is greeted by four other alien outlaws. First there is the enormous Drax the Destroyer who is determined to use his supernatural strength to avenge his murdered family; then there's cyborg Gamora, the daughter of Thanos (an even bigger villain in this story); Rocket, a psychotic gun-toting raccoon; and half-man half-tree Groot. They may be distrustful of each other, but they've got to stick together if they want to save the universe from certain annihilation.
Since when did superhero films have to be serious? Marvel apply comedy to comics with 'Guardians Of The Galaxy', which is based on the original comics by Dan Abnett and Andy Lanning. The movie has been directed by James Gunn ('Super', 'Slither', 'PG Porn') and co-written by Nicole Perlman and is due for UK release on July 31st 2014.
Peter Quill is a fearless Earthling pilot who rather proudly proclaims himself to be an outlaw, going by the nickname Star-Lord. As a child, he was taken from his home planet and forced to live around various alien races, but even he is in for a surprise when he is captured by merciless hunters led by the evil admiral Ronan after he tries to make off with an extraordinary orb. It is during his imprisonment that he meets four other intrepid outlaws. There’s Drax the Destroyer, a man of muscle hellbent on avenging the tragic murders of his family; Gamora, a green-skinned cyborg who is the rebellious daughter of Ronan’s boss Thanos; Rocket, a genetically modified raccoon with incredible firearm dexterity; and Groot, a half-man half-tree creature who knows little about the technological world. Despite their reluctance, the five must join together to save the universe from Thanos’ dastardly plans.
Continue: Guardians Of The Galaxy Trailer
Peter Quill is a tenacious pilot who was taken away from his home planet Earth as a child to grow up around alien races. Arrogantly nicknaming himself Star-Lord, he finds himself captured by the evil admiral Ronan's ruthless hunters during the attempted theft of a powerful orb. On his arrest, he meets four other criminal eccentrics: muscle man Drax the Destroyer, who is searching for vengeance after the brutal death of his family; the rebellious cyborg Gamora, whose father is Ronan's boss Thanos; a weapon toting, genetically modified racoon named Rocket with better gun skills than most humans; and, the latter's accomplice, tree man Groot. Soon, the group decide to band together in order to protect their galaxy after discovering what the orb is really about to be used for.
Continue: Guardians Of The Galaxy - Teaser Trailer
There's a subtle blast of righteous anger in this pointed drama, which finds present-day relevance in a true story that's more than 30 years old. The focus is on normal people who are caught up in an unjust system that leans toward ignorance and bigotry even if child's life is in danger. And watching them muster the strength to fight back is utterly riveting, because they're flawed and daunted exactly like we would be.
It takes place in 1979 Los Angeles, where Rudy (Cumming) works as a nightclub drag artist. When his hard-partying neighbour (Allman) abandons her Downs Syndrome son Marco (Leyva), Rudy steps up to take care of him. But he needs to find a longer-term solution, so he turns to Paul (Dillahunt), a divorced lawyer who has barely admitted to himself that he's gay. Rudy and Paul have only tentatively started a relationship, so Paul is reluctant. But Marco needs a guardian, so he helps Rudy get foster custody and moves them into his own home to help improve their legal status. But as they become a family, it becomes increasingly difficult for Paul to remain closeted, and when his sexuality emerges the court takes Marco away.
Even when the film shifts into a courtroom drama, it balances the drama with real-life humour and authentic emotional intensity. Watching these two compassionate men face systematic homophobia is pretty shocking, but filmmaker Fine never lets this become an issue movie: it's an involving story about people standing up for what's right. And by anchoring everything in the relationships, the film remains warm, relaxed and likeably awkward. This is mainly because Cumming and Dillahunt make such an unusual couple as the unapologetic queen and the strong-but-silent repressed guy.
Continue reading: Any Day Now Review
Frank (Wilson) only has two moments in his life when he felt happy: first was his wedding to Sarah (Tyler) and second was when he helped a cop foil a crime.
So when Sarah leaves him for the charismatic criminal Jacques (Bacon), Frank turns to crimefighting, with a little inspiration from Libby (Page), who works in a comic book shop. Frank's super alter-ego is the Crimson Bolt, smacking criminals with a pipe-wrench. And when Libby figures it out, she becomes his sidekick Boltie, helping him launch an all-out offensive to free Sarah from Jacques' control.
Continue reading: Super Review
None of his roles have matched that of Body Double, though, where the Bill Maher lookalike appears in nearly every scene. Maybe we'll be able to ferret out why during the course of this review.
Continue reading: Body Double Review
The film is a goofy, but intelligent, combination of David Cronenberg's seminal slimy freak-out Shivers, the underrated teen zombie slugfest, Night of the Creeps, The Hidden, and one of the countless ribald, hicksploitation flicks that clogged the drive-ins in the '70s (I don't think I've seen such a cast of less-than-attractive performers outside of Quest for Fire.)
Continue reading: Slither Review
Its dialogue like that that makes Payback the first great film of 1999. Everybody likes to watch jerks on screen. They walk around with a cockiness and lack of respect for anything and everyone that you can't help but love to watch them. In this movie, I think everybody falls into this category.
Continue reading: Payback Review
If it weren't for director Wych "Kaos" Kaosayananda's laughably excessive use of slow-motion, the convoluted, monotonous, mindlessly flashy, espionage-action bomb "Ballistic: Ecks vs. Sever" would be about 12 minutes long -- which might have made it almost watchable.
In a plot more scattershot than its endless, aimless rounds of ammunition, "Ballistic" kitchen-sinks together rival government intel agencies, microscopic assassination nano-bots, poorly faked deaths and new identities, a kidnapped kid that must be rescued in "less than 12 hours" for no explained reason, and rogue spies avenging their murdered families. It's nearly impossible to keep track of who's trying to kill whom and why, but that's of little importance to Bangkok film industry refugee Kaos. As long as somebody is getting shot or something is blowing up, he couldn't care less.
The uninspired bedlam that passes for action in this disaster isn't any more lucid than the story. Shrapnel-flying, cartwheel-turning shootout scenes are cheap, disorderly rip-offs from the "The Matrix." Wet asphalt used to give the movie a slick look makes for boring motorcycle "chases" that never exceed 40 mph (and even at that speed it's hard to say who's the chaser and who's the chasee). And Kaos seems to live by the mantra "why shoot at someone when you can set off explosions all around them -- and still miss?"
Continue reading: Ballistic: Ecks Vs Sever Review
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