Grace Zabriskie and Ray Wise - 'Twin Peaks - The Entire Mystery' Blu-ray Disc collection release event held at the Vista Theater - Arrivals - Los Angeles, California, United States - Wednesday 16th July 2014
Hank Palmer is a ruthless but excellent lawyer, despised by many of his peers for his habit of representing often blatantly guilty criminals. One day mid-trial however, he receives a call from home informing him of his mother's recent death. Reluctantly, he ventures back to the town of Carlinville, Indiana where he grew up to convene with his family ahead of the funeral. As he expected, the greeting between himself and his father - the local Judge Joseph Palmer - is particularly frosty. As a young college graduate, Hank was desperate to leave the harsh and unfriendly grasp of his father but when the town's sheriff tells him that Joseph is now a murder suspect, he begins to feel a grudging obligation to cast their differences aside and help him protest his innocence.
Continue: The Judge - Trailer
In San Diego, two detectives (Dafoe and Pena) converge on a suburban stand-off where a killer, Brad (Shannon), claims to be holding hostages. As the tension builds, Brad's girlfriend Ingrid (Sevigny) and his theatre-director friend Lee (Kier) arrive to help the cops, explaining Brad's somewhat strained relationship with his mother (Zabriskie) and his eccentric Uncle Ted (Dourif).
They also talk about how he has never quite been himself after a mind-opening trip to Peru.
Continue reading: My Son, My Son, What Have Ye Done Review
Grace Zabriskie, Bruce Dern and Bill Paxton - Grace Zabriskie, Bruce Dern & Bill Paxton Agoura Hills, California - at the 12th annual method film festival screening of The Lightkeepers during which the Lifetime Achievement Award was presented to Bruce Dern Monday 29th March 2010
From the first notes of The Beach Boys' "God Only Knows" ringing under an otherworldly opening credit sequence, Big Love hints at a combination of somber connection and sincere personal adoration. At the center is Bill Henrickson (Bill Pullman), an ambitious home superstore owner who lives a clean, Utah Mormon life... along with his three wives and gaggle of kids.
Continue reading: Big Love: Season One Review
Wild at Heart was puzzling, because it was screwed up and it was hard to figure out why. Time - and, 14 years later, the DVD release - helps to clear up that central enigma. Based very loosely on Barry Gifford's novel, this manic, Southern Gothic road movie now seems too deliberately weird. And in retrospect the cause seems to be that its creator, a strange man if the available evidence of his films is to be believed, and one who then was only recently revered as a certain type of genius, was trying so hard just to be himself.
Continue reading: Wild At Heart Review
Phoenix, in interviews, was clearly thrilled when writer/director Gus Van Sant credited him with having written this scene in Van Sant's wonderful 1991 movie My Own Private Idaho. He should have been. Emotionally, it's a doozy, and it serves as the point at which these two fractured lives separate into their own trajectories. Mike's takes him back again and again to the same dogged search for love and the same stretch of empty highway. Scott's takes him to Italy, where he falls in love with the beautiful Carmella (Chiara Caselli) and, ultimately, to an encounter in Portland with his street mentor Bob (William Richert). Here the movie takes an unexpected Shakespearean turn as Van Sant lifts fragments from Henry IV, casting Scott as Prince Hal to Bob's Falstaff, even as Mike's story continues on in the real world. We know from Shakespeare that Scott will turn his back on his old friends and assume the throne in the end. If Mike is heartbroken it's because life in the real world is hard; that's why we have private ones.
Continue reading: My Own Private Idaho Review
Filled with non-sequitur imagery and symbolism, Fire ostensibly tells how Laura Palmer came to be wrapped in that sheet of plastic which so fatefully washed ashore in the first episode of the TV series. But Fire doesn't really tell any story at all. There are scenes of exposition, but these are sandwiched between the endless dream sequences, the lunatic characters (like the woman in red and the one-armed man) who appear and vanish just as suddenly, and bonus raunch added just for the purpose of titillating the audience.
Continue reading: Twin Peaks: Fire Walk With Me Review
R.S.V.P. takes the Rope recipe into the MTV zeroes, upping the body count considerably, transplanting the story to Las Vegas (in an apartment worthy of a Real World season), and packing in the sexy young stars (all up-and-comers and relative unknowns) to the point where they're spilling out the windows. Literally.
Continue reading: R.S.V.P. Review
Remaking hit Japanese horror movies (a la 'The Ring') is Hollywood's latest plan to rake in big bucks without actually having to be creative or original -- and while "The Grudge" is nothing more than a cultural twist on the standard-issue haunted house movie, I will give credit to director Takashi Shimizu (remaking his own film "Ju-On") for giving me goosebumps. Lots and lots of goosebumps.
He succeeds on this front by providing truly chilling ghosts -- floating specters of inky black tendrils that form into the gray porcelain faces, horrifically gaping mouths and kohl-ringed, milk-saucer eyes of a family murdered in a Tokyo house that is now occupied (but not for long!) by the wife and terrified, catatonic mother of an American businessman.
But Shimizu also lends the film a unique structure that helps set it apart from the kind of prefabricated scary movies that dominate the genre. He follows a psychological (rather than chronological) narrative into an interactive patchwork of long flashbacks that reveal the genesis of the haunting and tie the whole six-degrees-of-separation story together in its latest victim -- an exchange student played by Sarah Michelle Gellar.
Continue reading: The Grudge Review
Night House speaks to us about his debut album.
In 'No Words Left', Lucy Rose has put down a marker, relatively early in the year, for a definite contender for album of the year.
The Number of the Beast was released on this day (March 22nd) in 1982.
The bands we really want to see play Lolla 2019.
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'Punk' by Chai is a curious anomaly that will divide opinion but at its heart there is some musical magic.
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