More bands join the line-up for Camden's hottest rock event, and there's more to come.
New Model Army and ex Sex Pistols' bassist Glen Matlock are among the newly announced additions to London's coolest rock event, Camden Rocks 2015, which will take place in May across some of Camden's hottest and most recognisable venues.
Jaws also join the Camden Rocks 2015 line-up
80s post-punk legends New Model Army join the already electric line-up alongside Glen Matlock from the Sex Pistols, Birmingham's Jaws, post-hardcore four-piece Glamour of the Kill and Australia born bluesy duo The Graveltones according to the latest announcement for the festival, which is set to arrive on May 30th 2015, with a very special headliner who is yet to be unveiled.
Canvey Island in the Thames estuary is known as Oil City for the refinery that dominates the horizon. It's also a scruffy beach community and home to the members of Dr Feelgood. Lee, Wilko, Figure (Martin) and Sparko (Sparkes) started playing music out of camaraderie and boredom, then realised it might be a way off the island when their distinctive style caught on in 1973. Without trying to build a slick image as a band, they made it onto the cover of NME before they even had a recording contract.
Continue reading: Oil City Confidential Review
The new documentary The Filth and the Fury ranks as one of the great ones. It chronicles the rise and tragic fall of the infamous British Punk band The Sex Pistols, and the cultural impact they have spread upon the world around us. Director Julian Temple takes the film far above the usual VH-1 retrospectives, recounting past glories, drug parties, and the way a musician found God in a motel in Alabama, thus bringing together the catalytic elements that resulted in the musical movement called "Punk." The Sex Pistols were the forefathers of that movement.
Continue reading: The Filth And The Fury Review
For about an hour, "The Filth and the Fury" -- the Sex Pistols new self-indulgent, slash-and-burn documentary -- is a fascinating patchwork of interviews, lost concert footage, 90-mile-per-hour biographical data and body slams directed at record companies and managers (OK, Macolm McLaren) that the band feels screwed them during their 18-month existence.
There's a found interview with a very baked and dimwitted, 19-year-old Sid Vicious. There's grinning anecdotes about Steve Jones' kleptomania -- which came in handy in the early days when the band needed equipment. There's John Lydon/Johnny Rotten -- ever the misanthropic showman -- interviewed in back-lit, witness protection style, narrating most of the movie with his don't-give-a-dam insights.
But "The Filth and the Fury" -- essentially Julien Temple's update of 1980's "The Great Rock and Roll Swindle," but from the band's point of view -- isn't much more than a vanity piece in which the Pistols take pride in their scabs. Soon after that irreverent, fun and anarchistic first hour is over, the film becomes repetitive, excessive and bitter, with Lydon winging on about his venom for McLaren, the band's manager, and Nancy Spungen, Vicious' drug-addled girlfriend. "I introduced her to Sid, and shame on me!"
Continue reading: The Filth & The Fury Review
Five years after his first stint as hitman Arthur Bishop in The Mechanic, Jason Statham has returned to the role for Mechanic: Resurrection.
In a busy year that has seen John Krasinski star in movies and TV shows, he somehow managed to find the time to direct, produce and star in the new...
This third part in Temple's trilogy about British music in the 1970s (after The Filth...
Good documentaries aren't hard to find. Great documentaries are few and far between the...