Paul Audley - Photo's from the American Film Institute's festival 2014 and the premiere screening of 'The Gambler' at the Dolby Theatre in Los Angeles, California, United States - Monday 10th November 2014
Salvatore Di Vita is an Italian film director who has nursed a passion for film ever since he was a boy. As a youngster, he learned how to operate the projector at the movie house Cinema Paradiso from the paternal projectionist at the time, Alfredo. As time went on, he continued to spent every free moment there before meeting a girl, Elena, who he fell in love with. As the stars would have it, however, they were torn apart and Salvatore left his hometown to pursue his lifelong film ambition elsewhere. Having not had contact with Alfredo for several years, he hears news of his death and subsequently discovers a priceless gift left to him by Alfredo.
Continue: Cinema Paradiso Trailer
In the 1920s, Peppino (Scianna) is born in the spirited town of Baaria (aka Bagheria) in northern Sicily. As he grows up, he falls for local girl Mannina (Made), whose family doesn't approve, and gets increasingly involved in politics, working with the communist party to protect people's rights from both the oppressive government and the mafia. Over the years, they have five children, including the precocious and imaginative Pietro (Scortino), who becomes obsessed with cinema.
Continue reading: Baaria Review
Things abruptly change -- as we jump to the future, it turns out -- when we follow the aforementioned young and sweaty blond woman to a later point in her life. It's difficult to explain what happens in An Unknown Woman without giving away too much, but in a nutshell we follow the Ukranian Irena (a brilliant and brave Kseniya Rappoport) to Italy. She looks like hell but she's flush with cash. And for some reason she's obsessed with a well-off family who has a young daughter. Irena begins to insinuate into the family's life -- moving in across the street, getting a job as a maid in their building, and -- as things take an even more disturbing turn -- she knocks the family's housekeeper down the stairs, paralyzing her. Irena applies for the now-vacant job, and now she's in their home.
Continue reading: The Unknown Woman Review
The Legend of 1900 is the story of a boy's journey to manhood, never having stepped foot on dry land. Abandoned on an ocean liner and named for the year in which he was born, 1900 (Tim Roth - Hoodlum, Reservoir Dogs) grows up within the confines of the trans-Atlantic steamer Virginia. His prodigious talent for piano is discovered at a young age and 1900 spends his days entertaining passengers from all over the world one boatload after another. As he gets older his reputation proliferates to the point that 1900 would be a rich man if he were ever willing to part with his life aboard the ship. However, despite prodding from his friend Max (Pruitt Taylor Vince - Dr. Dolittle, The End of Violence) and others, he is content to remain a fixture at sea. What will come of 1900 as the war approaches and the waves of immigrants recede? Will he move on, or stay forever in the confines of his ship?
Continue reading: The Legend Of 1900 Review
The story is seen through the eyes of a 13-year-old boy named Renato (Giuseppe Sulfaro ), who is growing up in a small Sicilian village during the World War II. For a good three-fourths of the film, the local beauty Malèna (Monica Bellucci), the object of desire for the entire village, monotonously parades through streets and piazzas with cow-like indifference, followed by Renato and his gang of friends.
Continue reading: Malèna Review
After all, what was wrong with the short version? Never saccharine, this love affair with the movies is a simple film. Poor, young boy befriends older (yet uneducated) projectionist in his small Sicilian town, learns the ropes, and grows older and wiser with his pal by his side. Eventually, there's romance (no, not between these two). There's war. There's departure. It's like three coming of age stories in one! They're all well produced, subtle, and tender. Unless you truly have no heart, you can't help but enjoy the film.
Continue reading: Cinema Paradiso Review