Unfortunately, this "torrid love affair" between a grieving American (Brando) and a pouty Parisian (Maria Schneider) -- they don't even tell one another their names -- is overlong and overblown. It's Bertolucci, after all, making a film inspired by his creepy desire to bone an anonymous woman he once saw. The story is one of dysfunction and thinly veiled misanthropy; love is left as an afterthought.
Continue reading: Last Tango In Paris Review
The film is almost half an hour longer than 'The Force Awakens'.
The film is expected to continue without Mendes' involvement.