Gina Matthews

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Urban Legends: Final Cut Review


Terrible
Words I thought I'd never write: the sequel to Urban Legend lacks the grace, wit, and power of the original.

Put the gun to my head, pull the trigger, and put me out of my misery. Better yet, put the horror genre out of its misery. When you've finished watching Urban Legends: Final Cut, you'll share my same grim point of view thanks to the horrible acting, terrible script, and ridiculous directing which has become all too common today.

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Urban Legend Review


Grim
A Scream knock-off? Yes. A good Scream knock-off? No.

Sadly, Urban Legend will be another forgotten entry into the teen horror revival fad of the late 1990's, and with good reason.

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13 Going On 30 Review


Good
If 13 Going On 30 had feet, they'd never touch the ground. The effervescent retro romance opens with the jingly strokes of an '80s pop synthesizer and races through the best of Rick Springfield ("Jesse's Girl"), Michael Jackson ("Thriller"), and The Go-Go's ("Head Over Heels") in five minutes flat. Either you're tapping your feet right now or running for the hills. The toe-tappers, obviously, will have a better time at this one.

In 1987, gawky teen Jenna can't see the girl-next-door beauty that exists beyond her braces. She keeps best friend Matty - her pudgy and unbearably sweet admirer - at arm's length. After a major disappointment involving a rigged game of "Seven Minutes in Heaven" at her 13th birthday party, Jenna makes a fateful wish to be older. With the help of some potent fairy dust, 13-year-old Jenna becomes 30-year-old Jenna (Garner), a Manhattan magazine editor pushing copy for Poise, a struggling fashion rag.

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What Women Want Review


Good
If you looked like Mel Gibson, being able to read women's minds wouldn't be too imperative. Just give 'em those baby blues and flash those pearly whites, and you're in, baby. Or so you'd think. In What Women Want, directed by relationship comedy veteran Nancy Meyers, Gibson's character gets the real scoop on what the fairer sex thinks about him, and boy, is he in trouble. But his problems are the viewer's fortune.

As all-star Chicago ad man Nick Marshall, Gibson is awash in the stereotypical world of a man's man. Ogling chicks, living high on the hog, and being a major player is his life. He has unending self-confidence just because he can bed babes, but ho, what he doesn't know....

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Gina Matthews

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