Made in 1989 by French Canadian director Denys Arcand (The Barbarian Invasions), Jesus of Montreal was much honored at the time of its release, receiving the jurors' prize at Cannes and an Oscar nomination for best foreign language film. It's easy to see why. The premise - that a group of young, unconventional actors find themselves at odds with the established church when they investigate Christ's teachings - is a whopper, and Arcand pulls if off with some finesse; he never preaches and he refuses easy ironies. Jesus of Montreal delivers no facile moral lesson, but it never descends into simple church-bashing either. It is, rather, a little bit of both worlds; like The Barbarian Invasions, it's a social comedy, and it invites a little reflection, too.
Continue reading: Jesus Of Montreal Review
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