Gerard Darmon

Gerard Darmon

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Gerard Darmon Sunday 15th May 2011 2011 Cannes International Film Festival - Day 5 - The Artist - Premiere Cannes, France

Gerard Darmon

Betty Blue Review


Very Good
Betty... Betty's got issues. Loads of them. So many issues that they made a movie about her that runs over three hours long.

As Betty, Béatrice Dalle makes her screen debut, taking on the role of a young and brazen twentysomething that's clearly -- painfully -- stricken with some mental illness and probably more than one. As we meet her, she's visiting her new boyfriend Zorg (excellent name), played by Jean-Hugues Anglade, and much of their three hours on camera is filled with various forms of foreplay, sex, and afterplay, with Betty spending the intervening hours in various stages of undress.

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The Good Thief Review


Excellent
The heist movie, or robbery movie, has worn out its welcome in recent years. There's nothing more infuriating than feeling as though you're five steps ahead of the film, with no pleasure found in connecting the dots. The Good Thief doesn't really have anything new to add to the genre besides a sense of style. It's as though visionary filmmaker Neil Jordan (The Crying Game, The Company of Wolves) read the script, accepted it as a simplistic morality tale of an aging crook, and pumped up the sumptuous visuals, the seeps-into-your-bones soundtrack of global music, and the iconic figure of Nick Nolte. Those elements single handedly give The Good Thief a sense of purpose when it would otherwise have none, and the stylistic flourishes -- instead of feeling like they're present for their own sake -- add depth to what could have been another boring movie about doublecrossing.

Whenever the plot of the movie feels rote (the thieves assemble their team, plan the robbery, carry out the robbery, and doublecross each other a couple of times along the way) the arresting images carry the day. Cinematographer Chris Menges (who recently shot another existential mystery, The Pledge) finds the right pace: active yet unhurried, kinetic yet wistful. With shadows that turn into lush purples, greens, blues, and all gradations of black, The Good Thief is intoxicating. Indeed, it might be Jordan's most visually stimulating movie, and one has to wonder if the cookie cutter nature of the script set him free to imagine new visual possibilities. Lovers of the visual image will find much to appreciate; plot-driven viewers will find very little to hang their hat on.

Continue reading: The Good Thief Review

The Good Thief Review


Good

There's a sad, compulsive, edge-of-the-abyss desperation to Nick Nolte's intuitive and informed performance as Bob, the heroin-addicted ex-filch and professional gambler title character of Neil Jordan's "The Good Thief."

There's a strung-out savoir-faire to his addiction-driven way of life in the underbelly of beautiful Nice in the South of France. He's sleep-deprived (it shows in his eyes and in his mumbled speech). He's broke (but that changes from day to day). He's a washout (and he's OK with that). But he's also cagey, cunning, collected and quick-witted enough to recognize an opportunity too good to pass up.

So when Raoul (Gerard Darmon), his most trusted compatriot from his days as a crook, comes to him with a plan for an almost impossibly elaborate heist worth tens of millions of dollars, Bob seizes the opportunity to trade in his drug addiction for the more stimulating high of gambling with danger, excitement, prison and potential wealth.

Continue reading: The Good Thief Review

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Gerard Darmon Movies

The Good Thief Movie Review

The Good Thief Movie Review

The heist movie, or robbery movie, has worn out its welcome in recent years. There's...

The Good Thief Movie Review

The Good Thief Movie Review

There's a sad, compulsive, edge-of-the-abyss desperation to Nick Nolte's intuitive and informed performance as Bob,...

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