In fact, that's what wife Nina (Keaton) spends most of the movie saying. And that's what you'll be saying, too, as George whines about having to buy a tuxedo, mopes about the disruption to the house, disapproves of the perfect young man (George Newbern) who has deflowered his daughter, and gets all frantic about meeting his future in-laws (who are even richer than he is). What's really happening, of course, is that George simply doesn't want his daughter to grow up, and his way of raging against life's forward progression is to get cranky about the upcoming wedding day. How do we know? Because George tells us in his self-pitying narration. This is the kind of movie that has plenty of both show and tell.
Continue reading: Father Of The Bride Review
The Evening Star picks up in 1988, and follows 8 more years of the further adventures of Aurora Greenwood's (Shirley MacLaine) über-dysfunctional extended family. Now, Emma's (Debra Winger in Terms) kids have grown up under Aurora's eye, and the jury's still out on how well she did. Their Aunt Patsy (Miranda Richardson) is now a wealthy divorcee who is constantly one-upping Aurora. The caustic Aurora finds brief happiness in the arms of a younger man (Bill Paxton). Rosie (Marion Ross) is still in Aurora's kitchen, and a whole horde of minor players weave in and out of the action, mainly serving to dredge up the past and to breathe some new life into the Endearment franchise.
Continue reading: The Evening Star Review
Five years after his first stint as hitman Arthur Bishop in The Mechanic, Jason Statham has returned to the role for Mechanic: Resurrection.
In a busy year that has seen John Krasinski star in movies and TV shows, he somehow managed to find the time to direct, produce and star in the new...