Jack Sparrow finds himself in constant trouble with the law; not only is his name known from ocean to ocean, his face is now just as famous. With a reward of two hundred pounds Jack is being chased by bounty hunters once again. Not only are naval officers pursuing him, he also has a number of former rival captains hot on his heels too.
Captain Barbossa is now in control of the ship The Queen Anne's Revenge, after winning it from Captain Blackbeard and a long-time nemesis of Jack's called Captain Salazar who doesn't want to just kill Jack, he wants to kill every pirate on the sea in a bid to be once and for all to be total control over the oceans.
When Jack learns of Salazar's plan, the lovable rogue and Salazar go head to head in a race to retrieve a Trident that once belonged to the god of the oceans Poseidon. Whoever holds the trident controls the power of the sea and everything that lives in or sails on it.
With a massive scale and a digital cast of thousands, this ancient Egyptian romp tries to be both a new version of those 1950s Biblical toga epics and a generous dose of camp silliness. The result will be a guilty pleasure for some in the audience, especially those who enjoy watching grown men leap around in short skirts. The actors are sometimes lost in the overwhelming animation, and the casting of Westerners as North Africans is more than a little dubious. But the script is smarter than it looks, and director Alex Proyas is clearly in a playful mood.
The premise conflates the golden age of the Pharaohs with the ancient world of Egyptian gods. And things kick off when the bitter god Set (Gerard Butler) launches a reign of terror by killing his brother, blinding his nephew Horus (Nokolaj Coster-Waldau) and taking over the mortal world, enslaving all humans. Horus' greatest fan is the muscly slave Bek (Brenton Thwaites) who, encouraged by his glamorous girlfriend Zaya (Courtney Eaton), sneaks into Set's palace and steals one of Horus' eyes. He then strikes a deal to help Horus assume his rightful throne. But this means travelling into the sky to confront his grandfather Ra (Geoffrey Rush), then teaming up with sneering god of wisdom Thoth (Chadwick Boseman) and duplicitous Hathor (Yung) to take on Set.
All of this is so ridiculous that it's difficult to stop giggling. And that seems to be part of the idea, as Proyas merrily cranks up the snarky wit in every scene, especially as he indulges in a series of ludicrous set-pieces that feel like videogames populated by toy action figures. The digital effects continually engulf the characters, transforming the gods inexplicably into animal-headed metallic robots. But they also create some genuinely gorgeous moments of spectacle, with sprawling landscapes and whooshing action. Basically, the actors have little choice but to hang on for the ride along with the audience.
Continue reading: Gods Of Egypt Review
When Set brutally murderers his brother, Osiris the great deities of ancient Egypt are upset, non-more so than his wife Isis. Piecing her husband - and fellow god - Osiris back together, she manages to resurrect him for long enough to conceive Horus. So begins a lifetime of battles for the Kingdom.
Set, the brother of Osiris and god of storms, disorder and violence on one side and Horus, the son of Osiris on the other. When Set and Horus go head to head in combat, the mortal citizens of Egypt hope for one victor (Horus) but in a moment of weakness, Set makes his move and steals the eyes of Horus.
Soon after the downfall of Horus, Set takes over Egypt and enslaves the mortals, knowning there's little hope of being saved, one mortal hero decides to help steal the eyes of Horus back in order to gain the trust of the cast out god. To take the kingdom back (and save Bek's love), he and Horus face vast armies of mortals and immortal demons cast under Set's spell.
Continue: Gods Of Egypt Trailer
Utterly charming, this silly prequel rewrites the origin story of the minions and sends them on a series of adventures that are gently anarchic and refreshingly low-key for an animated blockbuster. The film has an unusually gentle tone, with some real visual artistry to it rather than the cookie-cutter story structure and imagery in most summer movies. And while it's not riotously funny, children will be mesmerised and adults will be smiling.
It opens at the dawn of time, as minions evolve into yellow pill-shaped sidekicks who serve their evil masters throughout history. When they find themselves without a leader, they try to build a society in an arctic cave, but something just isn't right. So Kevin, Stuart and Bob (voiced in Esperanto-style gibberish by director Pierre Coffin) head off to 1968 New York to find a villain to work for. There they hear about ruthless baddie Scarlet Overkill (Sandra Bullock), so they head to Villain-Con in Orlando to meet her. She's impressed by their loyalty and takes them to London to work with her inventor husband Herb (Jon Hamm) on a nefarious plan to steal the British crown from the Queen (Jennifer Saunders). But nothing goes quite as planned.
Since it's set in the 1960s, the filmmakers give the film a groovy vibe, with sun-drenched animation and hilariously colourful details in every scene. Adults are more likely to catch references to things like the Monkees, Hair or Bewitched, but kids will enjoy the general silliness, including lots of chances to sing along with the minions as they babble through classic tunes. Thankfully, directors Coffin and Kyle Balda resist temptation to use the standard animation formula, opting instead for a meandering pace, a less pushy moral message and action scenes that emerge from the plot, settings and characters. And the starry voice cast refreshingly disappears into the characters.
Continue reading: Minions Review
While there's a strong story in here about the power of literature and the fragility of life, this movie takes a far too wistful approach, so it feels like a cheesy bedtime yarn rather than a look at horrors of Nazi Germany. As a result, it's difficult to feel the full force of either the wrenchingly emotional events or the provocative themes.
Set in 1938, the story opens as irreverent 12-year-old Leisel (Nelisse) is taken away from her mother, who is accused of being a communist. She's then adopted by the childless couple Hans and Rosa (Rush and Watson). But while the cheerful artist Hans makes her feel at home, Rosa is relentlessly harsh. Leisel also reluctantly befriends neighbour boy Rolf (Liersch) and embarks on a series of adventures, including stealing books from Nazi book-burning rallies. But the mayor's wife (Auer) doesn't mind Leisel stealing books from her library. And when Hans and Rosa take in a Jewish refugee boy (Schnetzer), he encourages Leisel to start writing her own stories.
Oddly, director Percival softens every dark element in Petroni's screenplay. The Nazis are like school playground bullies, while the Allied bombings leave buildings in rubble but dead bodies bizarrely intact and peaceful. Even the setting looks like a fairy tale, with magical snowdrifts and fanciful spires. And the strangest touch of all is the cheery voiceover narration by Death (Allam), which turns the most horrific atrocities into a kind of wry eventuality. Watching brutal murder presented as a sort of poetic justice is deeply disturbing.
Continue reading: The Book Thief Review
The World War II drama 'The Book Thief' adapted from Markus Zusak's novel, hit theatres this Friday to a mixed reception.
'The Book Thief' is the latest Hollywood film adaptation to hit the big screen. The movie, which is based on the novel of the same name by Australian author Markus Zusak, was released this Friday and it depicts the harrowing time of Germany's Nazi-era. The World War II drama boasts an impressive cast which includes Geoffrey Rush, Emily Watson, and two upcoming stars, Sophie Nélisse and Ben Schnetzer.
Geoffrey Rush and Sophie Nélisse in 'The Book Thief'
The story follows a young girl called Liesel Meminger (Nélisse) who is first introduced to the audience by sitting next to her bothers gave, who recently died. It is there she discovers a book left behind by the grave-diggers and hides it under her coat.
Finally, in just a few short months, the expert work of Markus Zusak will be seen on screen for the first time.
For those who have read and loved Markus Zusak’s The Book Thief, the film trailer below has been a long time coming. Anyone who hasn’t gotten around to reading the book yet, deserves a stern look of disappointment, but also, here’s the brief summary to get you up to speed. The film takes place in Germany during the final years before WWII. Young Liesel Meminger is separated from her family, who are suspected of communist leanings, and she gets sent to live with Rosa and Hans Hubermann instead. The couple take her in as their own.
Watch the brand new trailer for The Book Thief below.
Liesel Meminger is a 9-year-old girl who is forced to be separated from her family for her own safety. She goes to live with another German couple, Rosa and Hans Hubermann, who treat her as if she were their own. However, settling in to a new home is less than easy and she struggles desperately from disturbed sleep. In a bid to comfort her, Hans decides to stay by her bedside every night until she falls asleep. He discovers that she is in possession of a book, 'The Gravediggers Handbook', which it turns out was stolen and Liesel is unable to read it. Hans decides to help her further by teaching her to read, an ability that is enhanced further by the arrival of a Jewish runaway named Max, who the Hubermann's agree to hide from the vigilant Nazi officers.
'The Book Thief' is based on the 2006 World War II novel of the same name by Markus Zusak and has been adapted to screen by writer Michael Petroni ('The Chronicles of Narnia: The Voyage of the Dawn Treader', 'The Rite') and Primetime Emmy winning director Brian Percival ('The Ruby in the Smoke', 'The Old Curiosity Shop', 'A Boy Called Dad'). It is set for release in the UK on January 31st 2014.
In London, Jack (Depp) is brought before George II (Griffiths) so he can help the Brits beat the Spanish to the Fountain of Youth. But after an elaborate escape, Jack ends up in the crew of the ship captained by the evil Blackbeard (McShane) and his daughter Angelica (Cruz), with whom Jack has a past. So now Blackbeard, the Spanish and the British, led by Jack's old nemesis/pal Barbossa (Rush), are racing to the Caribbean to find the secret of immortality. And their first task is to capture a mermaid.
Continue reading: Pirates Of The Caribbean: On Stranger Tides Review
Geoffrey Rush, Jane Menelaus, Academy Of Motion Pictures And Sciences and Academy Awards - Geoffrey Rush and Jane Menelaus Los Angeles, California - 83rd Annual Academy Awards (Oscars) held at the Kodak Theatre - Arrivals Sunday 27th February 2011
Colin Firth and Geoffrey Rush - Colin Firth and Geoffrey Rush The 54th Times BFI London Film Festival - The King's Speech - The 54th Times BFI London Film Festival - The King's Speech - Photocall Thursday 21st October 2010
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