Starting with the beyond-iconic framing number "New York, New York," which blasts out with unalloyed gusto just as the film's three sailors come tumbling off their boat with a mere 24 hours' shore leave to take in all the sights and sounds of New York, the film is an unapologetically muscular toe-tapper of a show. This is most clearly due to Adolph Green and Betty Comden's script and songs that come piling out in quick succession, practically elbowing each other out of the way with the help of Leonard Bernstein's score. The intended effect is to convey the feel of a bustling American city during all its phases (from the quiet, just waking-up opener "I Feel Like I'm Not Out of Bed Yet" to the nightlife epic "On the Town"), and it's nearly perfectly conveyed.
Continue reading: On The Town Review
With a tagline like "The Greatest Production Since The Birth Of Motion Pictures," you get a little something like the unmanageable monstrosity that Follies ultimately becomes. Structured as a series of unrelated vignettes, directed by different people (not to mention that screenwriting credit list), it's ultimately just a jumble of parts that add up to less than a whole movie.
Continue reading: Ziegfeld Follies Review
Not so with Singin' in the Rain, probably the best musical ever made and 50 years after its original production, its special edition DVD proves it's just as great now as when it was originally produced. If somebody doesn't like this movie, they're either dumb, dead, or both.
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And so, for the historically uninterested, we find ourselves in a small town in 1925 Tennessee, where a highschool teacher named John Scopes (Dick York) has done the unthinkable: He has brought Darwin's theory of evolution into the classroom, casting doubt upon the literal interpretation of the Bible in the process. The state arrests him, and his trial became one of the first "celebrity" lawsuits ever. The prosecution was led by Fundamentalist and three-time presidential candidate William Jennings Bryan (Fredric March). The defense (hired by the ACLU -- in the movie, by a Boston newspaper) was led by Clarence Darrow (Spencer Tracy), a wild agnostic and verteran lawyer, nearly 70 years old.
Continue reading: Inherit The Wind Review
That's Entertainment! -- which would spawn two sequels and another DVD of extras (available on the box set, see right) -- is more accurately a celebration of MGM and its legacy of movie musicals. Shot in 1974, the film takes us on a tour of MGM's then-sprawling backlot (which was torn down shortly thereafter), radically contrasting the dilapidated sets with the films that were originally shot on them. Stars like Sinatra, Astaire, Crosby, Kelly, Minnelli, and Reynolds (Debbie, not Burt) are our tour guides, hosting us on our walkthrough the back lot and introducing the clips of past films starring themselves and their friends.
Continue reading: That's Entertainment! Review